- Audio CD (26 Mar. 2012)
- Number of Discs: 1
- Format: CD
- Label: Act Music
- ASIN: B001NG0FMS
- Other Editions: Vinyl | MP3 Download
- Average Customer Review: 4.4 out of 5 stars See all reviews (15 customer reviews)
- Amazon Bestsellers Rank: 28,046 in Music (See Top 100 in Music)
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301 - e.s.t. [Esbjorn Svensson Trio] CD
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Following the posthumous release of Leucocyte in 2008, only months after the untimely death of pianist Esbjörn Svensson, it seemed as though that album would represent e.s.t.’s final studio statement. Now, nearly four years later, 301 has emerged. It was recorded during the same sessions, whilst the Swedish trio were touring around Asia and Australia. The disc is named after the 301 Studios in Sydney.
This is no sweeping-up of studio off-cuts. This is one of e.s.t.’s greatest albums, and even arguably their ultimate work, in every sense of the word. It represents a colossal achievement, as they take their final bow. The 2007 material might be extremely varied in tone and approach, partly out of necessity, doubtless governed by the available recordings, but this circumstance works to the album’s advantage. It’s a summation of where the trio had been, and also of where these perpetually evolving players were heading next.
Before his death, Svensson was actually involved in the editing down of the sessions into what might have been a double album. In the end, surviving members Magnus Öström and Dan Berglund elected to delay the release of 301. Regular sound engineer Åke Linton was also a key presence in the recording, editing and mixing process.
A sombre, portentous opener, Behind the Stars, has lone piano, merging into the extended Inner City, City Lights, one of the album’s two staggering epics. Delicately haunting bass enters almost unnoticed, Berglund bowing sparse traces as Öström’s drum brushes follow. It’s a stalking, brooding slow-builder, hovering at length, as Svensson’s piano becomes increasingly flecked with distortion effects, a sinuous bassline unthreading. The drums slink, and a massed choir-like effect develops, adding to the sustained tone of urgency.
The Left Lane operates with a more conventional jazz pianism, all the more striking when it follows on from its scuzzed predecessor. Svensson’s spirited, bluesy virtuosity is buoyed by springily tensed bass and drums. Suddenly, the threesome is venturing into the industrial loading bay, as Houston, the 5th heads towards electro-acoustic abstraction, bathed with sonic distress.
Once more, there’s a cut to pure piano grace with Part I of Three Falling Free. The lengthy Part II is the album’s other sheer classic ripper, amassing a percussive density that approaches an Afro-Latin feel, the bass distortion growing, a driving rhythm set up for Svensson’s epic gestures, propelling towards a gargantuan climax. Not surprisingly, this is followed by the tender ballad of The Childhood Dream, as all facets of e.s.t. are continually revealed.
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Top Customer Reviews
This new album has more of the trademark E.S.T melodies than the previous album and some absolutely outstanding moments of ensemble playing, especially on Three Falling Free Part II, which builds up to a percussive climax. This is a superbly exciting track. The final track, is a slow ballad led alternately by Berglund's bass playing and Svensson's piano, with a touching melody running through it. It's similar, in style, to believe, bereft, below.
The album starts with the solo pino tune "Behind the stars"a reflective piece that seques into the magnificent"Inner city city lights"a long brooding malevalant track,this ios then followed by another 12 minute track"The left lane" that features great playing by Esbjorn,very fluid in tempo until about half way through,when the tempo slows right down with some fine Bass solo work by Dan Berglund.the drummerMagnus Ollstrum is no slouch either.
"Houston the fifth"a short electronic sound scape follows,withits out of this world ambience,which then melds into the plaintive"Tree falling free part one" which has some wonderful playing on it by Esbjorn,this is followed by "Tree falling free part two" which at over 14 minutes is the longest track on the album,which is good because it gives the trio time to express themselves and extend thier creativity,which within this trio was immence,the whole thing builds to a stunning cresendo of sound.
The whole album is bought to an end,by the stunning 8 minute track"The childhood dream",a slower paced tune that stand up well.
I own all 13 EST albums,as well as the solo releasesand i feel that Esbjorn would have rated this amongst the best had he still been alive today,i miss him not only as a master musician,but a human being.
ESBJORN SVENSSON......GRAND PIANO,ELECTRONICS,TRANSISTOR RADIO
DAN BERGLUNDDig It To The End - Tonbruket.....DOUBLE BASS,ELECTRONICS.Read more ›
i am so used to listen to my heroes, so many passed on. est were probably the most exciting jazz trio ever.
It represents a colossal achievement, as they take their final bow. The 2007 material might be extremely varied in tone and approach, partly out of necessity, doubtless governed by the available recordings, but this circumstance works to the album's advantage. It's a summation of where the trio had been, and also of where these perpetually evolving players were heading next.
(Martin Longley 2012-03-12; [...])
They were one of the foremost piano/drum /bass trios and I believe this is music from 2007-8
It is beautifully crafted and to my mind more approachable than Leucocyte
I rate EST as high as Marcin WasilewskiTrio (Polish) & Brad Meldhau Trio and Esbjorn piano /leader was at the top of his game
Most Recent Customer Reviews
great album cracking piece of vinyl very pleased with prompt servicePublished on 16 Sept. 2014 by Madeleine
Well played & produced, just not my type of music. Bought on a whim.Published on 15 Sept. 2014 by Dt Henry Carr