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24 Panels Paperback – 27 Nov. 2018
Purchase options and add-ons
- Print length112 pages
- LanguageEnglish
- PublisherImage Comics
- Publication date27 Nov. 2018
- Reading age13 - 16 years
- Dimensions15.49 x 1.02 x 25.4 cm
- ISBN-101534311262
- ISBN-13978-1534311268
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Product description
Review
VERDICT A must for libraries offering graphic novels to their teen and older patrons. Art reaches out to heal damaged lives and provide needed treatment in this outstanding survey of contemporary British comic and graphic arts.--Cliff Glaviano, formerly with Bowling Green State Univ. Libs., OH
Review
VERDICT A must for libraries offering graphic novels to their teen and older patrons. Art reaches out to heal damaged lives and provide needed treatment in this outstanding survey of contemporary British comic and graphic arts.--Cliff Glaviano, formerly with Bowling Green State Univ. Libs., OH
Product details
- Publisher : Image Comics; 1st edition (27 Nov. 2018)
- Language : English
- Paperback : 112 pages
- ISBN-10 : 1534311262
- ISBN-13 : 978-1534311268
- Reading age : 13 - 16 years
- Dimensions : 15.49 x 1.02 x 25.4 cm
- Best Sellers Rank: 1,011,024 in Books (See Top 100 in Books)
- Customer reviews:
About the authors

Kieron Gillen is a British writer, journalist and critic best known for his work in comics and his previous work in entertainment journalism.
Gillen's first graphic novel, PHONOGRAM (with artist/co-creator Jamie McKelvie), was published through IMAGE COMICS in 2006. Since then he's found work writing for MARVEL, AVATAR, BOOM, TOKYOPOP, DYNAMITE and more that don't spring to mind right now.
At Marvel, he's written runs on books including THE UNCANNY X-MEN, THOR, YOUNG AVENGERS, IRON MAN, JOURNEY INTO MYSTERY, STAR WARS, DOCTOR APHRA and DARTH VADER.
Books he's created included UBER, MERCURY HEAT and THREE, but is best known for the ongoing gods-as-popstar series with long time collaborators Jamie McKelvie and Matt Wilson THE WICKED + THE DIVINE launched to both huge critical and commercial success in 2014. It will conclude in 2019.
He is working on other things.
In his previous life as a critic, his work has appeared in WIRED, THE GUARDIAN, PLAYSTATION MAGAZINE UK, PC GAMER, EDGE and far too many others to count. In 2007 he was one of the founders of ROCKPAPERSHOTGUN.COM, what is now the world's premier PC-centric games blog.
He once played records for DMC to rap over.

Dublin born, Melbourne based Emmet O'Cuana is a writer and critic. He is also an aspiring home cook. One day, he dreams of owning a miniature goat. https://www.emmetocuana.com/

Lizz Lunney is a Berlin based comic artist originally from the UK. For over fifteen years she has been creating stories, jokes, and characters for companies such as BBC3, The School of Life, UK Greetings, the Royal Shakespeare Company, Computer Arts, and many more. She attends festivals and has exhibitions worldwide with her 2D and 3D creations. Her character Depressed Cat has over 20,000 twitter followers.
Currently the resident cartoonist for Exberliner Magazine with #instabunnies
Customer reviews
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Learn more how customers reviews work on AmazonTop reviews from United Kingdom
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- Reviewed in the United Kingdom on 24 July 2019This makes the perfect companion to "24 Stories". The illustrations are beautifully done and the writing is deeply thought-provoking. If graphic novels are your thing (and even if they're not), you'll love this.
- Reviewed in the United Kingdom on 10 May 2019With this type of comic collection, consisting of many short pieces by a variety of writers and artists, there are bound to be likes and dislikes. The overall effect is that something laudable has been created with the best intentions. Some of the pieces are hard to grasp, others simple stories, some of which not necessarily connected to the Grenfell fire and deaths.
Worth a look - and your support.
- Reviewed in the United Kingdom on 11 February 201924 Stories was a short story anthology put together in the wake of the Grenfell Tower fire and its immediate aftermath. 24 Panels is a companion project, this time featuring comic book and graphic novel artists each given the space of the titular 24 panels to give their interpretation and response to the event.
I particularly like the stark black and white contributions, with very few words, or none at all.
Trying to make sense is a noble aim, and this collection is a varied and enquiring attempt. Generally a reflective tone, using the routine incidences of the everyday to explore questions of normalcy and how to digest an event of such high traumatic impact. A thoughtfully curated collection.

