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xx (Digipack) CD

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Includes FREE MP3 version of this album.
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Amazon's The xx Store


Image of album by The xx


Image of The xx


The xx exist in a time and space of their own making. In 2009 the south London trio’s debut album ‘xx’, quietly made at night over the course of two years, bled steadily into the public consciousness to become shorthand for newly refined ideas of teenage desire and anxiety. Articulated with a maturity beyond their years, its hallmarks were restraint and ambiguity. In the age ... Read more in Amazon's The xx Store

Visit Amazon's The xx Store
for 3 albums, 3 photos, discussions, and more.

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Product details

  • Audio CD (17 Aug. 2009)
  • Number of Discs: 1
  • Format: CD
  • Label: XL
  • ASIN: B002DESIE6
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (165 customer reviews)
  • Amazon Bestsellers Rank: 7,785 in Music (See Top 100 in Music)

1. Intro
2. VCR
3. Crystalised
4. Islands
5. Heart Skipped a Beat
6. Fantasy
7. Shelter
8. Basic Space
9. Infinity
10. Night Time
11. Stars

Product Description

Product Description

Debut studio album by the English indie pop group. The album features the singles 'Crystalised', 'Basic Space', 'Islands' and 'VCR' and won the 2010 Mercury Prize.

BBC Review

The xx, like Burial’s William Bevan and Four Tet’s Kieran Hebden, studied at Elliott School in Putney, a pleasant south-west London suburb. But on the basis of this sleek debut this ice-cool quartet could surpass the achievements of their secondary school alumni.

Naming an album opener Intro prepares listeners for low expectations, so it's a great surprise when the track snakes in with a tightly coiled riff initially reminiscent of Casiokids' ace Fot I Hose. It doesn't turn into an immense house-echoing banger like the Norwegians’ tune, but when beats do arrive they're heavy enough for dubstep.

If Intro is a template for xx's simple, minimalist songs, VCR sets a precedent for winning vocal interplay between Romy Madley Croft and bassist Oliver Sim. With Jamie Smith's simple chiming production suggesting a nod to Brooklyn wonders Chairlift, Croft emotes breathily: “You used to have all the answers and you, you still have them, too.” Sim, meanwhile, sighs like a regretful Lou Reed.

A seemingly unlikely influence it may be, but amid the deep house beats of Island, the melody from Tom Petty's I Won't Back Down makes an appearance. Despite the incongruity, the motif evokes a sense of quiet triumph.

Fans of the midnight guitar in Chris Isaak’s Wicked Game will appreciate Infinity. While reverb-swollen chords drift by, Croft is hell-bent on mimicking Mazzy Star chanteuse Hope Sandoval in front of the microphone. And she succeeds beautifully.

Every song here is an enigmatic and moody blend of smoky crooning, nimble keyboard trickery and slippery treble-heavy riffs. Such self-awareness and focus is commendable given so few experienced bands, let alone newcomers, can manage it.

Yet xx’s consistency is also its sole undoing. The xx have perfected one formula but appear scared to develop any more, wary of branching into different tempos or styles. Fortunately this fault is not fatal – after all, many successful bands, from Oasis to AC/DC, have only ever had one killer idea.

Whether The xx plough on in the same noir direction of this debut or pursue new tangents, it must be hoped the Londoners are able to maintain their affecting hold on the listener whatever the stylistic surface. --Lou Thomas

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Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

56 of 61 people found the following review helpful By I'mdowntheshed! on 30 Nov. 2009
Format: Audio CD Verified Purchase
Well I'm 51 and still appreciate all genres of modern music, and I really like this album. I first saw and heard The XX on 'Later with Jools Holland' and their atmospheric music just leapt out of the TV at me. Next day, after checking out more of their tracks on You Tube I bought the album. I really like this music for its innovative and fresh feel. Yes okay it's simple and laid back (brilliant music to relax by), but it's a completely new and different sound, and that's the genius of it. I hope their recent tour supporting Florence and The Machine gives them the extra exposure they richly deserve.
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121 of 151 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 28 Aug. 2009
Format: Audio CD
Scatty and Gritz (the cubs) brought this one home
from school and have been playing nothing else over
the past week. They've dumped their hoodies (it was
red bandanas before that!) and reverted to basic black.
They also seem to be reading Schopenhauer again
- their Mother's influence not mine I hasten to add.
I seem to have found something to like in this music too.

The xx are a somewhat po-faced but very talented
little combo from South London. This debut collection
of 11 compositions is relentlessly and uncompromisingly
single-minded in its sustained intensity.
It's hard to imagine them sitting around together
drinking cider and watching Father Ted re-runs.
This is much more Jacques Brel and absinthe territory !

Seriousness becomes them.

The combined vocal contributions of Ms Croft and
Mr Sim create a charmingly laconic ambience.
There is a total absence of frenzy. In fact nothing
much happens throughout in the nicest possible way.

'Infinity' is a splendid composition. The closest
thing to a climax in the entire project.
The spirit of Hank Marvin might well be smiling in the wings.

'Night Time' is a marvelously morose little ditty
and for my money its starkly economical, pared-down,
minimalism is the album's gloomy highlight.

Jamie Smith's beats and Baria Qureshi's well-judged
keyboard interventions are entirely complementary to
the centrally positioned Croft/Sim double-act.

Concluding track 'Stars' made me remember acutely
what it was like to be young and intense and delirious
with dark and serious dreams.

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8 of 10 people found the following review helpful By Janie Reader on 12 Aug. 2010
Format: Audio CD
Now this is a rare gem. As opposed to alot of the mainstream generic sound we listen to; which even though I do love and appreciate. It does get a little lifeless and just plain bland. This is so refreshing as it requires you to engage with it just like you would with a good book or film. The bold elusivness of the case alone just encourages you to interprete it as you will. Every song sounds individual and flowed like individual stories to me. The album was sort of like a journey that you embark on. Sort of shaped to your narrative. Its powerful and atmospheric. Like "Fantasy" in particular is just deep, dark and foreboding. Ultimatley I just feel the album is an intense emotionally charged ride but at the same time equally; you can just kick back to it and relax. I would recommended it to anyone who is looking for a unique experience.
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1 of 1 people found the following review helpful By Mr. D. G. Medley on 1 Jun. 2014
Format: Audio CD Verified Purchase
Excellent album. Lovely sounding duo. If any criticism, the album's a bit "samey", but quality stuff. Great if wanting mellow, reflective, modern songs.
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11 of 15 people found the following review helpful By Tom on 18 Aug. 2010
Format: Audio CD
I had heard so much about the XX but not yet given the music a listen, being a pessimist I tend to expect that the rave reviews are from the too cool for school kids and being 30 now tends to mean I don't get it all any more :D... then I heard Crystalised on the radio and got hooked!! Took the plunge and bought the album from amazon as it was about [...] when i got it so no risk there! Took about 3 or so listens which is about what a great album should take, 1 then its too easy (mainstream pop) and you'll get bored easily, it will be on the pile in no time. This is one you need to hear late at night on a drive, collapsed out on your bed in the dark in some good headphones so you get every whispered lyric, hear every bass note that throbs, every tingling guitar note. Seriously from start to finish its amazing and I don't think I have heard a more perfect album in maybe 5 years. Can't recommend it enough, actually don't want to go into more detail than that. Music is about discovering an album in different scenarios. Sometimes you can hear an album one day when you are in the wrong mood and you put it aside and 4 months or a year later you find it again and put it on and its the most perfect album you've ever heard. Don't wait that long, stick it on, but make sure you hear it in it's entirety and then again and again..

References are obvious with new order, the cure and some eighties electronic bands that you never thought you would hear sound so fresh today. Which I always loved, but don't be put off if you don't like those, if you liked crystalised by the XX you will love the rest of the album. P.S try XX's mix of you've got the love (florence version) it's amazing, stripped back and gorgeous! But i can't find it on amazon sadly. Thank you XX :)
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29 of 39 people found the following review helpful By AK-87 on 3 Sept. 2009
Format: Audio CD
This album is perfect commuter escapism. There are only about one or two albums a year which I can just listen to over and over again and this is my 2009 record. This is just one of those albums which just sounds better through headphones on the move. I wouldn't go as far as saying that this album can be grouped in the chill out genre but it is fantastically peaceful.

This time last year I was addicted to Burial's 'Untrue' and I can honestly say that if you enjoyed that record for its ability to make you lose yourself in its minimal and haunting sound, you'll love 'xx'. Interestingly, this young group met at the same London school which was attended by Hot Chip, Four Tet and Burial himself. The female and male vocalist harmonise and complement each other superbly on every track but, for me, stand outs are 'VCR', 'Basic Space' and the recent iTunes single of the week, 'Crystalised'. The smooth female vocals make me imagine a beautiful love child of Bjork and Zero 7's Sia Furler (you can decide whether you think that is a good combination or not!)The bassist creates a ghostly but melodic rhythm which features throughout which reminds me of Massive Attack's 'Danny The Dog'. What really impresses me is the way the group have maintained a constant and original sound without feeling the need to throw in a few tracks to change the mood. Some may dismiss this album as monotonous but the whole thing works for them and it flows as if it could be a film score much like Burial's 'Untrue'.

If you are looking for a refreshing change to the chart topping indie groups and wish to support genuine young British talent you should BUY this album. You will not be disappointed.
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