6 of 6 people found the following review helpful
Wired punks (buzzing),
This review is from: Metal Box (Vinyl Replica Edition) (Audio CD)
You don't think -do you- that punk was only about reductionist riffs and complex trousers? If you do then doctors -none of them reputable, all of them struck off- recommend an immediate course of `Metal Box'
Jah Wobble's bass on the anti-hit that is `Pop Tones' owes nothing to anyone while Lydon-formerly-Rotten's stream-of-consciousness is of course put over in THAT VOICE (strip away the rest of his band before PiL and THAT VOICE still sounds downright unruly)
And of course there was an interface between punk and reggae that went way beyond The Clash covering `Police And Thieves' Look no further than `Albatross' to realise this, and also to catch the sound of perhaps angst-ridden young men making music as a means of getting rid of something, and indeed of `getting rid of the albatross' as Lydon / Rotten mentions a few times. As if that wasn't enough the gulf between Wobble's bass and Keith Levine's wired guitar is unbridgeable, so the drummer -Dave Crowe?- makes no attempt to do it.
When it comes down to it I'm one of those reviewers who's going to tell you that `Metal Box' is seminal. It's also essential for anyone who believes that `music' is a term which covers all known bases and those yet to be labelled. My advice to anyone who can't go for that is to avoid this set like the plague, but then dividing opinions is a good thing when it's an alternative to consensus, bland or otherwise.