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Mind the Gap...,
This review is from: Neverwhere (Paperback)
Richard Mayhew has just been "a Good Samaritan" to a girl lying bleeding on a London pavement, and has thereby ruined his entire life. The girl, you see, a young lady by the name of Door, is an important person in the world of "London Below", and some very unpleasant people are trying to kill her. By hiding her, Richard becomes "one of the people who fell through the cracks", invisible to the inhabitants of the normal world - London Above -and easy prey for the terrifying creatures of London Below. Until he finds Door again, and is sucked into her quest to find the murderers of her family...
Gaiman has created an eerie otherworld in the sewers of London and the tunnels and stations of the Underground that is complete in every detail and so interwoven with the "real" world that its frightening. Never having been to London, I'm starting to be a bit scared of the Tube Stations: real shepards at Shepards Bush (ones you don't ever want to meet), an earl in Earl's Court, saxophone players who live both in the Above and the Below, Old Bailey and Hammersmith are people, Knightsbridge is a bad neighbourhood...
And at the end you are left with enough answers to satisfy as concerns the main plotline, but not all the answers you want. There is so much detail in London Below that there are thousands of things begging to be explored and examined: The system of fiefdoms which apparently rules Below, but which is never really explained, the importance of Door's family, the Seven Sisters, the story of the swashbuckling, sardonic Marquis de Carabas (books could be written about him, he is undoubtably my favourite character) and more; really the list could go on forever. But that is what makes it all so convincing: Gaiman wastes no time explaining anything, he just tells the story. The spooky atmosphere and fast pace ensure that the somewhat predictable plot never gets boring - you don't even realise it was predictable until you come to the big showdown. And the end is just perfect.