10 of 10 people found the following review helpful
This review is from: High Violet (Audio CD)
When i was first given this album, I was a bit dubious. On first listen it sounded a bit monotonous- Matt Berninger's baritone seemingly numbing the subtle, low key tunes. However, gradually, tracks began to bloom. The second half of the album did this first- Lemon World's unusual detail in the chorus was quickly overwhelmed by some of the most beautiful verses i've heared- once they've caught, you'll do well to stop listening to it all day. Vanderlyle- the last track and England, the penultimate one, soon became tracks I would enjoy immensely. However, it's the first half of the album that eventually offered the most. Tracks 1,3 4 and 5 all gleamed after a number of listens into some of my favourite tracks of the year. But it's Sorrow that has overwhelmed me. You'll do well to find a subtler, more beautiful song than this.
On reflection, this is certainly one of the best albums i've owned; the coherence of the entire listen, and the incredible quality of the individual tracks themselves all make a remarkable piece of work.
If you're put off by the first couple of listens, please persist. It'll reward you many times over
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Initial post: 18 Jan 2013 14:15:51 GMT
Philip Millward says:
i completely agree i havnt stoped playing this since i got it afew years ago conversation 16 starts a trio of tracks that i find mesmerising
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