19 of 19 people found the following review helpful
Back to the future,
This review is from: Paradise Filter (Audio CD)
I bought this CD a few days before seeing them live at the start of the Paradise Filter tour. That proved to be a good move as the show features several songs from the album.
The lineup includes Mark Walker on drums who has taken over the stool from the late and very great Richard Coughland. To his credit he does a great job as do all the band. The loss of Doug Boyle's guitar actually allows the band to return to a more traditional Caravan sound. While 'The Unaurtorised Breakfast Item' was certainly a very compitant album I felt it lacked something. That 'something' has been re-discovered.
Pye Hastings song writing has remain wornderful throughout the last 45 years and the new songs on the CD don't disappoint. His voice is still as mellow as it alway's been but it's one I don't think I'll ever tire of listening to. He writes and sings all bar one of the songs on the CD. The exception being the title track. This was written by Geoff Richardson and Jan Schelhaas in '"the Caravan style". This one would drop straight into 'Girls who grow plump..' very easily.
'Fingers in the till' tells a story of corruption and frustration and has a increadibly catchy chorus. There is some sentimentallity evident in some other songs, something which Pye has always done well. This is particually evident in 'Farewell my old friend' which, after the loss of Richard Coughland and paired with 'For Richard' in the live set, takes on a whole new meaning. I have to say that having suffered a loss of my own recently I find it an uncomfortable but satisfying listen.
All in all Caravan are back on form with a sound that I'm sure will swell their legions of fans over the coming years and earn them the wider recognition they deseve.
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Initial post: 19 Dec 2014 10:09:24 GMT
B. Strong says:
for me the opposite applies.The Unauthorised Breakfast Item hailed a return to some long song formates played at their most creative and atmospheric best and, for my money, this is their best work since Blind Dogs. This album seems to reference their lesser 80's output plus Battle Of Hastings. Simple catchy pop songs with only the title track offering anything remotely substantive.
But hey music is subjective and am glad others find this album enjoyable.
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