5 of 5 people found the following review helpful
The deep and inner most part of Bjork...,
This review is from: Medulla (Audio CD)
An entire album that uses human voices as the main instruments?...sounds intriguing, and a concept that could only be conjured up by Bjork, who I consider to be possibly one of the most original artist of our generation.
Intriguing is right, along with beautiful and breath-taking.
Bjork has created a 14 track strong album that progresses on from where her marvelous Vespertine (2001) left us. Through the arrangement of the human voice, Bjork creates tracks that are diversely romantic, chaotic, experimental and dancy.
The album opens with one of the strongest tracks, "Pleasure Is All Mine", which quickly becomes one of her most beautiful tracks to date. Initially stark koo-ing, backed by various throat-like support, soon becomes a soundtrack of layered vocals; harmonious and soaring. As with her previous album openers, "Pleasure Is All Mine", prepares us for the following 13 tracks superbly.
"Where Is The Line", continues this layered vocal, this time accompanied by voice-box beats, giving the track a menacing feel. This track is one of many personal highlights, demonstrating the true versatility of the human voice. Addressing Bjork's frustration with someone, the track explodes into distorted chaos.
"Vokuro", offers us the exact contrast of "Where Is The Line". It is a beautiful, hymn-like track, sang purely in Icelandic accompanied by a male choir, simple against many of the other tracks, but still deeply haunting and affective.
"Who Is It", is a much more schizophrenic track, with its dark verses which quickly turn into an uplifting chorus, fuelled by it's 'Trip-hoppy' beat-box beat. Bjork's lyrics are as rich as ever here, "His embrace, a Fortress, It fuels me and places, A skeleton of trust..."
"Desired Constellation", reminds me of "Cocoon". Simplistic in terms of layers, but again...very beautiful and affecting. One of the only tracks where she is accompanied by an instrument, yet seems to fit in with the rest of the album perfectly.
"Oceania", is a joyful poetic tribute to the human race as sung from the oceans' point of view. Bjork's joined here by a choir singing up and down scales, giving the song a playful edge...aquatic and romantic.
"Ancestors", is pure improvisation with Bjork, a piano and a throat singer. It becomes almost difficult to listen to, but showcases Bjork's talent to be completely original, experimental and shows the versatilities between the sounds a voice can produce.
"Mouth's Cradle", seems more rhythmical than most tracks. A wonderfully romantic song of escaping inside a lovers mouth, "...Away from the Osamas and Bushes". This track refers strongly to the music concrette that was seen previously on "Homogenic" and "Vespertine", and is another excellent example of the vocal contrasts on "Medulla".
As one would expect from Bjork, this album is full of creativity and artistry. "Medulla" really does proove that Bjork is a truly unique talent in todays music industry. Buy, listen with an open mind, and be inspired!