40 of 43 people found the following review helpful
powerful, haunting, disturbing - a must-read,
This review is from: We Need To Talk About Kevin (Paperback)
This novel was thrust into my hands by an independent bookseller whose judgement I trust, who said they had all been blown away by it. Actually, I didn't need much persuading because I remember reading Shriver's earlier work, published when Faber had more courage and less accountants, and thinking it terrific esp about Africa.
But this is something else...like Rachel Cusk's A Life's Work, it's about the dark side of motherhood, something most mums experience from time to time but rarely read about. Only this is much, much darker because in addtion to the usual worries career women have about loss of freedom when having a child, Eva's is a Columbine-style killer. The novel is told in a series of letters to her ex-husband, and despite its ferociously dark subject is horribly funny and honest. (The comedy isn't just about reproduction but about politics because Eva is Democratic and her husband, horrors, Republican.)She gets pregnant because she is, basically, bored and too happy - a lousy reason but one I think many people secretly have. Needless to say the birth is a nightmare (without anaesthetic - how dumb can you get??)and Eva probably gets post-natal depression, pretending everything is fine when it is patently not. But the deeper question the novel asks is whether evil is born or made. Kevin has a complete lack of affect, and Eva's husband, besotted, fails to notice this, seeing only "the boy" not the individual. The story darkens and darkens, producing a wholly gut-wrenching twist or two even when you know its outcome.
There are several faults in the narration, not least in its pacing - we get long chapters about Kevin as baby and toddler then jump forwards to his teens. Eva is a snob, and Kevin partly the monster she has created, yet Shriver's gift is that she makes you care about them in the end. A strong contender to win the Orange Prize, in my opinion, though as a work of literature it isn't a patch on Jane Gardam's Old Filth, also shortlisted.