Customer Review

14 of 16 people found the following review helpful
4.0 out of 5 stars Giant space weevils of doom, 11 April 2006
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This review is from: Doctor Who - The Ark In Space [1974] [DVD] [1963] (DVD)
Story: 4/5 - Extras: 3/5
Tom Baker's second story in the role (although The Sontaran Experiment was filmed first) is vintage Who. Scripted by prolific Who writer Robert Holmes, The Ark in Space is one of those entirely studio-bound stories with shonky model work and a rubber monster. As such, the futuristic setting looks pretty dated, but as the story relies as much on character work as it does on conventional sci-fi conceits, it doesn't really matter.
Even at this early stage, the Fourth Doctor's character is becoming well-established, complete with Tom Baker's trademark toothy grins and effective put-downs, and Ian Marter is very proper and British as over-his-head Naval medic Harry Sullivan. Only Elisabeth Sladen's Sarah Jane Smith gets a poor treatment here, made to act even more terrified and hopeless than usual (not to mention spending half of the first two episodes in cryogenic sleep).
The small guest cast is well performed, particularly Wendy Williams' Vira, whose certainty of and adherance to the established rules gradually unravels as the story continues. Kenton Moore as Noah and Richardson Morgan as Rogin are decent if more forgettable characters, with Noah's struggle against possession by the Wirrn being reasonably well-played.
Despite the obvious use of bubble wrap in the construction of the Wirrn larvae, The Ark in Space holds together well as a story. I always prefer my Who when it goes on location, but with a decent script a limited set budget can be overcome; maybe, however, the lighting could have been more moody. The model footage is looking old, but as a feature of the DVD one can enable a series of replacement CGI footage that looks pretty good.
In terms of special features, the leading feature is a moderately entertaining commentary by Tom Baker, Elisabeth Sladen and producer Philip Hinchcliffe. As well as the traditional photo gallery, there are a couple of interviews; some unused title sequence footage and model shots; a couple of related cuttings from the BBC archives; and of course the usual informative on-screen production notes. Not a bad package overall.
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