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3 of 3 people found the following review helpful
5.0 out of 5 stars If you don't want the whole opera, this is where to begin, 2 Sep 2013
This review is from: Einstein on the Beach/ The Changing Image of Opera (Audio CD)
As Philip Glass's Einstein on the Beach was recently undergoing a revival at the Brooklyn Academy of Music in New York, I was reminded of when I saw it there in 1984, the second series of performances after its initial run in 1976. This 4 1/2 hour "opera" is a combination of music, dance and visuals, and was truly unforgettable. Over the years, I've collected the different recordings of the work.

First was the 1978 Tomato Records set, later released on CBS Masterworks, then Sony. At 160 minutes, this was greatly reduced from the full work. Later, in 1993, a Nonesuch recording, on CD, was 190 minutes long, still a lot shorter than the entire work.

But until now, no recording was released of the 1984 performances. Philip Glass's Orange Mountain Music has done that now, in two versions. This release, a CD and DVD set, contains a 77-minute CD of "highlights" of the work, along with a DVD of a documentary, The Changing Image of Opera, made during the 1984 production, but rarely seen. The second is a 217-minute "complete" recording, available only by download on the iTunes Store (at least for now), and is the most complete recording to date.

The 1984 recording has several advantages over the others. First, it's a live recording, showing much better how the work actually sounded. Second, there is no attempt to make the sound lush and rich, as on the Nonesuch recording, which, again, brings it closer to its performance.

The disadvantage of this release is its brevity. If you're just tangentially interested in Glass and Einstein, these 77 minutes do give a good overview of the main musical themes of the work, but if you find you like this work, you need to get the longer release. However, the documentary included here is certainly worth the price of the set.

I'm looking forward to both audio and video releases of the current revival of Einstein on the Beach. Finally, we will be able to see and hear the entire work. I just hope that it's not too "smooth," that the years between the first productions and the present haven't led to too much perfection. One of the charms of minimalism in the 1970s and early 1980s is its spontaneity. This was music that went against the grain at the time, but which has now become more or less mainstream. I hope the radical nature of the original work comes through in the new performances.
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