1 of 1 people found the following review helpful
This review is from: Life, Love And Leaving (Audio CD)The Detroit Cobras have a healthy disregard for musical fashion and play almost exclusively brilliant, scorching covers of favourites from their vinyl collections from the fifties onwards, paying welcome particular attention to artists with a Detroit connection. There have been a number of line-up changes over the years but always with Rachel Nagy's vocals backed up with Maribel Restrepo on rhythm guitar and backing vocals, and on this record with Dante Aliano (guitar), Eddie Hawrsh (that's how it is spelled on this record)(bass and keyboards) and Damian Lang (drums).
Although fourteen songs are thoroughly dealt with, the whole album is over in half an hour because when a song is done, it's done, and sometimes this only takes a minute and a half. If only more bands would adopt this policy!
Hey Sailor is actually Mickey Lee Lane's Hey Sah-Lo-Ney, which he cut for Swan back in 1965. The Ronettes are an obvious source of inspiration and for He Did It the Cobras reach back to their pre-Spector days at Colpix, and a song co-written by Jackie DeShannon (now a Cobras' fan after hearing their versions of He Did it and Breakaway). Find Me A Home is more properly known as Home In Your Heart when first recorded by Solomon Burke, who also had the original of the much-covered Stupidity. Oh My Lover may be known to you if you ever turned over your copy of the Chiffons' He's So Fine and played the other side. Cry On is a cover of an early Irma Thomas hit written by Allen Toussaint (contrary to other reviews it has nothing to do with Ronnie Mack). Mary Wells wrote Bye Bye Baby for Jackie Wilson but when Berry Gordy heard it, he had Mary Wells record it herself at United Sound in Detroit for his new Motown label, her first single in 1960, making her sing it in a hoarse voiced style which makes it a natural for Rachel's naturally throaty vocals.
Boss Lady is the band's re-interpration of local band's Davis Jones and the Fenders' Boss With The Hot Sauce. Laughing At You takes us back to the Gardenias (not the Guardinias as printed in the booklet), who wrote and recorded it for Detroit's Fortune label in 1957 as I'm Laughing At You. Bob Dylan played it on his Theme Time Radio Hour special on laughter. Ike and Tina Turner had a regional R&B hit with You Can't Miss Nothing That You Never Had (disguised here as Can't Miss Nothing) in 1963. That leaves Right Around The Corner originally by the Five Royales in 1956, written by Charlie Singleton and Rose Marie McCoy; Won't You Dance With Me was by Mitch Ryder and the Detroit Wheels when they were still known as Billy Lee and the Rivieras; Let's Forget About The Past was on the flipside of Clyde Mcphatter's huge 1962 single Lover, Please; and finally Shout Bama Lama, possibly the definitive version of this song, was by Johnny Jenkins' Pinetoppers in 1961, featuring a novice singer called Otis Redding.
This is a great album, over too soon, but short enough to play all over again straight away, even louder, which I recommend you do.