Customer Review

26 of 26 people found the following review helpful
5.0 out of 5 stars THE KING'S VEGAS PERIOD AT ITS BEST., 26 Mar. 2010
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This review is from: On Stage (Legacy Edition) (Audio CD)
A nice companion to go alongside Legacy's expanded edition of FROM ELVIS IN MEMPHIS released last year, this new edition of the King's 1970 in-concert album ON STAGE actually includes both of Elvis Presley's first two live albums, the other one in the package being his debut in-concert set, ELVIS IN PERSON, released initially as part of the double-album FROM VEGAS TO MEMPHIS/FROM MEMPHIS TO VEGAS in late 1969 before being re-released as an album in its own right in late 1970. Both albums feature material taken from the King's Las Vegas engagements of August 1969 and February 1970, with ELVIS IN PERSON on disc two being slanted in favour of Elvis' early rock and roll material and ON STAGE concentrating on a revised set list during which Elvis was keen to interpret more contemporary songs like Creedence Clearwater Revival's 'Proud Mary' and Neil Diamond's 'Sweet Caroline'.

In a catalogue which was to become strewn with live albums during the 1970s, both ON STAGE and ELVIS IN PERSON capture the King at something of a performance peak, when his command of the International Hotel showroom was fresh and innovative and before it began to teeter on the brink of self-parody. The sense of Elvis enjoying his musical renaissance is palpable throughout ELVIS IN PERSON, where old favourites like 'Blue Suede Shoes' and 'Mystery Train' stand proud alongside dynamic new recordings like an epic and impassioned rendering of 'Suspicious Minds'. Similarly, with the later ON STAGE album, Elvis' enthusiasm for more contemporary tunes shines through with his stupendous rendition of Tony Joe White's 'Polk Salad Annie' and a heartfelt cover of Joe South's 'Walk A Mile In my Shoes'.

A nice selection of bonus tracks have been tacked onto both albums, with those on ELVIS IN PERSON perhaps being of most interest, during which we get to hear Elvis getting his teeth into bluesy numbers like 'Baby, What You Want Me To Do', 'Reconsider Baby' and the song that launched his global breakthrough, 'Heartbreak Hotel'. With regard to the ON STAGE album, a bonus performance of the lovely 'Kentucky Rain' is very pleasing to hear also.

Together with FROM ELVIS IN MEMPHIS, ON STAGE is a benchmark in Elvis Presley's career, showing that at the end of the 1960s he was once again just as important to contemporary popular music as the rock groups and solo performers who had risen in his wake throughout the decade.
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Showing 1-1 of 1 posts in this discussion
Initial post: 20 Aug 2010 11:42:50 BDT
Mark Twain says:
Great Post, Thanks
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