16 of 16 people found the following review helpful
U2 out of control......,
This review is from: Rattle & Hum ! (Audio CD)
Most of this 1988 release was recorded during the band's Joshua Tree tour. It is often derided for marking the moment U2 began to balloon out of control, veering into something near parody. To be fair, there are several highly inspired moments including "Desire," "Heartland," and "All I Want Is You." An uneven listen.
Rattle and Hum is an expression of U2's urge to have it both ways. A sprawling double album that incorporates live tracks, cover versions, collaborations, snippets of other people's music and a passage from a taped interview, the record is an obvious effort to clear the conceptual decks and lower expectations following the multiplatinum success of The Joshua Tree.
But ambition has always been U2's gift and curse, and the band clearly doesn't feel fully comfortable with its sights lowered. Consequently, if amid the rather studied chaos here, you feel moved to draw comparisons with masterpieces of excess like the Beatles' White Album or the Rolling Stones' Exile on Main Street, you can be sure that Bono, the Edge, Adam Clayton and Larry Mullen Jr. won't mind a bit.
This record doesn't quite ascend to those heights, but U2 does win half the prize. In its inclusiveness and rollicking energy, Rattle and Hum caps the story of U2's rise from Dublin obscurity to international superstardom on a raucous, celebratory note. At the same time, it closes off none of the options the band might want to pursue for its next big move - and, possibly, the album even opens a few doors.
Despite Bono's insistence in the blistering "God Part II" that "I don't believe in the 60's in the golden age of pop/You glorify the past when the future dries up," Rattle and Hum is in large part a paean to the tradition of Sixties artists that U2 reveres. "God Part II" itself is Bono's personal extension of "God," the dramatic track on Plastic Ono Band in which John Lennon shed the Sixties, his identity as a Beatle and all the idols he had worshiped. Bono's update includes a pointed attack on Albert Goldman, whose book The Lives of John Lennon paints a bitter, unflattering portrait of the ex-Beatle: "I don't believe in Goldman his type like a curse/Instant karma's gonna get him if I don't get him first."
Rattle and Hum evokes the Beatles right off the bat when it opens with a corrosive live version of "Helter Skelter," a song that originally appeared on the White Album. "This song Charles Manson stole from the Beatles; we're stealin' it back," Bono announces portentously before U2 tears into the tune.
Bob Dylan sings on one track (the meandering ballad "Love Rescue Me," which Dylan also co-wrote) and plays organ on another ("Hawkmoon 269"). He is further acknowledged when U2 ignites a live rendition of "All Along the Watchtower." Jimi Hendrix, the third member of U2's Sixties trinity, is resurrected when the version of "The Star-Spangled Banner" he performed at Woodstock introduces U2's searing live take on "Bullet the Blue Sky."
U2 certainly holds its own while flirting with the greats, but Rattle and Hum is most enjoyable when the band relaxes and allows itself to stretch without self-consciously reaching for the stars. The New Voices of Freedom choir joins the band...
1. Helter skelter
2. Van Diemen's Land
4. Hawkmoon 269
5. All along the watchtower
6. I still haven't found what I'm looking for
6. Freedom for my people
8. Silver and gold
9. Pride (in the name Of love)
10. Angel of Harlem
11. Love Rescue Me
12. When love comes to town
14. God Part II
15. Star Spangled Banner
16. Bullet The Blue Sky
17. All I Want is You
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Showing 1-2 of 2 posts in this discussion
Initial post: 26 May 2013 19:46:01 BDT
Richard Tate says:
I bought the original recording back in 1988/89, loved it and so in a half-cut fit of nostalgia downloaded the updated version only to find (for me) the pivotal live recording of ' Bloody Sunday' missing. Bono's passionate protest against Republican extremism has been edited; but why, I ask myself? A questionable omission, undoubtedly at a number of levels; however, the inclusion of 'All I want is you' goes some way to (partially) redeem this inexcusable production decision.
In reply to an earlier post on 20 Jan 2015 16:39:36 GMT
Sunday Bloody Sunday appears in the film but not on the album.
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