Shop now Learn more Shop now Shop Clothing clo_fly_aw15_NA_shoes Shop All Shop All Amazon Fashion Cloud Drive Photos Shop now Shop Fire TV Shop now Shop Fire HD 6 Shop Kindle Paperwhite Shop now Shop Now Shop now
Customer Review

20 of 23 people found the following review helpful
5.0 out of 5 stars Like all NIN, it took a few listens. And it's GOOD., 5 Sept. 2013
This review is from: Hesitation Marks (Audio CD)
As I put on Hesitation Marks, I thought that this album would have a lot to live up to in terms of originality. I for one felt that Reznor was on an incredible creative run of brilliant ideas and vision with Year Zero, Ghosts and The Slip. Sure, those albums were not comparable to The Downward Spiral or The Fragile in terms of emotional intensity, but then nor were they supposed to be. So I half-expected this album to be a continuation of innovating the format and conceptuality rather than an epic journey exploring the depths of suicidal feelings. And I was extremely excited to hear that Reznor was "completely rethinking" NIN had been working with people like Adrian Belew.

But in actual fact, it seems that the focus of Hesitation Marks is not about world-changing sonic experimentation and technological smart-assery. Musically, there are some surprises. Reznor career-long obvious Prince influence has never been more apparent than it is in the playful falsetto of "All Time Low" or the funk of "Satellite". In a somewhat Talking Heads' Remain in Light fashion, "Copy of A" is built up gradually in layers in a way which seems more rhythmically driven than ever before. And the major-scale verse melody of "Everything" certainly comes as a shock, but after a few listens somehow falls into the category of more conventional loud NIN moments.

Much has been made of the alleged 'sparseness' of this album in contrast with Reznor's usual painstaking tapestries of sound. But for much of the album this is done in such a way which perhaps less noticeable to outsiders, as layers of all-sorts seem to quickly pile on in almost every song. The main noticeable differences are the lack of any truly face-pounding explosive rockers, and the absence of Reznor screaming hard enough to lose his voice. There is an electronic, but ever so slightly ambient quality to the production which certainly gives the album a unique and endearing feel. In that respect it actually sounds more "band"-oriented than cinematic.

But ultimately the album's strength lie in its emotional undertones. It had to be the case - on first listen I actually found myself somewhat underwhelmed by the second half, which ostensibly seemed like an array of generic NIN guitar chugging and "I"s and "you"s. I assumed that after a few listens the cerebral "arc" would begin to show itself. and thankfully, it did. Reznor's motivation here is in looking back on who he was, where he was at, and what he was capable of, circa The Downward Spiral. He even confirmed that this was why he used artist Rusell Mills once again for the cover art. And as a mature, married, father of two and general normal chap, Reznor is now using music to express the harrowing depths of a mid-life crisis.

Joke - it's cooler than that. He is looking back on himself as a fomerly addictive personality prone to extreme mental swings and wondering if he is in any way at all, in spite of the struggles he went through, envious of his former "freer" self. There are intense emotions here, but they are intense explorations of uncertainty rather than despair.

It isn't a very deep plunge into turmoil like The Downward Spiral, and it isn't uber cool or uber conceptual like Year Zero. And nor it can it be expected to deliver the merits of those two periods of NIN. What it does deliver is a new level of reflectiveness, and will demand a deeper understand of that word from any NIN fan loyal enough to go the distance with it. It is, as anyone should expect, a new NIN, an long may it continue (for 4 or so years).
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

[Add comment]
Post a comment
To insert a product link use the format: [[ASIN:ASIN product-title]] (What's this?)
Amazon will display this name with all your submissions, including reviews and discussion posts. (Learn more)
This badge will be assigned to you and will appear along with your name.
There was an error. Please try again.
Please see the full guidelines ">here.

Official Comment

As a representative of this product you can post one Official Comment on this review. It will appear immediately below the review wherever it is displayed.   Learn more
The following name and badge will be shown with this comment:
 (edit name)
After clicking on the Post button you will be asked to create your public name, which will be shown with all your contributions.

Is this your product?

If you are the author, artist, manufacturer or an official representative of this product, you can post an Official Comment on this review. It will appear immediately below the review wherever it is displayed.  Learn more
Otherwise, you can still post a regular comment on this review.

Is this your product?

If you are the author, artist, manufacturer or an official representative of this product, you can post an Official Comment on this review. It will appear immediately below the review wherever it is displayed.   Learn more
System timed out

We were unable to verify whether you represent the product. Please try again later, or retry now. Otherwise you can post a regular comment.

Since you previously posted an Official Comment, this comment will appear in the comment section below. You also have the option to edit your Official Comment.   Learn more
The maximum number of Official Comments have been posted. This comment will appear in the comment section below.   Learn more
Prompts for sign-in


Sort: Oldest first | Newest first
Showing 1-2 of 2 posts in this discussion
Initial post: 6 Sep 2013 11:44:44 BDT
Fantastic review.

In reply to an earlier post on 6 Sep 2013 12:56:24 BDT
H. Abbasi says:
Oh, thank you very much!
‹ Previous 1 Next ›

Review Details