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Customer Review

5 of 6 people found the following review helpful
5.0 out of 5 stars EXCELLENT AND EXCEPTIONAL BACH CONCERTOS: VIKTORIA MULLOVA, OTTAVIO DANTONE, ACCADEMIA BIZANTINA, 16 Jun. 2013
This review is from: Bach: Concertos (Viktoria Mullova) (Audio CD)
Five CAPTIVATING Stars This 2013 Onyx Classics recording reunites award-winning violin virtuoso Viktoria Mullova, one of today's supreme Bach interpreters, and acclaimed Baroque director/keyboardist Ottavio Dantone on excellent recordings of 4 concertos that are musically scintillating, intellectually interesting in the pairing, and in two instances, exceptional. Dantone directs his Accademia Bizantina on these pieces and plays harpsichord. It's been over 15 years since Mullova gave us her excellent interpretations of Bach's violin concertos in A Minor BWV 1041 and E Major BWV 1042 performed with her own Mullova Ensemble on Bach: Violin Concertos. Now we not only get the benefit of her years of additional Bach study and performances which she says have altered her perspective, but in recent times, Mullova has switched from metal strings to Baroque-tuned gut strings and the use of a Baroque bow to heighten her transcendental Bach experiences. In addition to the customary A Minor and E Major concertos, they perform Bach's Concerto for Two Harpsichords in C Minor BWV 1060, arranged for violin and harpsichord, and Concerto for Harpsichord BWV 1053 originally in E major for harpsichord, here transcribed into a so-called "brighter" key of D major for violin. Ottavio Dantone states "this unprecedented version works very well, enriching the composition with a range of new nuances." And so it does.

These performances are uniformly excellent throughout, with Mullova, Dantone, and the Accademia excelling especially at the slower, lovely Adagio, Andante, and the marvelous lyrical Siliciano middle movements, but the fiery uptempo movements are no less compelling: her blazing power passages in both Allegro movements of the E Major BWV 1053 harpsichord concerto, benefiting greatly from the D Major key change, are mesmerizing, as are both of the transcribed Allegro movements of the Concerto for Two Harpsichords in C Minor, where Dantone's keyboard work shines in duo and continuo. In summary, on this recording Ms. Mullova, Sig. Dantone and the Accademia Bizantina play spirited, dynamic, nuanced, and ultimately enjoyable customary and transcribed Bach concertos which are vividly recorded. Viktoria Mullova is an artist absolutely at the top of her game and, with the prior CD recording in rare supply, going 'on the record' with these Bach recordings for posterity from her 2013 viewpoint. My Highest Recommendation. Five INSPIRED Stars!
(12 tracks; Time: 60:30. No information is given on Mullova's violin and set up, so it's assumed she's still using her 1750 Guadagnini, not her "Jules Falk" Stradivarius, with gut strings and a Barbiero baroque bow.)
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