Customer Review

15 of 17 people found the following review helpful
5.0 out of 5 stars One of John Williams' finest works - The Adventures of Tintin is pure orchestral class, 26 Oct 2011
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This review is from: The Adventures Of Tintin (Audio CD)
This is the first score by veteran composer John Williams since his effort for Indiana Jones & The Kingdom of the Crystal Skull back in 2008. Whilst some people liked this score, I wasn't a huge fan, and was hoping after a three year absence, that he would produce the goods for The Adventures of Tintin. I can assure you that he certainly did, and has written one of my favourite scores of 2011.

Firstly, for those who are familiar with John Williams' style of writing, his mannerisms saturate the score for almost it's entire duration. I won't go into every track (needless to say the majority is outstanding), but will mention some tracks I found noteworthy. The album opens with "The Adventures of Tintin" which has a very jazzy sound to it (and is slightly out of kilter with the rest of the album), whilst "The Milanese Nightingale" had a nice (if somewhat cheesy) accordion accompanied by strings.

The latter parts of "The Secret of the Scrolls" and "The Return to Marlinspike Hall and Finale" reminded me very much of a type of inverted Hedwig's Theme from Harry Potter. My favourite track on the album is "Sir Francis and the Unicorn", which is one of the best pieces of action music I have heard from John Williams since his scores for Star Wars Episodes 2 & 3. "The adventure concludes" with some great up tempo writing and finishes off the album on a high.

The only thing I didn't appreciate that much was the track "Presenting Bianca Castafiore" because of its operatic nature. I like the use of choirs and sopranos in soundtracks, however the opera style did nothing for me (it might work better within the film).

The score runs for approximately 1 hour and I thought this was a perfect duration without it outstaying its welcome or ending prematurely. On a sound production note, the recording sounds exceptionally crisp and the album presentation has a good flow to it which makes for a great listening experience.

One thing that always astounds me about Williams' writing is the complexity and the number of layers to the music using purely the orchestra. Unlike more modern composers who like to fill out the soundscape with electronic elements, Williams' scores are always saturated by the sound of the orchestra and The Adventures of Tintin is no exception. Whilst some people may think this causes the music to sound dated, I challenge anyone not to be impressed by his skill, and I think Tintin is a great example that John Williams is still the most talented composer film composer alive.

Overall, if you are a fan of John Williams, this album will be a taste of heaven. All of his mannerisms are present and in a highly listenable form. Although I am a fan of more "modern" scores by the likes of Hans Zimmer and others, Tintin is a welcome reminder of how proper "orchestral" scores can sound without the need for additional electronic elements. The Maestro is back, and I can't wait for his score to War Horse in early 2012. Until then, The Adventures of Tintin will wet your appetite perfectly and is film scoring at its best.
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Showing 1-1 of 1 posts in this discussion
Initial post: 18 Jan 2012 12:45:52 GMT
A. Wakefield says:
A possible reason why you didn`t like the operatic track, is that it isn`t Mr Williams` music. `Je Vieux Vivre` is a collatura aria from the opera Romeo and Juliet, composed by Charles Gounod, and btw, he doesn`t use breaking glass `noises off` at the end.
Most of the music soundtrack sounded like Harry Potter to me - not at all original. But yes, very well orchestrated and well played. Kudos to the clarinettist and the keyborad player.
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L. Hubbard

Location: Cardiff

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