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Girls with guitars - what's the world coming to?,
This review is from: From Merseyside to Hamburg (Audio CD)
The Liverbirds were a fully-fledged all-female Beat band from Liverpool who came together as early as 1962, were regulars at the Cavern, opened for the Rolling Stones several times in late '63, spent two years on the infamous Hamburg circuit, and despite a forecast to the contrary by John Lennon ("All-girl outfits can't last") stayed together for six years, finally bowing out after a tour of Japan. In common with many of their contemporaries they elected to play an abrasive brand of R'n'B with all the spiky garage-band pizzazz of the early Stones or Pretty Things, whilst coming onstage in masculine-cut waistcoat suits and frilled shirts for all the world like a female Kinks. Their enduring lineup featured Pam Birch on lead vocal and rhythm guitar, Valerie Gell on lead guitar, Mary McGlory on bass and Sylvia Saunders on kit, and their recorded legacy reveals that they all had real chops.
Beyond cosmopolitan Liverpool, the girls' reception by conservative UK audiences and sceptical record company A&R men proved predictably underwhelming. However, when invited to work in Germany by Star-Club owner Manfred Weissleder early in 1964 they immediately wowed the famously indulgent Reeperbahn audiences with their energetic, high-volume set of Chuck Berry and Bo Diddley covers, earning the nickname "die Weiblichen Beatles" - "the female Beatles". As an inducement to a second tour, Weissleder offered to record them on his recently-incepted label; their recording career on Star-Club would eventually stretch to four singles and two albums. German chart entries and TV appearances followed, and the girls toured extensively there and in Denmark and Switzerland, even once sharing a bill with Berry himself in Berlin, where legend has it they defied a management instruction to avoid Berry's songs and brazenly opened with "Roll Over Beethoven".
Their recordings were unsurprisingly never released in the UK, and apart from the odd anthologised track remained firmly underground here till compiled by Ace subsidiary Big Beat for this CD, comprising the entire 1964-65 Star-Club recordings, 29 cuts in all. The tracks from their first original album, Star-Club Show 4, are the best: raw, unadorned R'n'B covers recorded live in the studio with tons of bass and in an appropriately unsubtle stereo. These could almost be the Pretties, driven along as they are by Birch's angry, punky contralto, McGlory's muscular, metronomic bass, Saunders's no-nonsense percussion and Gell's scratchy machine-gun Fender Jaguar lead work. Their takes on Chuck Berry's "Talking About You", Berry Gordy's "Money" and the blues chestnut "Got My Mojo Working" are fit to strip wallpaper. The later sessions offer more of the same but also move further towards Motown, with creditable tilts at the likes of Doug Sahm's "She's About A Mover", Holland-Dozier's "Heatwave" and Smokey Robinson's "Shop Around" - all good Reeperbahn fare - plus a couple of modestly Beatle-ish Pam Birch originals which originally appeared as single B-sides; the production is more measured and less viscerally exciting. Overall, this compilation is a great-value testament to a bunch of pioneering female rockers, and is highly recommended.