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The story running through issues #1-5 of the new Dark Horse Comics series `Hellboy in Hell' is collected as Hellboy in Hell Vol.1: The Descent. This is an excellently-illustrated and scripted story, which takes Hellboy from his recent death in "The Storm and the Fury" (collected in Hellboy Library Edition Volume 6 (Hellboy (Dark Horse Library))), and shows him the current state of Hell, which has undergone a revolution since his arrival was announced. Marley's Ghost makes an appearance, as do the Ghosts of Past, Present and Future, who take us on some strange journeys. We get to meet Hellboy's family - two brothers an uncle, and even his father Azzael makes an appearance of sorts, though there are mentions of other family members; we have a flashback to his birth, see him get that strange hand, and even have a couple of the usual adventures. We also get to meet the Leviathan - "Didn't see that coming" - as well as a few old characters from previous stories. As with many of the Hellboy universe stories, I'm sure a lot of what we see here will literally come back and haunt us further down the line.

I just went with the flow, without trying to work out what was happening. As we wander through empty cities and strange landscapes, I was reminded of some of Charles Williams' novels - he was an early 20th-century writer of metaphysical fantasy novels, in the same literary group as CS Lewis and Tolkien, and I recommend you hunt his novels down.

This is a scene-setting story - or at least it appears to be - and I look forward to reading the further adventures of Hellboy in Hell.

PS: I notice that while Hellboy is in Hell, the B.P.R.D. is suffering from Hell on Earth. Are they related...?
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This may well be the best presentation yet of Hellboy, from his birth and his father's intentions for him to the end of this particular story arc we see much more of who and why Hellboy is than ever before.

A tragic figure, the chapters of this book echo Hamlet, Richard, Henry and perhaps most of all MacBeth as Hellboy struggles with his kingly destiny on an empty throne in Hell.

Will he assassinate Satan? Will he defeat his scheming brothers to hold the throne? As the witchfinder Edward Grey serves as Hellboy's Virgil in this richly imagined Hell, what will we learn and how will Hellboy decide his own fate? What you know for sure is that it will be weird and Hellboy won't be impressed.

The big deal here is that the story and all of the art were done by Mike Mignola, so this is the Grade A stuff.

This volume, ("The Descent"), collects issues 1 through 4 of the ongoing series "Hellboy in Hell", and the story "Three Gold Whips", (sometimes identified as issue 5, and much more of a stand alone even though it takes place in Hell). The overall story will continue with additional issues, but in the meantime this is a solid entry and worth a few rereads because of the numerous inside jokes and references.

Please note that I received a free advance ecopy of this book in exchange for a candid review. Apart from that I have no connection at all to either the author or the publisher of this book.14 May 2014
By Pop Bop - Published on Amazon.com
Format: Kindle Edition
This may well be the best presentation yet of Hellboy, from his birth and his father's intentions for him to the end of this particular story arc we see much more of who and why Hellboy is than ever before.

A tragic figure, the chapters of this book echo Hamlet, Richard, Henry and perhaps most of all MacBeth as Hellboy struggles with his kingly destiny on an empty throne in Hell.

Will he assassinate Satan? Will he defeat his scheming brothers to hold the throne? As the witchfinder Edward Grey serves as Hellboy's Virgil in this richly imagined Hell, what will we learn and how will Hellboy decide his own fate? What you know for sure is that it will be weird and Hellboy won't be impressed.

The big deal here is that the story and all of the art were done by Mike Mignola, so this is the Grade A stuff.

This volume, ("The Descent"), collects issues 1 through 4 of the ongoing series "Hellboy in Hell", and the story "Three Gold Whips", (sometimes identified as issue 5, and much more of a stand alone even though it takes place in Hell). The overall story will continue with additional issues, but in the meantime this is a solid entry and worth a few rereads because of the numerous inside jokes and references.

Please note that I received a free advance ecopy of this book in exchange for a candid review. Apart from that I have no connection at all to either the author or the publisher of this book.
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on 16 June 2015
Hell yeah, this book is the compilation of "Hellboy in Hell" issues 1-5 and Mike Mignola is back to drawing Hellboy (just an FYI if you don't know Mike Mignola is the creator of Hellboy). Anyway, this collection takes place after "The Storm and the Fury" and Hellboy having sacrificed himself is now in HELL.

The artwork is to die for, the story is captivating and you just keep going "what's next?". I got an ARC copy from Netgalley, but I will definitly be buying me a physical copy of this book.
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The short version of why Hellboy’s in hell is that at the end of the last Hellboy book, The Storm and The Fury, he slew the dragon and saved England but died when he was caught off guard and the ghost of the witch Nimue plucked out his heart. This is what happened next…

Hellboy in Hell isn’t just the title of the book but a pretty accurate summary of what happens in the book. There isn’t a plot, it’s just Hellboy wandering around hell looking at stuff with a variety of different Virgils explaining what he’s looking at. This is weirdly the book’s strength and weakness because this is the first Hellboy book Mike Mignola’s both written and drawn in years, and his art has only improved with age. So while Hellboy meanders, the creatures and backgrounds he comes across are visually incredible.

Here hell isn’t the fire and brimstone Christian stereotype but in Mignola’s hands becomes an ethereal, perpetually twilit land of eerie shadows against Victorian buildings. The effect is quietly chilling as wonderfully ancient structures give an old world atmosphere and provides a gorgeous backdrop to the flying demons and Lovecraftian monsters that float around. Pandemonium sits in the midst of the muted yet ominous Lake of Fire, a looming collection of ancient Roman-esque architectural buildings surrounded by creepy talking statues housing the seat of hell’s power, the Citadel of the Fly, and the Devil himself. If nothing else, Hellboy in Hell is worth picking up for Mignola’s first-rate art.

But when it comes to story, things get a bit messy. Ideas like Hellboy going to the place where he’s been banishing monsters for decades, like a cop sent to prison and meeting all the criminals he’s put away, is touched on for a spell before being shuffled away and forgotten. Literary allusions pepper the script from Dickens’ A Christmas Carol being parodied, to lines from Shakespeare and Milton being quoted, all of which give the impression of a deep, complex read when it really isn’t. Hellboy doesn’t want the throne of hell so Mignola throws in a line or two from Macbeth which says something similar – kinda obvious.

The more successful elements of the narrative are things that have been explored in previous Hellboy books – Hellboy’s purpose for existing and his right hand of doom, which mark him out to be the heir to the throne of hell. Mignola re-treads some of this material but adds more detail behind Hellboy’s birth mother and introduces his demonic half-brothers who want Hellboy’s power even if he doesn’t. What happens when Hellboy encounters Satan himself is the most interesting part of the book as it makes the reader wonder what happens to hell afterwards but Mignola doesn’t take that thread any further (maybe to explore in later issues?).

I appreciate Mignola’s ambitious vision where he’s literally creating his own idea of hell utilising numerous artistic sources throughout human history while making it distinctly his, and Hellboy’s, own, but I kept waiting for Hellboy to try to figure out a way to come back to Earth. He seemed more than happy to simply be just in hell – is this it? Is Hellboy going to be in hell, walking about while remaining nonplussed, forever? The final story in the book is a standalone piece where Hellboy’s having a smoke when a lost spirit asks him for help and they go on a little adventure. It seems indicative of Mignola’s approach to Hellboy’s new situation – that he’s content to keep Hellboy in hell for the time being and be in no particular hurry to return him to Earth, or point him in any narrative direction at all.

The Descent isn’t the best Hellboy book if you’re looking for a more driven narrative but it’s fine for what it does which is establish and explore the fascinating new setting for Hellboy – though I’m assuming this is done because Hellboy’s staying in hell for a while; if not, then this is a lot of pretty filler. I would like to feel that there was a point to all of this but the ambling way Mignola writes these days shows that urgency isn’t something he’s overly concerned with and that he prefers to show interesting things rather than tell interesting stories – a quality that doesn’t make for amazing comics.

The art really is gorgeous though and it isn’t hard to see why the book looks amazing when the art team is Mignola, Dave Stewart on colours and Clem Robins lettering, and parts of the book are entertaining to read but the overall impression of Hellboy in Hell Vol 1 is of a fragmentary and unsatisfactory story. Which is a shame because after Batman and Superman, Hellboy’s my favourite superhero and I really wanted Hellboy in Hell to be the masterpiece I hoped it would be but it turned out to be an underwhelming next chapter in the Hellboy saga.
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on 7 April 2015
Quality artwork and storytelling, the way the darkness of shell and foreboding brings you a dread and anticipation.
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on 10 November 2015
Awesome comic but the cover was a little bit damaged
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on 18 January 2015
Brilliant and well drawn, good storyline.
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