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5 Reviews
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4 of 4 people found the following review helpful
4.0 out of 5 stars A Quirky Gem, 5 May 2014
By 
The Wolf (uk) - See all my reviews
(VINE VOICE)    (TOP 100 REVIEWER)   
This review is from: Nikki Nack (Audio CD)
Three albums in and Merrill Garbus shows little sign of compromising
her hand-made, rough-and-ready schtick. 'Nikki Nack' is every bit as
gloriously unpredictable as her first two outings 'Bird-Brain' (2009)
and 'Whokill' (2011). Ms Garbus' box of sonic tricks brims over with
joyously bouncy beats and abrasive vocal harmonies. The energy is
addictive and the words are often very, very funny indeed.

Single 'Water Fountain', with its rattling African rhythms, had me
gasping for breath and laughing like a Wolf possessed; so too the
jazzy click-and-shuffle of 'Hey Life' which demonstrates, just in case
we hadn't noticed already, what a very fine singer she truly is.There
are so many sonic treats in the set that it's hard to pick a winner
but the stripped back funk of 'Wait For A Minute', with its beautifully
sinuous melody and wasp-in-a-bottle synth licks, comes as close as any.

Quirky. Curiously Soulful. Musically Intriguing. 'Nikki Nack' has got the lot.

Highly Recommended.
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7 of 8 people found the following review helpful
5.0 out of 5 stars The Roots Of Tunes, 5 May 2014
By 
Gannon (Manchester, England) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: Nikki Nack (Audio CD)
Though it’s fashionable to blame incestuous parts of the reviewing community for showering praise here when the music-buying public think it’s better deserved there, there often exists good reasons to explain the gulf between the critically lauded and the commercially successful. Foremost of these is that the critic, in most cases, is in his position because he is a music fan – one that wants to love new music as much, if not more so, than the next man. And, in this dual role, he will have heard a lot of music – more so, on average, than that next man. This is not carte blanche to trust his taste implicitly of course. The unbiased critic however is, at the very least, unlikely to put his weight behind the ordinary. He’s already heard that a 1000 times before. He’s looking for stand-outs and, boy, has colourful weirdo Merrill Garbus done so consistently since her arrival in 2009.

Nikki Nack is Garbus’s third LP and, again, it’s a rather wonderful pop album, but, as her career to date has shown, the newcomer won’t be given an easy ride for hers is a very particular brand of melting-pot future-pop. Where the similarly enlightened Claire Boucher of Grimes drew heavily from K-pop on her spectacular Visions LP, here Garbus digs deeply into African-American history, decorating her multi-tracked, kitchen-sink madness with celebratory vocal snippets that originated on the open savannah before being dragged to the cotton fields and then into the gospel harmonies.

Strong, hand-clapped rhythms such as those that feature alongside clipped R&B in the killer “Real Thing” only strengthen this position, while the rootsy “Rocking Chair” and its fiddle are as traditional as you’re ever gonna get on a tUnE-yArDs record. Nikki Nack is not simple genre tourism however – it’s personal. The angry closer repeatedly states that Garbus has “something to say” and talks about meaning it too, so it’s no surprise to find hidden in her hedonistic confetti of effects and time signatures subjects as heavy as racism and societal greed.

Fear not though quirky pop fans for Nikki Nack remains very much the product of Garbus’s unique mind and wide-ranging register. Who else could even hope to get away with a macabre, Swiftian pun/skit, so too breaking from a lovely passage of her true singing voice to turn in a credible Michael Jackson impression? Her humour is intact too as heard over the jump-rope rhythms of lead single “Water Fountain”. She’s been given a “blood-soaked dollar … but it’s ok / It still work in the store”.

When art is as rich as this the critic’s job is an easy one. His job is simply to deflect the energy of the medium onto the public. Artistically speaking, indifference is of course feared above hatred and, though it’s all relative, Nikki Nack does settle down into a more straightforward set after a luxurious opening four. Garbus needn’t worry though because her joyous LP still deserves both critical and public acclaim. Whether it’ll get it is another thing altogether.

Best tracks: “Time Of Dark” and “Real Thing”
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5.0 out of 5 stars Five Stars, 3 July 2014
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This review is from: Nikki Nack (Audio CD)
Addictive, original, infectious, joyful. Garbus is a singular talent.
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5.0 out of 5 stars Best yet, 1 Jun 2014
This review is from: Nikki Nack (Audio CD)
This had instant appeal,previous albums needed two or three listens before clicking.This,i think,is the most inventive so far & the vocals are just stunning,almost have an african or a world music feel to them.Musically this is hard to describe but quirky pop just about sums it up.
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4.0 out of 5 stars Occasionally overwhelming but definitely worth buying, 10 May 2014
This review is from: Nikki Nack (Audio CD)
This is an album of 10,000 different ideas coming at you one after the other. For a few listens it's a bit overwhelming, but every time you hear it you notice something different so it keeps you coming back. The production is excellent so if you've got a good hi-fi you'll be well rewarded. I'm currently listening to it as the perfect antidote to the Eurovision Song Contest, :-)
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Nikki Nack [VINYL]
Nikki Nack [VINYL] by tUnE-yArDs (Vinyl - 2014)
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