Top positive review
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A dark, moody and ultimately deeply disturbing film
on 8 September 2014
While not audacious and brave in it's style as Barnard's smashing debut "The Arbor", it explores much of the same territory – poverty in northern England. But this time Barnard uses a more neo-realist bent that recalls the films of Ken Loach, among others. And after two viewings, while I missed the wild rule-breaking she did in her first film, I felt she had made a film of gritty honest and emotional force.
The story centers on two young teens (very well played by non-pros). Diminutive Arbor is hyperactive, angry, and so on the edge he can be frightening and simultaneously heartbreaking -- Arbor needs meds just to allow him to be calm enough to function. And there's Swifty, his best friend who is introvert to Arbor's extreme extrovert. Swifty is willing to go along with Arbor's schemes to a point, but he also wants to honor his mother's wish that he get an education, and try to move up and out of poverty.
The two begin collecting (and sometimes stealing) scrap metal to sell to a tough local junk metal dealer, Kitten. This is a man who is capable of being almost a father figure one moment, and stomping you into the ground the next. A sort of modern Fagan, using the boys to do his bidding (although, to be fair, the boys come to him).
A dark, moody and ultimately deeply disturbing film, that refuses to let us or society off lightly when it comes to kids growing up in the cycle of poverty.