Top positive review
11 people found this helpful
on 13 December 2012
Howard Shore has again composed a piece of epic music fitting for an epic film. It's still deeply rooted in Middle Earth and contains many of the much loved themes from Lord of the Rings but with a uniqueness needed for this film. The new Hobbit theme is much like the Lord of the Rings main theme and crops up in suitable moments which tie in really well with the film. My personal favourites include the deep, mellow tones of Richard Armitage in Misty Mountains; The White Council which evokes the mysterious land of Rivendell and Lorien that we loved in Lord of the Rings, and interestingly includes passages from Gandalf's Lament, and an almost Gondorian theme; An Ancient Enemy manages to introduce the choirs and high strings associated with Mordor; Riddles in the Dark again introduces familiar themes from Lord of the Rings, most memorably those from Shelob The Great and some more familiar LOTR themes.
Overall, a very good effort which suits this film perfectly. Yes, it has been heavily influenced by LOTR but it's good that there's the sense of continuity in the music that lacks from so many blockbuster series (Harry Potter's move away from the iconic music of John Williams is a prime example). It's sure to please hardcore fans of Tolkien and of Peter Jackson's masterpieces, and let's hope that this standard of music is continued through the next two films, but I would like to see Shore develop further the new Hobbit themes, rather than rely heavily on LOTR music that doesn't always fit the situation in the film (Thorin's apology to Bilbo anyone? It's taken directly from The Fellowship Reunited from ROTK).