174 of 180 people found the following review helpful
5.0 out of 5 stars Joni Mitchell - Sweet Bird
It is the music that counts and in this case it is utterly sublime. The Studio Albums 1968-1979 gathers together Joni Mitchell's ten albums from that purple period when she was unimpeachable and touched by the angels. It commences with her David Crosby produced debut "Song of the Seagull" (1968), obviously includes the transcendent "Blue" (1971) and takes us up to the...
Published 13 months ago by Red on Black
26 of 39 people found the following review helpful
3.0 out of 5 stars Who designed these sleeves?
This is not a review of the music - the albums contained within this box range from 5 star classics like Blue and Court & Spark to decidedly dodgy offerings like Don Juan's Reckless Daughter and Mingus. It is a 'budget' set so if you want any more than 3 or 4 of these albums, it's probably worth the small investment on price alone. Nothing has been remastered for this set...
Published 11 months ago by L J Thomson
Most Helpful First | Newest First
174 of 180 people found the following review helpful
5.0 out of 5 stars Joni Mitchell - Sweet Bird,
This review is from: The Studio Albums 1968-1979 (Audio CD)It is the music that counts and in this case it is utterly sublime. The Studio Albums 1968-1979 gathers together Joni Mitchell's ten albums from that purple period when she was unimpeachable and touched by the angels. It commences with her David Crosby produced debut "Song of the Seagull" (1968), obviously includes the transcendent "Blue" (1971) and takes us up to the haunting jazz of 1979s "Mingus" coloured in with a backdrop provided by those giants of the genre Jaco Pastorius and Wayne Shorter. It does not include the live double "Miles of Ailes" and as a Rhino production there is no fancy remastering to speak of. It is all housed in simple card sleeves and held in a lift-off lid box. Unfortunately you will need a microscope to read the tiny lyrics on the gatefold sleeves, but you will pay £2.60 per album and be blown away by an artist who deserves to be right up there with Dylan, Cohen and Young and who regularly surpassed all of them. Indeed Joni Mitchell has often suffered at the hands of some male rock critics who have tended to underplay her central importance and treated her output beyond "Blue" almost as a story of decline. Mitchell herself has become alienated with the music business and occasionally ventures into the press to launch pointed broadsides. This has included verbal assaults on Dylan and her view that we live in a "self destructive era" and that "the material girl" signifies a sense of musical rupture since "Americans have decided to be stupid and shallow since 1980. Madonna is like Nero; she marks the turning point." Some may say she is getting cranky with age but Joni is never dull and has lived a life that soundtracked the Woodstock generation, pushed the boundaries of popular music into expansive genres and played out the drama's of her personal life in songs so intimate that you feel that she is sitting across that table where she "Hides behind bottles in dark cafes".
We forget that Mitchell came to recording almost fully formed. This was an artist whose early catalog was so strong that she chose to omit from her debut album three of her compositions that had already been recorded by a variety of other singers "Both Sides Now," "The Circle Game" and "Urge for Going." The early pure folk beauty of "I had a king", "Chelsea Morning" and the shimmering glow of "For Free" evolves quickly into an astounding trilogy of albums starting with "Blue", punctuated with the lovely "For the Roses " and concluding with the overwhelming excellence of "Court and Spark". Any self respecting music collection will include these album's and by now should have worn the vinyl thin. If you don't then you must at minimum, in the run up to the yuletide season, seek out the best and bluest Christmas song ever "The River" or marvel in wonder at the opening line to "Court and Spark" as she articulates how "Love came to my door/With a sleeping roll/And a madman's soul/He thought for sure I'd seen him/Dancing up a river in the dark/Looking for a woman/To court and spark".
This reviewer never came close to comprehending the dour reception of some critics to the "The Hissing of Summer lawns", not least the carping about its jazzy roots and rhythms. Rolling Stone absurdly described it as "great collection of pop poems with a distracting soundtrack". It is in fact one of her greatest albums from the dazzling lyrical wordplay of "Harrys House/Centrepiece", the unadulterated joy of "In France they kiss on Main Street" to the aching regret of that melody in the "Boho Dance" which starts with the classic Mitchell line "Down in the cellar in the Boho zone / I went looking for some sweet inspiration, oh well / Just another hard-time band / With Negro affectations". Prince once said it was the "last album he loved all the way through" and he always knew a good tune. To prove a point she then followed it with the huge double punch of 1978s "Hejira" an album as close to perfection as is humanly possible. It includes the roguish "Coyote" which she performed live in the film of the Band's "Last Waltz"; the wonderlust of "Amelia" and her "hexagram of the heavens" and most of all the partnership with bassist extraordinaire the god like genius of Jaco Pastorius whose playing throughout especially on the title track defies gravity. The double album follow up "Don Juan's Reckless Daughter" did receive mixed reviews and is slightly uneven. The sixteen minute long "Paprika Plains" has never really been a particular favourite but any album that includes the epic "Jericho" (what was Jaco smoking?) and songs like the amusing, self-deprecating "Talk to Me" deserves your rapt attention. Finally putting lyrics to the intense 3AM smokey jazz of Charlie Mingus was always going to be controversial but on 1979s "Mingus" where Mitchell meets Weather Report there is much to be admired not least the haunting "Good bye Pork Pie Hat" and the funky "God must be a boogie man".
The ten albums in question included in this set are in chronological order -
* Song To A Seagull (1968)
* Clouds (1969)
* Ladies of the Canyon (1970)
* Blue (1971)
* For The Roses (1972)
* Court and Spark (1974)
* The Hissing Of Summer Lawns (1975)
* Hejira (1976)
* Don Juan's Reckless Daughter (1977)
* Mingus (1979)
Within these ten albums is some of the best recorded music of the 20th Century. These songs are timeless raindrops, and an exquisite testimony to the redemptive and reflective power of music. When It comes to Joni Mitchell who could not be personally supportive of Emma Thompson's remark "I love her. And true love lasts a lifetime".
32 of 33 people found the following review helpful
5.0 out of 5 stars Wonderful music, in a nice package, at budget price,
This review is from: The Studio Albums 1968-1979 (Audio CD)THE MUSIC
An astonishing body of work from the lady who, in my opinion, ranks among the five best singer-songwriters of all time. Her first (and arguably best) 10 albums are collected here, a substantial, relentlessly brilliant body of work - you won't find a single weak album here.
SOUND / REMASTERING.
This reissue doesn't bear any information about remastering. The general consensus is that, for some albums, the HDCD remasters (released about a decade ago) have been used. When there was no HCDC version available they have supposedly used the masters from the first CD edition.
Anyway: remastered or not, the sound is gorgeous, rich and detailed throughout all of the albums.
PACKAGE / ARTWORK
The single CDs are presented in quality cardboard foldout sleeves. The original artwork is faithfully reproduced, the printing is vivid and detailed. The outer box, quite sturdy, is simple and elegant. This set has nothing to do with the cheap, flimsy cardboard and the blurred artwork of other budget box sets which are flooding the market these days.
A valuable reissue, at a very inexpensive price. This set has obviously been designed with great care and respect for both the music and the listener.
42 of 44 people found the following review helpful
5.0 out of 5 stars The case for being converted where still a doubter,
This review is from: The Studio Albums 1968-1979 (Audio CD)I suspect I differ with many of the other reviewers in that while a teenager in the 60s I resolutely avoided listening to and purchasing nearly all the singer/songwriters of that 60s and 70s era, with limited exceptions being Van Morrison and J. J. Cale. Instead I invested my bucks in a wide variety of groups and guitarists, from Hendrix to Can, CCR to Grateful Dead and so on. Many decades later (and much older!) I am now finally more open to revisiting much of the music I ignored at that time, helped by recent boxed budget price releases in many cases. Sadly many of these have reconfirmed my initial dismissal, the odd good few if not truly outstanding LPs not making for a great and consistent body of work over the decade 1968 to 1979 covered here. James Taylor, Carole King, Carly Simon and Leonard Cohen would be such examples to my mind from from recent purchases I have made.
So I came to this set with a very open mind and no preconceptions only being aware really of the hit singles the lady had had from that period as heard on the radio at the time. The overall conclusion after only a few listenings to the full set is that this is probably the best value and most consistently outstanding body of work from that whole group of singer/songwriters and easily places Joni Mitchell well above all her peers of that period 1968 to 1979. If like me you were a doubter then at least test that belief by trying out this incredible value box set and be prepared to be converted.
Listening to the CDs in chronological order brings through how much the lady has evolved and never stood still or rested on her laurels. Starting with the early folk orientation of solo singer with guitar (Song to a Seagull and Clouds), she moved into acoustic balladeer with added instrumentation or sparseness as needed plus showing greater maturity in music, lyrics and singing (Ladies of the Canyon, Blue and For the Roses). Those first five releases alone would have represented a great body of work but never one to stay still in honing her musicianship, the lady then slipped into more electronic musical forms (Court and Spark and Hissing of Summer Lawns) with even more impressive vocals and lyrics being displayed. The move forward continued apace with the more jazzy feel on Hejira and the final two releases with a mix of more obvious world music/jazz orientation (Don Juan's Reckless Daughter and Mingus). Just listing all the albums and the variety on display underlines the calibre, range and depth of Joni Mitchell's music.
Inevitably many reviewers have stated personal favourites from the box set but the aspect that really surprised me when one listens through the whole body of work is how consistent in quality and calibre it is - at the moment there is no one single CD I would choose over the others because each has something different to offer. Even the most inaccessible of the box set being the last release (Mingus) still leaves you feeling there is little to compare it against and the music will reward with more listens.
On the criticism of the lyrics on the replica sleeves being hard to read, this is in part simply down to the original artwork and colours used e.g. Blue and there being extensive lyrics on each album. Plus the lady's diction on all her songs is so clear it is really not a big issue compared with the attraction of all sleeve replicas being faithfully used given that pre-release the rumour was that each CD would be in a plain sleeve given the low overall price! The other comment that the live recording "Miles of Aisles" should also have been included is I think misplaced. Yes it was a release during this time period but as it duplicates many songs included in their original form in this studio set I am happy they omitted it. Given that live release can be acquired for around £6 from Amazon currently, people like myself who do not have it can easily add it at little cost if they want to complete their collection in having all Joni's releases from this period for around £30.
One final personal observation - this release reflects the quality of all Rhino re-releases but as far as I am aware there has been no audio remastering done. The pristine quality of the original recordings seems therefore to be a prize to be treasured.
6 of 6 people found the following review helpful
5.0 out of 5 stars Superb!,
This review is from: The Studio Albums 1968-1979 (Audio CD)I have always loved Joni Mitchell since the 1970s but only had a few of her albums (on vinyl). After reading a number reviews I bought this and it is simply superb. It covers what many critics regard as her peak period and I must agree. For around 25 quid a history of her 10 first albums on CD with replica covers gives hours of sublime listening. Glass of wine, lights low and Joni on the CD player. Bliss.
5 of 5 people found the following review helpful
5.0 out of 5 stars Discover The Legend That Is Joni Mitchell.....,
This review is from: The Studio Albums 1968-1979 (Audio CD)In the early 1980s, I tuned into a radio programme that Paul Gambaccini was hosting on the music of Joni Mitchell. Having seen her name on the charts but never hearing her music played on the radio, I tuned in - and was quite literally stunned by what I heard. I still remember the impact of hearing songs like "Both Sides, Now", "I Had A King", "For Free" and "Help Me" even now. I quickly bought a cassette that had "Clouds" on one side and "Blue" on the other, and soon played nothing else. From there, my collection grew as I discovered the full range of Joni's music.
This box set represents incredible value - all of her first 10 albums (one of which was a double) for just over £25! To get 10 CDs for that price is amazing; to get such a run of brilliant, ground-breaking albums is stunning. The run of early Mitchell albums is one of the greatest ever, and the 5 albums from "Blue" to "Hejira" is - in my opinion - not just the greatest run of the time, but probably one of the greatest ever. Now to listen to all 10, you can hear Mitchell evolve from emerging folk singer ("Song To A Seagull" and "Clouds") to soul-bearing, intimate singer-songwriter ("Blue" and "For The Roses") to mainstream star ("Court and Spark") and onto jazz performer ("Hejira" and "Don Juan's Reckless Daughter"). Some albums are more accessible than others - probably the first 5 - but the rest unlock incredible depth and beauty if persevered with. Start with this set and discover the wonder that is Joni Mitchell. A record of a one-of-a-kind, pioneering legend. Awesome.
5 of 5 people found the following review helpful
5.0 out of 5 stars SIMPLY PHENOMENAL,
This review is from: The Studio Albums 1968-1979 (Audio CD)This 10 CD collection should form a part of the record collection of everyone who loves music. It is simply a collection of the first ten albums created by Joni Michell and offers the highest quality of songs that has arisen from the pen of any of the late twentieth century's artists. These songs inspired millions of people to either explore contemporary music further, or other artists to either write their own music or cover these songs. For example, who would have thought that the Nazareth classic "This Flight Tonight", in turn covered many times by subsequent heavy metal and heavy rock acts was originally a Joni Michell composition written by her for the 1971 album "Blue". Just one example of how her songs transend music styles. Buy it before it is deleted, and ENJOY!
5 of 5 people found the following review helpful
5.0 out of 5 stars Every home should have one,
This review is from: The Studio Albums 1968-1979 (Audio CD)Anyone with any interest or love for contemporary music should own this set. I already have all JM's recorded work and am still ntending to buy this (I am a completist!!). There is no-one in the music business to touch Joni Mitchell as a singer/songwriter. She is unique and irreplacable in modern music. Dylan gets all the kudos but Joni is the real deal. As she says why do people not compare him to her,than the other way around?
I defy anyone to find that all these superlative albums are not the best they have heard in their field. My particular favourites are For the Roses, Hejira and, of course, Blue. The price of this set is worth it for those alone bur you get 10(!) albums which, if you have never heard them, will change your life. She is that good!!!
11 of 12 people found the following review helpful
5.0 out of 5 stars An astounding collection of beautiful, ethereal music for the soul. Best box set you will ever purchase, bar none.,
This review is from: The Studio Albums 1968-1979 (Audio CD)Sometimes music just connects with you - you can like a lot of bands, lot of artists, then an artist just comes along that REALLY gets to you, and, for lack of a less pretentious way of putting it, really stirs the emotions - Joni Mitchel makes music that you don't always simply enjoy, but music that you genuinely connect with as well, on some deeper, explainable level. Since the first time I listened to Bob Dylan, 3 years ago and Tim Buckley 2, music has had this effect on me, and naturally this happened with Joni Mitchell. She is an artist whose main period of brilliance contained in this set really does not need a strenuous introduction - Her folksy, melodic, sparse beginnings evolve into increasingly jazzy, increasingly wild and rebellious, mature pop music, starting from the rather underrated, folksy songs from to a seagull to the wonderful tribute to a legend that is Mingus, by this point taking her jazzy pop into full on, sparse vocal jazz music. Joni Mitchell's discography is one to really get into, to listen to chronologically, tracing the evolution of her sound as her albums roll out, experiencing not only brilliant songs, but also the really rather interesting and constantly quite exciting evolution of a fantastic songwriter and evocative, emotional lyricist. Great songs, evocative imagery and genuine emotional depth is what you get here, a very fulfilling experience, especially for such a fantastic price.
Now for the albums themselves - I will rate and give a small review for each of them;
SONG TO A SEAGULL - Not Mitchell's best set of songs, and the vocals have a less intimate, more grand and almost classical touch to them that I personally feel is not QUITE as effective as later work from her. However, this is still a great listen, featuring one of her most beautiful compositions in "CACTUS TREE", a strongly melancholy song where the lyric "While she's so busy being free" and its delivery will, guaranteed, make you cry like a baby. Other personal Highlights include "NIGHT IN THE CITY" with its unusual vocals, and "THE DAWNTREADER" with its "epic", sort of grandiose sound. 08/10
CLOUDS - a stunning second album, improved in every way from her debut, be it lyrically, musically, vocally. This is a stunningly good collection of songs f - a lovely selection of melodies and words filtered through a sparse, melancholy folk sound that goes straight to your heart and stays there. This is, in my opinion, the most "haunting" Mitchell album this side of Blue, perhaps the most expertly executed set of songs in her melancholy folksy style - Listen to the truly sad sounding melodies on ANY of the songs here and tell me they didn't stir your emotions/long buried heartache even just a single bit. Personal highlights for me would be, naturally "BOTH SIDES NOW", containing what has to be one of her finest melodies. Ditto "SONG ABOUT THE MIDWAY" AND "I DON'T KNOW WHERE I STAND", a song which I first listened to when mourning lost love and unsure of my place within the world. Let's just say it didn't make me feel any better - but you music is good when it affects you as deeply as this song did to me! a great little flipside is "CHELSEA MORNING", this albums version of a pop song - a lovely, more upbeat number - 10/10
LADIES OF THE CANYON - starting to experiment more here - sticking to her melancholy, folksy singer-songwriter sound, but greatly expanding it at the same time, with a somewhat more poppy sound on some songs, and a slightly more experimental Jazzy-pop sound on some that would be developed much further in future albums. I would say it is not quite as strong or confident in terms of overall sound as what came before or, especially, what would follow, but this is a masterpiece in its own right - song highlights include a fair few number; You get the sweet , catchy (and yes, still largely "sad" sounding) songs like "MORNING MORGANTOWN" and "BIG YELLOW TAXI" and the atmospheric "THE ARRANGEMENT", which sees Joni really beginning to pull away from the straight ahead melancholy folksy melodies and vocal stylings. My personal favorite track is "THE CIRCLE GAME", which begins as a typically lovely little folksy number and leads into a nursery-rhyme and impossibly sad sounding chorus. 10/10 (just)
BLUE - Brilliantly written, impossibly sad, lovelorn, desolate, and beautiful, lyrically, musically, vocally. In terms of vocals, this may be her finest moment; melodic like her previous folksy stuff, but more stretched, more flexible than before, a perfect combination of what came before and what came after. Also, quite simply, it is her finest collection of songs, although maybe that opinion is clouded due to my own personal predilection for this style, who knows. Highlights are effectively every song apart from the final, but my own personal favorites are, "ALL I REALLY WANT", this albums version of an upbeat pop song "CAREY", "CALAFORNIA", which I think adopts a less out and melodic vocal style from Mitchell, and proves she can convey wonderful, heartfelt melodies just as well when straying from her previous predominate style. my favorite has to be "THIS FLIGHT TONIGHT", for which I will offer up no explanation - just listen to it. STUNNING album, but the exact opposite of an album you would want to listen to after breaking up with someone. 10/10
FOR THE ROSES - Somewhat of a stylistic stop-gap that keeps some of blue's sparse, folksy nature yet furthers the jazz-pop she would come to expertly write and sing, For the Roses is never the less a fantastic statement from an ever growing song-writer even if it does not sound as solid as what would come later. Fantastic variety that mostly works in it's favor, with increasing use of the piano. Favorite songs for me here include "YOU TURN ME ON I'M THE RADIO", a relatively upbeat pop song with very effective backing vocals, "SEE YOU SOMETIME", maybe the most heartfelt and blue-esque song here, and a song that emanates the same quality of that album as well. There is also the unusual "COLD BLUE STEEL AND SWEET FIRE", which has a much different sound, with vocals angled more to the jazzy, esoteric and subtle than ever before. 09/10
COURT AND SPARK - Even though melancholy is still the order of the day here Court feels very much like the stylistic culmination of her ever evolving sound up to this point, fully applying the jazz-pop sound, ditching most of the remnants of her old folksy sound. There is an upbeat, piano driven sound going on here - with guitars that manage to be nice and bluesy, and a more suitably talkative style of vocals that still retain a wonderful talent of conveying her lovely melodies. Also probably her second best collection of songs - more poppy than the route she would take, there seems to be full effort here to make these songs some of her catchiest ever, including the wonderful "COURT AND SPARK", "FREE MAN IN PARIS", "PEOPLES PARTIES" and the blusier, almost funkier "CAR ON THE HILL" 10/10
THE HISSING OF SUMMER LAWNS - This is a much more experimental, more subtle, less out and out catchy album than it's predecessor. Once again furthering her ever increasing jazzy sound, to a wilder, deeper extent. Make no mistake though, the songs here, whilst not as accessible as her previous cuts, remain quite brilliant - a lot of songs taking on a sort of balladic jazzy tone, low key, slow, subtle music that creeps in through repeated listens. Song highlights for me would have to be "THE JUNGLE LINE", a song the like of which she would never write again, at least not that I have heard; a wild, tribal song with great, twisting vocals from Mitchel. on the flipside, there is the stunning, piano driven "SHADES OF SCARLET CONQUERING", in my top 5 Mitchell songs; a ballad with a sound so melancholy it stands alongside the best from Blue and Clouds in terms of sadness, and containing some of her finest melodies ever. Definitely this albums best song, containing an impossibly yearning tone. I also adore "HARRY'S HOUSE/CENTERPIECE", which starts off as a song typical of this album really, before evolving into a stunningly well done little blues/jazz number by the end. "SHADOWS AND LIGHT" is also a stark delight, mainly vocals, minimal instruments. 09/10
HEJIRA - VERY much continuing the sound of summer lawns, this disappointed me on first listen. the songs did not sound subtler, less obvious, they simply sounded more, well, boring, really. However, with a fair number of repeated listens this has become a real favorite of mine, containing two of my personal favorite Mitchell songs in the underrated masterpiece that is "AMELIA", which contains my favorite Mitchell vocal line/melody ever this side of This flight tonight and shades of scarlet, and has some excellent guitarwork that intertwines PERFECTLY with the vocals. The other is "BLACK CROW", a very different song from Amelia, a slightly more "tribal" number, and very typical of this albums basic style, I feel - once again great, distinctive guitarwork and a very fine central vocal refrain. So, yeah, jazzier, more experimental, and subtler sum this album in my opinion, and it may take some of you a few listens to sink in. It certainly did for me but it is well worth it - the songs and melodies here may not be as obvious as what has came before, but the best of it easily stands up to it. 09/10
DON JUAN'S RECKLESS DAUGHTER - This seems the least well thought of of Joni Mitchell's first ten albums, something that I understand. However, this contains much better songs than typical critical opinion wold have you believe. Sure, it doesn't quite reveal itself upon repeated listens in quite the same way as Hejira does, this very much sticks to the same style but once again in a more radical, less obvious style. So, AGAIN, great evolution of her sound, this time however, the songs aren't quite there in the same way as before. There are highlights here, though, including the wonderful "OTIS AND MARLENA", containing the most obvious melody of the album, and also by chance it's best. Wonderful central vocal refrain here. I'm also a fan of "DON JUANS RECKLESS DAUGHTER", as it is a fair representation of the basic style of the album and has some nice moments which emerge after a few listens. I feel I have to mention "THE TENTH WORLD", not as a highlight, but as a warning. Experimental music is not something I avoid (evidence; Starsailor by Tim Buckley is one of my top 5 albums of all time), BUT this is basically 6 minutes of tribal drumming and is both repetitive AND a little boring. 07/10
MINGUS - This may be where I get some disagreements. Very much like how I perceived Court to be the culmination of all the albums up to that point, this feels very much like the final chapter in the second half of the album selection here - very sparse, spacey, jazzy, and also quite possibly her subtlest album yet. Putting aside the little interludes and focusing on the songs, I really am a fan of the material on this album. I always appreciate and enjoy digging into the subtlety on Mitchell's post court and spark work, having the songs reveal themselves over time, and this may be the most rewarding in that aspect. Once you get used to/accept the style of the album, and once the songs reveal themselves to you fully, this is an album thats sound borders on the hypnotic, with quiet, unassuming power. "GOD MUST BE A BOOGIE MAN" is in my top 10 Mitchell songs and is a stark stunner. The refrain of god must be a boogie man and the chant that follows it is a spine-tingling moment for me. "THE WOLF THAT LIVES IN LINDSEY" has a more heartfelt tone to it in the vocals, a more delicate guitar tone in PLACES, and has a lovely subtle melody. 09/10
Like I said before, this is a set of albums to listen to chronologically - you go on a highly interesting journey, charting Mitchell's musical evolution, a very fulfilling and enjoyable journey containing some of the finest songs and music of all time. Music that really does go straight to your soul. And stays there.
3 of 3 people found the following review helpful
5.0 out of 5 stars Rediscovering Joni,
This review is from: The Studio Albums 1968-1979 (Audio CD)I have never really stopped listening to Joni Mitchell since first discovering her in the early 70s. This is an excellent way to repalce the old vinyls and get a neat packaged box set at a very reasonable price
8 of 9 people found the following review helpful
5.0 out of 5 stars Track Listing. Night in the City,
This review is from: The Studio Albums 1968-1979 (Audio CD)This review is from: The Studio Albums 1968-1979 (Audio CD)
The Track Listing is as follows
DISC 1: SONG TO A SEAGULL:
1. I Had a King
2. Michael from Mountains
3. Night in the City
5. Nathan La Franeer
6. Sisotowbell Lane
7. Dawntreader, The
8. Pirate of Penance, The
9. Song to a Seagull
10. Cactus Tree
DISC 2: CLOUDS:
1. Tin Angel
2. Chelsea Morning
3. I Don't Know Where I Stand
4. That Song About the Midway
5. Roses Blue
6. Gallery, The
7. I Think I Understand
8. Songs to Aging Children Come
9. Fiddle and the Drum, The
10. Both Sides, Now
DISC 3: LADIES OF THE CANYON:
1. Morning Morgantown
2. For Free
4. Ladies of the Canyon
6. Arrangement, The
7. Rainy Night House
8. Priest, The
9. Blue Boy
10. Big Yellow Taxi
12. Circle Game, The
DISC 4: BLUE:
1. All I Want
2. My Old Man
3. Little Green
7. This Flight Tonight
9. Case of You, A
10. Last Time I Saw Richard, The
DISC 5: FOR THE ROSES:
2. Cold Blue Steel and Sweet Fire
4. Lesson in Survival
5. Let the Wind Carry Me
6. For the Roses
7. See You Sometime
9. You Turn Me On I'm a Radio
10. Blonde in the Bleachers
11. Woman of Heart and Mind
12. Judgement of the Moon and Stars (Ludwig's Tune)
DISC 6: COURT AND SPARK:
1. Court and Spark
2. Help Me
3. Free Man In Paris
4. People's Parties
5. Same Situation
6. Car on a Hill
7. Down to You
8. Just like This Train
9. Raised on Robbery
10. Trouble Child
DISC 7: THE HISSING OF SUMMER LAWNS:
1. In France They Kiss on Main Street
2. Jungle Line, The
3. Edith and the Kingpin
4. Don't Interrupt the Sorrow
5. Shades of Scarlett Conquering
6. Hissing of Summer Lawns, The
7. Boho Dance, The
8. Harry's House/Centerpiece
9. Sweet Bird
10. Shadows and Light
DISC 8: HEJIRA:
3. Furry Sings the Blues
4. Strange Boy, A
6. Song for Sharon
7. Black Crow
8. Blue Motel Room
9. Refuge of the Roads
DISC 9: DON JUAN'S RECKLESS DAUGHTER:
1. Overture: Cotton Avenue
2. Talk To Me
4. Paprika Plains
5. Otis and Marlena
6. Tenth World, The
8. Don Juan's Reckless Daughter
9. Off Night Back Street
10. Silky Veils of Ardor, The
DISC 10: MINGUS:
1. Happy Birthday 1975 [Rap]
2. God Must Be a Boogie Man
3. Funeral [Rap]
4. Chair in the Sky, A
5. Wolf That Lives in Lindsey, The
6. I's a Muggin' [Rap]
7. Sweet Sucker Dance
8. Coin in the Pocket [Rap]
9. Dry Cleaner from Des Moines [Rap], The
10. Lucky [Rap]
11. Goodbye Pork Pie Hat
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