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15 of 15 people found the following review helpful
5.0 out of 5 stars Magnificent Miles
This set of three CDs and one DVD of live performances from 1969 neatly complements Volume 1 of the Bootleg Series with its performances from 1967. The formal clothes of the 1967 quintet have been replaced but, as usual, Miles continues to out-dress the other band members and asserts himself as the leader. There is some overlap with the 1967 repertoire, but from the...
Published 16 months ago by John M Wilson

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3 of 11 people found the following review helpful
2.0 out of 5 stars Absolutely Dreadful
I am an ardent fan of Miles Davis and, including Box Sets, I must own at least 70 of his CDs!! To me, this is just a noisy, disjointed, unstructured, cacophonous din that is totally irritating and unlistenable! A sublimely talented group of musicians producing awful sounds! Live in Europe 1967 is far, far better than this! Stick to Bitches Brew, Silent Way, Jack...
Published 13 months ago by Mr. A. Lanfranchi


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15 of 15 people found the following review helpful
5.0 out of 5 stars Magnificent Miles, 14 Mar 2013
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
This set of three CDs and one DVD of live performances from 1969 neatly complements Volume 1 of the Bootleg Series with its performances from 1967. The formal clothes of the 1967 quintet have been replaced but, as usual, Miles continues to out-dress the other band members and asserts himself as the leader. There is some overlap with the 1967 repertoire, but from the earlier quintet Herbie Hancock, Ron Carter and Tony Williams have gone, and are replaced by Chick Corea, Dave Holland and Jack De Johnette in the new lineup – only Miles and Wayne Shorter remain of the ‘2nd Classic Quintet’. The instrumentation remains the same. The set offers performances recorded in Europe, similar to the ’67 sessions on Volume 1.
The music is outstanding with all band members on top form. Miles has a full trumpet sound and only rarely uses his mute. Chick Corea plays electric piano mostly, but does play some exceptional acoustic piano solos on the third CD. Although this quintet was short-lived and represented the later stages of Miles performing live in a quintet, all musicians have clearly settled in well and complete a dynamic unit. The playing is quite wild at times, but is not as outlandish as the later Cellar Door sessions.
Sound quality is good in comparison with other live sets, but Dave Holland seems to get a bit lost in the rhythm section mix and can only be heard clearly in his solos, which are strong. Wayne Shorter is often in Coltrane mood and mode, on both tenor and soprano.
Several of the pieces that are new to the repertoire were played on the albums by a larger and more varied group of musicians, so these live versions are markedly different from the studio versions, but are strongly performed regardless. Paraphernalia is very different to the version on the Miles in the Sky album (the unusual guitar work from George Benson on the original could never be repeated and wisely no one tries to cover for it) but is still very enjoyable.
As with Volume 1 several tracks are feature at several venues but, as with the earlier Volume 1 set, no two performances are alike – for example there are three versions each of Sanctuary and Directions. Varying lengths of performances help remove any hint of repetition across the four concerts – for example It’s About That Time comes in at 9 minutes in one version but stretches to 14 minutes in another.
There is less ensemble work in the concert performances than the studio albums, but much of that has to be sacrificed when there is no opportunity for tweaking of the tapes by Miles and Teo Macero in the studio. Bitches Brew and many other tracks could not be played live in the same way as the studio versions, but it is great to hear what the band makes of them. All the performances in the set are much stronger than the Double Image album of a set recorded in Paris, one of the few to document a similar period.
Watching the DVD after listening to the three CDs is very illuminating. The band make an edgy start, similar to that on the first CD, looking as if they have been rushed to start before they were happy with the setting up of instruments and mikes, but then they settle – initially Chick Corea looks as if he does not want to be there at all! The venue is also quite difficult with the musicians exposed on a smallish island stage surrounded by the audience. The frenzied nature of parts of the performances also comes across once the band hits its stride– De Johnette clattering his drums, Holland sawing at his bass and Corea stabbing at his keyboard - and all musicians are clearly playing with both great passion and sensitivity. The CD draws to a close with some superb delicate duo work between Miles and Corea, with both musicians playing intelligently and subtly. This section of the music is quite magnificent and throughout all the concerts Chick Corea has been a revelation, to me at least.
As the music fades and the audience applaud the band thoughts turn to the question of will there be a Volume Three.
Is there anything else to be released? I hope so.
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35 of 36 people found the following review helpful
5.0 out of 5 stars 24c Solid Gold Nuggets Have Been Discovered Here!!!, 5 Feb 2013
By 
Cornish Deadhead "Happy Harv" (UK) - See all my reviews
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
As I commented with Miles Davis Quintet - Live In Europe 1967 - The Bootleg Series Vol. 1, calling these recordings bootlegs does them a massive disservice!

The recordings here once again come from radio/TV broadcasts, but they demonstrate the advance in recording techniques between 67 and 69. On the CDs the quality is near enough perfect, and the picture on the DVD is near pristine with sound to match! (I played mine through a blu-ray so there would have been some up-scaling, but the picture is very, very good).

So why are these recordings so important? The answer lies not in the fact that you have top musicians here (Davis, Shorter, Corea, Holland & DeJohnette), but in the fact that this particular quintet never recorded any studio sessions. Miles himself considered this a marvellous band and regretted that there were no available recordings. There is a quote from him on the enclosed written material which I am unable to reproduce here due to his colourful language! I am sure that he would be delighted that such brilliant recordings have been made available now.

So what of the music - well it is forceful, demanding, imaginative and stimulating in my opinion. Old favourites have new life injected into them (Milestones, Round Midnight) and the new material (Miles Runs The Voodoo Down, Bitches Brew) contain their urgent searching nature, but the versions here probably sound different to those better know ones. Unlike Vol 1, the drums & bass are well recorded here with Shorter playing as if his life depended upon it. In fact, I am almost tempted to say that Shorter is the star here, much as he is on The Complete Live At The Plugged Nickel 1965, although the big difference here is that Miles is on top form.

The packaging is similar to Vol 1 being a fold-out digipak, but it has the benefit of a slot to hold the folded poster with the written material on the reverse. A much better solution than the previous volume which simply has the booklet loose inside the digipak.

In summary, this collection of recordings is of historical importance for jazz lovers, and essential for fans of Miles - it is a bargain which should be snapped up at the first opportunity in my view!
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5 of 5 people found the following review helpful
5.0 out of 5 stars Miles's legacy, 3 May 2013
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
Why is it even called bootlgged? This is probably hos best live recordings i have come across. Par excellence. His legacy lives on.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Even more to come?, 3 May 2013
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
Any "new" Miles Davis recordings are welcome, particularly of this famously 'unrecorded' touring band. However, there are superior recordings of this group which are still bootleg limbo, eg two Salle Pleyel concerts, Rome and the Rotterdam concert the BBC broadcast at about 2AM few years ago. We can live in hope.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Its not a bootleg, 27 Feb 2013
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
Don't hesitate - If you love bitches brew you'll love this set.
Dvd picture quality is really good
Sounds great too !
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2 of 2 people found the following review helpful
5.0 out of 5 stars Miles in Europe, 16 Jun 2013
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
The term bootleg is a misnomer as these are professional recordings made by tv companies. More of the great miles for the aficionados.
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11 of 13 people found the following review helpful
5.0 out of 5 stars Something for everyone - except the purists, 19 Feb 2013
By 
Steve Keen "therealus" (Herts, UK) - See all my reviews
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
Amazing what people find lurking in their wardrobes, filing cabinets, garages, whatever. Somewhere in the world I'm still holding out for a trove of Clash live recordings, stashed away in the late seventies by some substance-addled punk. In the meantime, the Miles recordings keep flowing.

As with the arrival of Bitches Brew Live, the last Miles CD to arrive en la casa therealus from Sony, La Rubia, my long-suffering significant other, gives a knowing look. After all, look at the track titles here. Isn't that one on at least half a dozen other CDs? And that one? And so on?

Yep. But you Miles savants know like I do that a title signifies nothing. There's a brief statement of a recognised tune, a flourish on the trumpet, and the band go careering off in a new direction. Ninety per cent of what you hear on CD 1 of this set you won't hear on CD 2, and so on, although the Bitches Brew material is a little closer to the studio versions than it becomes a year later.

And then occasionally they really surprise you and stick with a tune for a few minutes, as with Nefertiti, though played here about a quarter faster than on the eponymous album. But it's a little like suddenly seeing a familiar face in a dream. Something instantly recognisable. But then it's gone again.

Also like in a dream what appears is sometimes a face you never thought you'd see again. So in amongst the new fusion-oriented tunes and electric extemporisation are such gems as Footprints, `Round Midnight, I Fall In Love Too Easily and No Blues. And at the end of CD 1 there is a symbolic fusion of the old closer and the new closer, The Theme and Sanctuary. There is, in short, something for everybody. Except, of course, the purists. But to show how fast things were moving at the time, at the Fillmore dates a few months later, in spring 1970, most of the old tunes had gone.

One of the stand-out features of the set is the rhythm section, and especially Holland and DeJohnette, whose thunderous backing drives proceedings like a cattle prod at times. Corea is excellent: a little less funky, a little more delicate in the main than Keith Jarrett, to be heard a year later at the Isle of Wight festival (the main feature on the Bitches Live set). And Shorter is at his most dynamic, especially on the DVD, where it's possible to actually see him winding himself up like a spring before letting rip (and remarkably, you can hear just the same on Without A Net, recently released by the now octogenarian).

But also audible throughout is the clarity of Miles's playing and musical vision. Here he is on the cusp of a major shift in musical styles, and that knowledge is truly awe-inspiring. Takes your breath away.

The quality of all the recordings is superb (I have to agree with the other reviewer who says "Bootleg" is a very misleading title - there were no substance-addled punks involved in this enterprise), and the DVD especially is worth seeing. The colour and clarity are remarkable given the recording's vintage. It could have been made last week.

Inspired by this, I went ahead and ordered Volume 1 (more knowing looks from La Rubia). But although I've long given up on the appearance of more Clash live recordings, I'm still hopeful that Volume 4 of this series is unheard recordings from 1973-4 (Volume 3 has to be from 1970-2), still sadly underrepresented on my shelves.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Great, 30 July 2013
By 
Orn Thorisson (Reykjavik, Iceland) - See all my reviews
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
Great compilation of a somewhat lost quintet. Fantastic players, good recordings. A great link between Bitches Brew and later recordings by Miles. Check out the video as well.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Miles at the top of his game!, 5 July 2013
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M. Speeding (Consett) - See all my reviews
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
I bought this tremendous Miles artifact on the strength of the glowing 5 star review in Jazzwise magazine! The packaging and entire presentation of this wonderful CD/DVD is absolutely outstanding! There is a marvelous poster included complete with extensive background information and the accompanying DVD is amazing footage for the time! Miles, Wayne Shorter and Chick Corea improvise with skill and dexterity providing a copious myriad plethora of listening pleasure for any discerning Jazz fan! Do yourself a great favour and purchase this immediately - you won't regret it!
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1 of 1 people found the following review helpful
5.0 out of 5 stars Essential Miles, 21 Mar 2013
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This review is from: Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2 (Audio CD)
the recordings have been available on bootlegs for many years but it's nice to get what must be first generation recordings, quality shines through and this is shear quality music by an amazing band. Buy it!
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