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4.6 out of 5 stars50
4.6 out of 5 stars
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on 20 November 2012
I find this new album by Mary Chapin Carpenter very moving, beautiful and poignant. it is a wonderfully crafted and produced album from a great song-writer. I had not really listened to Mary's songs before even though she had been recommended to me by others in the past. I tended to shy away from what I thought was 'country' music. However the title of Mary's album and my own personal life at this time seem to have searched each other out; hence a most wonderful discovery. I wholly recommend this album to all who like good, reflective song-writing, accoustically produced, written from the heart and soul of a lady with a beautiful voice. Ashes and Roses is my album of 2012.
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Like her near contemporary Nanci Griffith, Mary Chapin Carpenter writes highly literate songs that are odes to introspection, confession, catharsis and loss. In 2007 she suffered a pulmonary embolism, her father died and she went through a divorce. The album seems to be a reflection upon those troubled times.

It is a gentle, mainly acoustic, work and she uses the voice and phrasing of a folk singer to explore the darker corners of the soul. As she explains in "The Swords We Carried"

"And grief became my company, pain so deep I could not breathe,
All betrayal is like dying in slow motion".

In "Chasing What's Already Gone" her father appears in a dream to tell her "You're gonna be alright", but she felt as empty as she'd ever been:

"Ashes and roses and hearts that break
I tried so hard to be strong
But maybe my worries were not my first mistake
I'm chasing what's already gone".

The lyrics are illuminated by a magical arrangement of Hammond B3, mandolin, acoustic guitars and piano. But as well as the lyrical content this is also an album of exquisite melodies and deliberately understated arrangements. A simple piano accompaniment on "Jericho" from producer Sonny Rollings is perfect as she confides:

"And you can't hear me yet, listening takes a long, long time,
And I've so much to tell, but words die on these lips of mine".

Lyrics, melody and musicianship combine beautifully in "I Tried Going West":

"A letter a day I wrote back to you
But not one you ever received
'cause I can't stand the man that lies like you do
And I can't bear a woman who bleeds".

Because Mary's voice is so intrinsic to the spirit of the self penned songs the duet with James Taylor on "Soul Companion" doesn't contribute as much to the album as perhaps it should. But that is a minor quibble about an album that is a combination of lyrical and musical perfection.
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on 2 July 2012
I have loved all of Mary's most recent albums from `Between Here And Gone' through to 2010's `Age Of Miracles' and this latest release doesn't disappoint. The album comprises mainly gentle, acoustic ballads which showcase perfectly Mary's talents as a singer and storyteller. I have to admit this one took a little longer than its predecessors to get under my skin but after several listens the melodies and lyrics really do shine through.

It's hard to pick a favourite track but the combination of Mary and James Taylor on `Soul Companion' is definitely a highlight along with the more upbeat opener 'Transcendal Reunion'.

Tasteful music, tastefully packaged for the discerning listener.
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on 13 June 2014
This is the album - for me - where Mary feels back on top of her form and supremely confident of her own talents, without ever sounding smug or self-satisfied. She knows better than to do that. In a way it's a one-idea album - you can't change your past, don't beat yourself up about it, but you can't prevent memories resurfacing - but all the songs are deep, genuine and heartfelt. I hear she's doing an album and tour with an orchestra. That may be because she feels she's taken her small, intimate band sound as far as she can, at least for a while and that may be true cos she's certainly put the band to best use here. Mary's disarming contralto voice has got deeper with age, but she sure does it for me! A huge talent who got better - and sexier - with the passage of time.
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on 8 December 2012
I bought this having read a review in a daily newspaper. Previously I had not heard of Mary. She has a wonderful melodious voice and her lyrics are, at times, very moving.
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on 4 April 2014
This is a really lovely album, full of well crafted songs which are beautifully played and produced. While it might seem a liitle introspective and downbeat to some, for me, it stands up well to Mary's better known and more succesful albums. My favourite track is "Chasing What's Already Gone". If you fancy a listen before you buy, there are a number of the songs on YouTube and extracts from the excellent series' of Transatlantic Sessions.
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on 9 April 2016
The BBC Review accompanying this album states; "This profoundly personal album is unlikely to woo passers-by, but loyal, long-time admirers will adore it". Well, having never listened to MCC until now, I would probably qualify as a "passer-by" and I love it.
Written and recorded, I believe, at a very low part of her life, with family bereavement, illness and separation being the catalysts, I feel this album is a masterpiece. Some artistes are well-known to be at their best when hit by these life-changing events, and this album contains such intense emotions that the completion of it must have been hugely cathartic to Ms CC.
True, it can be dark, and if you're expecting something bright and breezy, it may be best to look elsewhere for your entertainment. But in my case it's gone directly into my top 5 albums in this genre.
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on 5 January 2014
This is a lovely, haunting, gentle collection of really personal songs, all delivered in Mary Chapin Carpenter's unique style. Beautiful.
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on 3 March 2014
Mary Chapin Carpenter always delivers good quality music with meaningful words. Excellent listen, very relaxing. Gets my vote every time
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on 22 September 2012
Excellent material and deep but soft lyrics, a change , refreshing and an easy listen. Mary continues to produce good and novel material
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