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15
4.2 out of 5 stars
Novella
Format: Audio CDChange
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27 of 27 people found the following review helpful
on 22 December 1999
One of the great tragedies of Brit pop over the past quarter century is that Renaissance didn't get the status and following in these Isles that their music deserved. For once, Stateside audiences recognised and appreciated what must be about THE most melodic and beautiful band ever to come out of the UK whilst we Brits chose to largely overlook them. Have no doubt: Renaissance are up there with Yes, Pink Floyd, Genesis, Moody Blues and (dare I say)the Beatles, in terms of musical creativity.
Can You Hear Me and Midas Man are the two outstanding numbers. Annie Haslam's classically honed vocals, complimented by the band's Classical Rock style of music,have you drifting between orchestral type scores and bloody good rock! The mark of a superb band or album is that, when you listen to it, the hairs on the back of your neck stand up. After 25 years of Renaissance it still happens to me. May their music live for ever!
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14 of 14 people found the following review helpful
on 11 November 2000
This is one truly wonderful album. It forces you to sit and actually listen to the music. So many levels and Annie Haslam's superb voice make this a must have album. I agree with the previous comment. Renaissance have been sadly neglected over the years but it is good that we can still get our hands on their music.
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5 of 5 people found the following review helpful
When this first came out it was advertised on Capital Radio by Alan Freeman. I was struck instantly by the short soundbites of the add and had to find the album. Since then I have purchased it four times, three vinyl versions and a recent transcribed CD version from Japan. What I would really like is an original high quality remastered copy from the original tapes! I hope this version fits that bill!
The opening track is outstanding with its oh so quiet beginning followed by the sudden surge of drum vocal and orchestra returning in seconds to te quiet simple keyboard and accoustic guitar section only for the change to happen again. Vinyl does this justice but the CD is still somewhat lacking in dynamics (I think it was created by playing vinyl on a quite good system no doubt and creating a master from that) vinyl on a good system really sounds excellent!
As is to be expected this album follows on where previous albums left off. All the tracks here are fantastic. The words, the singing, the musicianship. I can't fault it at all! No doubt I'll be buying a new copy here again real soon!
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22 of 24 people found the following review helpful
on 10 May 2004
I originally heard this album as a callow youth in 1977, when it was playing at my first lovers flat. I was entranced with the melodious voice of Annie Haslam, and the harmonics of “Can You Hear Me” which has a fantastic introduction.
25 years, on and that lover is long gone, but I found this music again purely by chance last year and have played it endlessly since.
Purists might argue that the vinyl versions were better, but this CD gives a fair rendition.
Listen carefully for the different influences, including some of the Russian composers.
My particular favourites are “The Sisters” and “Midas Man”
This music BEGS to be listened too, and need to be heard at a fair level of volume!
Enjoy!
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5 of 6 people found the following review helpful
on 5 May 2008
has there ever been an album which covers so many genres in one go? prog rock, opera, classical, etc.this is the best album ever for sitting down and shutting out the world to. simply superb and a must for the collections of anyone who claims to like music. by musicians and writers with talent we all wish we had.
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1 of 1 people found the following review helpful
on 11 June 2013
Recording engineer Eroc does the best post production bringing out the sound the way was meant to be heard.
Forget all other versions of Renaissance this is the real deal.
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1 of 1 people found the following review helpful
on 21 December 2014
This is just pure nostalgia for me. A mixture of rock/folk/Gothic style. I suspect its like Marmite- you'll either love it or hate it.
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on 28 December 2013
What a fantastic voice. Just great to be able to reminisce with sounds from the 70's, in 'modern' CD format.
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3 of 5 people found the following review helpful
VINE VOICEon 17 March 2004
Actually, I own the vinyl rather than CD, but it still gets the occasional airing. The baroque splendour of Renaissence is classical in style and by metaphor (see my review of Scheherazade), though the longeurs of some tracks may put off buyers more used to the 3-minute single.
But stay with it - the nine-and-a-half minutes of Touching Once (is so hard to keep) brings not only a fine and subtle melody, sensitive lyrics and even some excellent sax. While some songs fade in the memory, that is one track vividly imprinted in my memory from the first time I heard it - a rare achievement.
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3 of 5 people found the following review helpful
on 7 July 2007
This album was OK, but never held my interest that much. And then SONG FOR ALL SEASONS sealed their fate.

(Curiousity: I have the remastered 2011 Repertoire CD * with the green Warner Bros (much nicer) cover on it..... has a REPUK 1145 catalog number ......)

how i got that i have no idea .......edit Oct 2014
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