Top critical review
11 of 11 people found this helpful
(REVISED)...TERRIBLE HATCHET JOB OF MASTERING.... MY COPY SOUNDS GLORIOUS....A PROPOSAL FOR DEWHIRST (SEE BELOW)....
on 3 March 2013
I am a big fan of Ian Dewhirst, his picks and issues, the important work he does in saving this music from oblivion, and especially the Backbeats Series. I have pointed out that the Backbeats Series is a little less than what one would like in sound quality, but for the money and the top choice picks I have bought them and will continue to buy them. They are perfect for the economic recession. You lay down your single digit bucks and some great picks show up that sound a little cheesy but does the trick.
However this Salsoul issue is a different story. This should be a first-class issue. This is up there with Love Train: The Philly Box, Super Rare Disco, A Complete Introduction to Disco (bit gunned up also) and other milestones of this genre when it comes to its importance. Unfortunately, it does not sound like these others.
This disk is unlistenable off the disc. The treble and middle range are gunned up to piercing levels. Fortunately, I know from experience that this kind of distortion is mostly not permanent. I plan to redub this onto tape through an equalizer and lower the high mid-range and let the treble mellow itself out to make it listenable. I would give this one star if I did not know how to fix it.
Look, Ian Dewhirst needs to find better mastering for his 1st class picks. I don't know if this is his mastering or Demon Music's, but Demon Music has also put out the horrible sounding 100 Hits Disco.
Stayed tune for my review on the bizarre 100 Essential Disco Hits issue...
I had a chance to run this thru my equalizer to see the frequencies. It's worse than I thought. The low -mid and the mid have a big hole in it and the treble is driven into the stratosphere. I re-dubbed it. It is quite fixable. I have a copy now where the frequencies dance nice and even along with the music instead of looking like the New Orleans levees before the storm.
It's a terrible shame that such an important issue is mastered by people who do not even know how to use an equalizer. This CD looks(and sounds)like someone ED'd It with no meter in the dark.
Look, I have flattered Ian Dewhirst enough. I still like his picks, but he needs some serious help before another great collection is ruined. He is complaining that 96% of people download music for free. I don't know if this is true but I can tell you, all these cuts are available for free in better quality than you have here. There is no excuse for this. However, like I said, my copy is now great because I know what I am doing.
Here is my proposal to Ian Dewhirst: either re-issue Deep Disco Culture.... Or write me: my e-mail is on the Deep Disco Culture review and you can sell me a copy of Vol. 1. for regular price. This way I do not have to download it for free. If you keep it out of print, what do you expect? I mean it. This is not a joke. Contact me with a copy of Deep Disco Culture or I may demonstrate this Salsoul CD on YouTube and how it was mastered by a lizard. I think that is a fair exchange for my insightful review.
You other reviewers need to look into this, you are attempting to listen to an unlistenable CD.