Top positive review
7 people found this helpful
Let's all calm down a bit.
on 3 June 2011
Reading the reviews of this album on amazon ('beyond music!' 'the sound of 2011!') you'd be forgiven for thinking that The Naked & Famous were some combination of John Lennon, Dubstep and Jesus. Frankly though, I'm not concerned with the 'sound of 2011', only the sound of their music. This is a brilliant, solid, highly enjoyable album and they're already proving to be the biggest (and best) thing to come out of New Zealand for years (OK, that's not hard when the main competition is The Flight of the Conchords, but still). I listened to little else for days when I bought this album it's still more than decent six months later. Their sound, though not unique, is certainly distinctive and ideal for festivals (this album has 'Glasto' written all over it). It's not musically complex, or even ridiculously catchy, but the thumping bass and combination of distorted guitars and crystal clear keyboards just make you want to move. The stand out songs include the singles Young Blood and Punching in a Dream, but also the less well known (but fantastic) Girls Like You, which is bound to feature of several upset teenager boys' mix-tapes this summer (though that's not a criticism in this case). The Sun (an all too familiar story of hangover ridden post-coital shame) also has a sinister, haunting quality to it which is just so cool. If I had a complaint about it, it would only be that the promised crechendo isn't impressive enough, but I'm nitpicking really. No Way also has a brilliant breakdown at its end which makes one lament that the rest of it isn't as good.
There are holes, people could find Alis Xayalith's voice trying (though I don't), Jilted Lovers tries (and fails) to cover its emptiness with shedloads of distortion and The Ends, with its annoyingly 80s guitar lick, is a needless interlude, but again, these are hardly massive complaints and at worst you can just click the 'next' button (you won't have to much). It's definately a contender for best album of 2011 and does deserve far more accolades than it has recieved, particularly given the competition from summer's sub-par festival bands. So this is one of the few times you can actually believe the hype.