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23 of 25 people found the following review helpful
5.0 out of 5 stars Give Way...Pearl Jam's Mainstream Triumph
To stop and give way to on-coming traffic. That's the definition of the word 'Yield' according to any dictionary you'll find. Pearl Jam probably titled their fifth album this because that's exactly what it does. Their previous two albums, that followed their multi-million selling debut, 'Ten' and their million-in-a-week selling sophomore, 'Vs', became more experimental,...
Published on 18 July 2004 by S. Wright

versus
1 of 6 people found the following review helpful
3.0 out of 5 stars Okay I suppose...
Now on to their fifth album they seem happiest when they havesomething in the way. The band vents their frustration during this year on a ticket agencey and unfortunately lose. Eddie Vedder hardly screams once on this album and seems to want to step back from making legendary performances and would rather stand there and bop and concentrate on singing only. The stands out...
Published on 5 Oct 1999


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23 of 25 people found the following review helpful
5.0 out of 5 stars Give Way...Pearl Jam's Mainstream Triumph, 18 July 2004
By 
S. Wright (Sheffield, England.) - See all my reviews
(REAL NAME)   
This review is from: Yield (Audio CD)
To stop and give way to on-coming traffic. That's the definition of the word 'Yield' according to any dictionary you'll find. Pearl Jam probably titled their fifth album this because that's exactly what it does. Their previous two albums, that followed their multi-million selling debut, 'Ten' and their million-in-a-week selling sophomore, 'Vs', became more experimental, with 1994's 'Vitalogy' probably being the best mix of Pearl Jam's ability to rock hard and perform touching balladry, while having a bit of an eye for the different, culminating in 'No Code' which was no very well received at all. In recent years however, 'No Code' has been truly understood, more by the Pearl Jam faithful than anyone else, so at the time releasing an album that was pretty much straight-forward seemed the right thing to do after upsetting their at-that-time Pearl Jam fans who hungered for how they were before and not how they sounded while being 'original'. Hence, 'Yield'. Now 'Yield' may be slightly more traditional than the at-times wacky, 'No Code' and 'Vitalogy', but Pearl Jam were never going to let pressure from anybody else swing them. 'Yield' may be the rock album that many had been waiting for since 6 months after 'Vs' got a bit boring, but there's a lot more to it.
'Yield' is for contemplation as well as chilling. It's for sleeping, it's for moving. It's for walking as much as it is for sitting. Why? Because Pearl Jam hit their commercial peak right here. Not necessarily in sales, after-all, PJ's sales have slipped album by album (which is good in a way, since they're achieving exactly what they intended), but musically. Only a very trusted and clearly talented band would be left to their own devices by their record label, such is Pearl Jam's ability. 'Ten' might be the one that everyone outside the Pearl Jammers sees as their opus, but it was pretty hideous over-produced and lost a lot of its soaring appeal. 'Vs' was gritty, but 'Yield' is smooth and shiny, while still retaining Pearl Jam's power and punk attitude. It's a dark album, it's a light album, it's heavy and it's soft.
Eddie Vedder's already established lyrical powers were already at their top before 'Yield' was released, but on here nothing is toned. Opener 'Brain Of J' for example, is vicious and the lyrics are just as intriguing 'Who's got the brain of JFK, what does it mean to us now?' Vedder howls, referring to the theft of John F Kennedy's brain some time ago. Basically it can be heavy stuff while being quite light and humorous in places. Yes, the album has it's fair share of rockers, but it has plenty of contemplative and more emotionally powerful moments than any of Pearl Jam's prior releases, and to be quite honest, still to this very date, Pearl Jam have never sounded as good as this. There are also one or two songs in between. Leading single 'Given To Fly' which follows the story of someone under appreciated, finally gaining a gift, then deciding to share it and being stolen from (human nature as a whole basically), share between slower, wave like verses before the full soaring chorus, which has Vedder sounding like he's hollering from the top of a mountain, with the guitars reaching as high as they can just to touch him. It's one of the highlights of Pearl Jam's career put lightly. Pearl Jam has always had a rare ability to perform beautiful ballads as well as hard, gritty rock songs. Hard gritty rock songs on 'Yield' may come rarely but they are some of Pearl Jam's best. 'Do The Evolution', possibly their darkest song, has a huge guitar riff, Vedder almost grunting the words he sings, and hollering at the top of his voice on the chorus. 'It's Evolution, baaaabbbbyyyy!'. It's starting to sound that way.
However, Pearl Jam's shining point on 'Yield' is their ability to tone down. The album is packed full with some of Pearl Jam's best ballads to date. Take the deserty 'No Way' for example. There's something very dark and negative around something that almost sounds upbeat, which is what Pearl Jam do very well. 'Low Light' is also stunning; sounding just as if Pearl Jam were giving you a warm and cosy, intimate acoustic gig right there in front of you, while it positively soars. The closing 'All Those Yesterdays', along with 'Riot Act's' 'All Or None' and a couple of the b-sides from 'Lost Dogs', is Pearl Jam's most wonderfully wilting track. Something to close your eyes to and drift, which is what the song itself, does right around your room. Most satisfyingly of all on 'Yield' is 'Wishlist'. A beautiful, almost smile-inducing and yet sorrowful piece of pleading in such a mainstream radio rock way that only Pearl Jam can do it, and somehow make it so the song would never actually fit onto mainstream rock radio, despite it being one of their most easy on the ear and pleasing songs they've penned to date.
Along with Pearl Jam's expected unusual experimental leanings, in the untitled 'Dot' track and the weird 'Push Me, Pull Me', Pearl Jam have delivered their most consistent and moving album to date. Having said that, both 'Binaural' and 'Riot Act' haven't exactly been masterpieces, but as with most of Pearl Jam's albums they will come of age in time, which is exactly what 'Yield' is doing now, and if you think about the works that came before it, then it's no small feat that is PJ's best, most consistent work to date.
It's on the better side of pain and on the lesser side of joy, but 'Yield' sounds very good on it, and really is not a work to be missed, especially for those who appreciate soaring guitar songs and beautiful low-key balladry. Pearl Jam left their experimental leanings behind for the most part on this one and delivered what they do best. Put basically, Pearl Jam did exactly what they said on the tin - gave way to other oncoming traffic, including their own, taking a moment to breath - and then some. As well as this, 'Yield' is the sound of one of the best modern day musical units working at the top of their game. Quite frankly, it's one of the 90's most under-appreciated and best albums.
5 Stars.
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13 of 15 people found the following review helpful
5.0 out of 5 stars The best Pearl Jam record?, 20 Nov 2004
This review is from: Yield (Audio CD)
One of Pearl Jam's finest moments, and adored by the band's fans, Yield is an album which demonstrates the whole band's writing input more than any of their albums had at that point in their career. For instance, the album contains Mcready's best writing with the rocking Brain Of J, Faithful and the supreme Given To Fly. Eddie's writing is on top form with the empowering MFC and spinechilling love song Wishlist (easily one of Eddie's greatest moments). Jeff proves his ability to write infectious melancholic melodies (Low Light and Pilate), whilst Stone offers his classic groove (Do The Evolution and In Hiding). However, this isn't all there is to Yield, as the band even shows off their increasingly experimental side with tracks like Push Me Pull Me and All Those Yesterdays. All the tracks work together to produce an album which effortlessly evokes and inspires. Coupled with the band's finest album artwork, Yield is a record of 'infinite possibility' (see Single Video Theory DVD which documents the making of the album). Finally detached from the imediate music limelight after the preceding release of the fabulous No Code, Pearl Jam crafted one of the greatest albums of the nineties with Yield. You have to own this album!
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2 of 2 people found the following review helpful
5.0 out of 5 stars A Jack Irons-assisted Masterpiece, 25 Oct 2011
This review is from: Yield (Audio CD)
I see Yield as a companion-piece to the equally-excellent No Code, the common factor being the terrific percussion of Jack Irons. Here, Pearl Jam are not grunge, but a grown-up, expansive rock band flowing with good vibes and positivity. Yield is a great '90s rock album which stands the test of time.
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7 of 9 people found the following review helpful
5.0 out of 5 stars Don't wait for your ears to drop off! Buy it, now!, 3 May 2002
By A Customer
This review is from: Yield (Audio CD)
Pearl Jam have always been a critic's worst nightmare. Defining the Seattle based band has been a massive task for journalists since Pearl Jam's second album back in '93, most journalists passed them off as 'grunge'; yet to claim that this album is grunge would be a major mistake.
'Yield' compiles the qualities of every previous album and folds them up in to a neat package. The foggy riffs of 'Vs.' still remain, backed up by the melodic ballads of 'No Code'. The great thing about this album is it manages to remain diverse, yet still keeps in tide with the unmistakable Pearl Jam 'sound'. And that's the great thing about this album, unlike some of its predeccesors, 'Yield' defines Pearl Jam 100%; just not in words...
I'm not going to sit here and give you a review of each track. If you have an ounce of common sense, you'd go out an buy this. It's good for people who have never heard anything other than 'Jeremy' from Pearl Jam (cheers MTV). And the fans love it too. This is a great album to start a music collection off, it is cheap, nicely packaged, and essentially a great album and everyone has a different view about it.
Don't wait for your ears to drop off! Buy it, now!
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3 of 4 people found the following review helpful
5.0 out of 5 stars A nice reminder, 2 Jun 2003
By 
madradubh (The Universe) - See all my reviews
This review is from: Yield (Audio CD)
As the 90s grinded out for Vedder and co. they were in danger of disappearing into the land of obscure artists. A footnote in a brief renaissance period of music refered to as 'grunge.' By now they are virtually the sole survivors. Little had remained around them and they return to form at a time when noboby seems to be listening. However with fantastic riffs like that which flows through 'Evolution' and 'Brain of JFK' Pearl Jam return to remind the world of a time when music had soul and it was'nt all about 'still being from the block' or how much 'cristal' you can drink. Thank the band alone for taking a stand against dull music. Buy this now - if you do not own this and claim to be a fan shame on you.
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3 of 4 people found the following review helpful
5.0 out of 5 stars Leave your Pearl Jam baggage at the door - this is a classic, 26 Mar 2003
By 
This review is from: Yield (Audio CD)
I get the impression that some of the reviewers of this album came to it with all sorts of expectations based on Pearl Jam's previous work. Not me - apart from Alt-Rock radio hits like Jeremy and Alive, I was a PJ virgin until I was given this album a few years ago. I was immediately struck by the strength of the songs, especially the slower, anthemic tracks such as Given to Fly, In Hiding and Wishlist. But this album's main strength is the way it works as a whole, each song working together with the rest to create a unique atmosphere, and which puts it up there with my top albums of all time. Pearl Jam freaks apparently don't rate this as one of their best albums. That's ok. If you're not one of them, or are prepared to listen without prejudice, you will definitely not be disappointed.
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4.0 out of 5 stars A huge departure but lands safely., 5 Mar 2014
This review is from: Yield (Audio CD)
Yield remains the only Pearl Jam album from the 1990s that sounds and feels like their newer material. Indeed it was such a departure from their previous effort No Code that Yield can take a few listens to get into it. But the album packs some superb songs. Wishlist, Faithful, Given to Fly, MFC even dreamy album closer All Those Yesterdays works.

For the rockier tunes see Do the Evolution and Brain of J. Yield has no fillers or duds just very good songs and good ones. An essential purchase for PJ fans.
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5.0 out of 5 stars Pearl Jam Yield, 8 July 2013
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This review is from: Yield (Audio CD)
An excellent album for any Pearl Jam fan looking to build their album collection. Every tune is catchy, especially the wonderful Given to Fly & the foot stomping Do the Evolution.
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5.0 out of 5 stars hm, 15 April 2013
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This review is from: Yield (Audio CD)
I really know it's perfect, just that i haven't received it yet ... So I'm a bit sad, you know
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5.0 out of 5 stars Fantastic album!, 13 April 2013
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This review is from: Yield (Audio CD)
This is one of my favourite Pearl Jam albums. Just such a consistently high standard of writing & performance! Tracks like Faithfull, Given to Fly & Do the Evolution are included along with the awesome In Hiding, not to mention The Brain of J. I just love it & can't imagine how many times I've listened to it. would recommend it to anyone who likes decent music. Fantastic !
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