Customer Reviews

Dark Night Of The Soul (Digipack)

5 star:		(4)
4 star:		(5)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

As unusual pairings go the link up between the uber hot producer and musician Dangermouse (Brian Joseph Burton) and the sorely departed Mark Linkous from Sparklehorse is particularly intriguing. Add into this mix the presence of Twin Peaks producer and mad genius David Lynch (who signed on to the project create a 100-page book of original photography) and a host of the best and brightest in indie pop and "Dark night of the soul" should be a corker?

Before answering that question lets pause. Clearly the gestation of this album is well known, with Linkous a deeply troubled soul who had at one point medically "died" from an overdose in the early 1990s. He returned to work with Dangermouse a few years back and then rumours of a collaboration between the two men turned into a real project which EMI lawyers in all their wisdom (i.e. none) refused to realise. It's actually been available on the web for some time but now we have a full and proper release.

The music on this album ranges from howling rock to gentle acoustics and it does have some coherence problems when you add in the sheer range or artists. That said "Dangersparkle" a name the two men flirted with, have drawn out some incredible performances none more so than the opener "Revenge" with the Flaming Lips, Wayne Coyne on vocals. This seems to this reviewer to be one of Coyne's best performances since the halcyon days of the Soft Bulletin and Yoshami and is a beautifully tender and slow ballad with brilliant vocals. A great start and the highlights continue. The duet between Linkous and the Cardigan's Nina Persson has a Beatles like quality to it and is deeply prophetic as it fades out with the line "I woke up and all my yesterdays were gone". Alt country band Grandaddy were so eclectic that it comes as no surprise that the two songs by their vocalist Jason Lytle could have happily figured on their album with the eerie dark lament "Every time I'm with you" sounding the best of the two contributions. As for the "Man who played God" with Suzanne Vega this is the real surprise of the package, a superb song with echoes of John Lennon which outshines many of the louder contributions such as Black Francis's "Angels Harp" which sounds like a substandard Pixies song. The Shins main man James Mercer contributes to "Insane Lullaby" which ironically sounds like a Flaming Lips song and is generally good although I prefer the slower and atmospheric "Star Eyes" which is genuinely affecting. Finally the album ends with yet another sad departure in the form of Vic Chesnutt who also committed suicide on Christmas Day 2009. He had throughout his career addressed the prospect of death particularly on his great album "Flirted with You All My Life". With the song "Grim Augury" and its tale of a horrible dream which Chesnutt pleads "Yeah, I begged me not to make me tell ya, Yeah, I pleaded with ya, To leave it alone" you cannot help but read into this that it somehow prefigures his subsequent fate. It is by a country mile my favourite song on this excellent compilation.

Of course it ends in weird fashion with David Lynch taking the lead on the title track a disturbing piano dirge like song with vocoder like singing from the master. It is a fitting end to "Dark night of the soul" an album which is encased in sadness but which is also a celebration of the work of two great musicians and possibly the best rock compilation album I have heard since last years closely named "Dark was the night".

Let us all pause for a moment, and bow our heads for a brilliant musician. Last March, a deeply depressed Mark Linkous aka Sparklehorse committed suicide.

But before he passed away, Linkous finished one last collaboration with Danger Mouse, appropriately entitled "Dark Night of the Soul." Lots of spacefuzz rock'n'roll and colorful psychedelic pop, with countless guest singers/musicians/composers adding their own unique stylings to the music. And sadly, you can hear some foreshading of Linkous' loss in there.

Every song has guest vocalists who also helped produce and composing their songs. It begins with the warm, liquid psychedelica of "Revenge," in which Wayne Coyne croons sadly, "In my mind/I have shot you and stabbed you through your heart/I just didn't understand/The ricochet is the second part..."

Then it switches to the shimmering, glitchy "Just War" with Gruff Rhys, and the fluttering folk-rock of "Jaykub" with Jason Lytle. After those through songs, there's a brief interlude of pure rock'n'roll -- Julian Casablancas slurs through the lean "Little Girl," Black Francis drawls through the half-baked"Angel's Harp," and Iggy Pop... well, he burns through a fiery expanse of dark hard-rock. What else?

Then things sink back into the spacefuzz again, with James Mercer, Jason Lytle, Vic Chestnutt, David Lynch, Suzanne Vega and Nina Persson all contributing. There's the ethereal electronic "Star Eyes (I Can Catch It)," the twinkly chaotic "Insane Lullaby," the bluesy "Daddy's Gone" and "The Man Who Played God," the melancholy folkpop of "Everytime I'm With You," and with bluesy streamers of synth and mats of grimy guitar in the last two songs.

The biggest problem with "Dark Night of the Soul" is that it sounds like too many different artists -- it often sounds more like a compilation of these various people than a unified album. That said, the only song I didn't like was "Angel's Harps," which just sounded half-baked. The rest of the songs are melancholy, tinged with hopelessness and sadness.

The softer songs are full of different instrumentations -- spacey synth that twinkles, shimmers and glitches, xylophones, soft strings, fuzzy guitars and murmuring vocals. The harder, rockier songs have traces of those things, but they rely more on driving guitar and raw blasts of bass -- a particular highlight is Iggy Pop's song, which starts off as a simple hard-rock song, but blossoms with streams of glittering synth and blooming whorls of guitar.

The guest vocalists also do brilliant jobs -- Wayne Coyne, Jason Lytle and Jason Mercer are particular highlights, but all of them are expertly woven into their music. And the lyrics are simply beautiful -- lots of striking imagery ("But dreams float up/from fishers in the flood"), hopelessness ("The last survivor crawling through the dust/There is just war/A contribution till humankind/Turns to rust") and general sadness ("I woke up and all my yesterdays were gone").

Sparklehorse and Danger Mouse crafted a beautiful, saddening collection of songs that turned out to be Linkous' last work -- I wasn't crazy about Black Francis' song, but all the rest are lovely.

A long overdue release for this excellent work that blurs the boundaries between art and music. Is it a photography book with music or a lavishly illustrated CD? In reality this is a superb package with a dream line up of cult stars of the indie alternative scene. At times its not quite as strong as one would hope but that would be churlish criticism in light of the ambition of the work. The sad thing though, one which will probably always overshadow the release is that two of the artists really did experience the darkest night of the soul between recording this and its final release. Its hard not to feel a deep deep sadness to see the dedication to the two men who took their own lives within about 4 months of each other. The album now stands as tragic prophecy of the dark night of the soul of two extremely talented men.

This project got hyped to the hilt when the idea was first rumoured but when it finally arrived last year there was a very muted response - possibly due to the legal wrangling resulting in the album only seeing an official release this month. Whatever the reason there seemed to be a collective shrug regarding `Dark Night of the Soul' - the reviews from the critics were middling and anyone I knew who had bothered downloading the music told me not to get too excited, it was not without merit but patchy.

So when I finally got round to listening to this my expectations had been reigned in somewhat to say the least. Sparklehorse are a band I've followed since 1995 no less and have always anticipated Mark's work, Lynch is a true artist and has worked with Angelo Badalementi in producing some of the most evocative soundtrack music ever produced (see Twin Peaks and the Straight Story in particular), while Danger Mouse is a great foil for Linkous, buffing up his lo-fi gems into sparkling new pop forms as demonstrated by their collaborations on the final Sparklehorse release. When you added these influences to the long roster of guest vocalists then the phrase `dream team' hardly did this justice - I should have been itching to put this disc in the player but instead found myself half-heartedly putting this on as a bit of background fodder for my first listen.

I've got to be honest I wasn't all that impressed on the first two spins. Sure the first four songs were neatly polished but the rest sounded a touch `phoned in'. I persevered and started to notice that with each subsequent listen the influence of Lynch got stronger and stronger. He actually sings on two songs, `Star Eyes' and the title track, and these sound the most like soundtrack material. This is where DNOTS gets its real drawing power, its uniqueness. Little flashes of this quality pop up in other songs - the intro/outro to Angel's Harp, the cinematic backing to `Every Time I'm with You'. This is when you realise that the album has succeeded - it would have made an excellent soundtrack.

There are some impressive stand alone songs included here, as previously mentioned the first four songs are particularly strong. `Revenge' features a really powerful vocal from Wayne Coyne of the Flaming Lips, `Just War' is a pleasingly conventional and well produced song with a strong melodic sensibility, `Jaykub' sounds, well, exactly like a Grandaddy song, but a pretty decent one! `Little Girl' completes the four and is something completely different with Casablancas bringing his Strokes shtick to a none-more-cool backing that you'd think would be more at home on the soundtrack to a Tarantino flick but as black sheep go it is pretty adorable.

Other highlights are Iggy Pop hilariously doing his unhinged routine on `Pain' and the sweet alt country pop of `The Man Who Played God', sung by the addictively breathy tones of Suzanne Vega. Nothing really hits a true bum note, perhaps I unreasonably expected a little more from the contributions from Mercer and Black Francis due to their well earned reputations. Likewise I find the Linkous fronted track `Daddy's Gone' slightly underwhelming, the orchestration a bit obvious in the chorus.

Despite the delayed release and lack of fanfare Dark Night of the Soul has proven itself an intriguing and worthwhile project and it is such a shame that Mark is no longer around to see the official release.

I love this interesting and artistic CD and I am intrigued by it, I can listen to it again and again. I highly recommend it. As a point of interest track 1 is featured at the end of ep21, series one of 'A person Of Interest'.

Der letzte Titel des Albums ist das Geld wert. Diese verstörende Schönheit hat mich beim ersten Hören völlig umgehauen. Nachdem die letzten Töne schon verklungen waren, saß ich noch eine Weile regungslos da und war noch völlig im Bann dieses grandiosen Liedes! Einfach unglaublich!
Wenn sie auch nicht an die Besonderheit von "dark night of the soul" heranreichen, so sind auch die restlichen Lieder absolut hörenswert.
Lieblingsplatte!

This is a good quality item and if like the album, well worth getting.
Personally, Mark Linkous is a very much missed, favourite musician and this would be one of my all time favourite albums.
A search will easily lead to being able to hear this album online and if you like what you hear I would recommend you consider purchasing this [at the right price] rather than a standard cd. It gives a much better understanding of the whole project and the work of 3 geniuses.

I can't get into this album despite liking all of the guests who appear on it. For me there are no real stand out songs it just limps along at the same pace. Sorry!

I was looking for something different...this is it. Musical and varied.. tuneful (is that a word) Musical maybe? Great album artwork even on iTunes..

Good album with a great range of vocal contributors - including Lynch who also provided the visuals. Highlights include contributions from Iggy Pop, Gruff Rhys (Super Furry Animals) and Jason Lytle (ex-Grandaddy).