Most helpful positive review
on 13 August 2009
This is definitely Sevendust's sophomore album, and certainly the best album of 1999. It still maintains the same dark subject matter from their self-titled album but the sound quality is much clearer which is an improvement. But what really stands out is the amount of experimentation on this album. You begin with the heavy track 'Home', where Clint's and John's guitar work shines and where it carries a very catchy chorus. Next is 'Denial' which is arguably Sevendust's signature song, with a very heavy intro and chorus riff and ever-continuing vocal experimentation. After this is 'Headtrip', which is probably my favourite track on the album. Extremely catchy and yet they have not slowed the pace since 'Denial', the three-vocal parts are impressive.
The instrumental track 'Insecure' then follows (interestingly, this was intended to be the original riff for 'Angel's Son' from Animosity), a good calm listen. Following this is 'Reconnect', which bears keen similarities to tracks from the previous album which is good news for fans of that album. 'Waffle' is up next, which is the real standout track, and probably the most experimental. A slow but seriously bone-crushing guitar riff combined with brilliant melodic singing in the verses and a very catchy pre-chorus and chorus particularly make probably the best single Sevendust have released. The pace almost triples with 'Rumble Fish', probably the heaviest track on the album, which is good to headbang to and once again, the guitar riff and brilliantly effective vocal placements shine here. Following this is 'Licking Cream' (featuring Skunk Anansie singer Skin), who demonstrates breathtaking vocals along with Lajon's ability. Fast-paced and very energetic track.
We are treated to the slow and slightly soothing 'Grasp' next, the picking in this song is very innovative and Lajon's vocals seriously carry so much emotion here. An interesting opening riff in 'Crumbled' with electronic hip-hop influenced styles is followed by awesome guitar switching between Clint and John and double-effective vocals. What really stands out is the almost haunting nature of 'Feel So', the electronic aspect brought back here as well placed after the almost breakdown-like riff which is one of the catchiest things I've heard. Following this is 'Grasshopper', an 8-second clip of Vinnie singing something (quite strangely) and doesn't make any sense. Probably for comedy only. The final track is 'Bender' featuring Chino Moreno from Deftones. Although the vocal combination is nice, I'm not a fan of Chino's singing personally I much prefer Lajon's. Not brilliant but ok.
Best track(s); Waffle, Headtrip, Feel So, Rumble Fish, Denial
Last words; BUY THIS ALBUM!!!!