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Nasty And Nihilistic Meets "American Graffiti"
on 26 April 2009
The coming-of-age film is a genre that spans generations, that each era has it's own version of. Anything from oh, say "The Yearling" to "Trainspotting" qualifies regardless of barefoot-in-the-Ozarks or druggie-pouting respectively. Now, hold on to your Twitter Account folks, as we have a new one to add to that much vaunted list! We live in a world of violent teenagers, bad horror remakes and Economic crisis, so what would best sum this all up? "Deadgirl" tries, and although falters a bit with the execution, does quite a good job (actually).
Typical "outsider" templates JT and Rickie find solace in hanging around an old, disused Asylum when bored and out-of-sorts, and there one day they come across a naked, seemingly alive but unresponsive girl chained to a table in one of it's darkest recesses. JT fulfills his sickest fantasies on the girl (which I won't go into) and no matter what they do to her, she doesn't die - which in turn allows the sickos to invite in more losers to do what they wish, kind of like "Risky Business" as filtered through the mind of Stuart Gordon, perhaps. But, as you can no doubt figure out yourselves, there is a downside to this male bonding; she's a Zombie. Shock! Horror! Comatose just doesn't cut it.
It plays well on our societies apparent march towards the Cult of Dehumanization and all the questions that it implies; and, in the light of a current taste for teenagers-are-scum horror (See "Eden Lake" for clarification) no bases are left untouched when it comes to voyeurism and crass Daily Mail tut-tutting. However, the film does make us think about the limits of what people will do before they accept they've "gone too far" (and the Hubris that goes along with it). So, highly recommended, with a loss of stars for a crummy production look and slightly rotten acting. Better than the usual Slasher fare, let's leave it at that.