16 of 17 people found the following review helpful
on 7 June 2010
Magnificent sound. Extraordinary performance, so intimate and introspective.
At first, I chose this CD more properly because of the glorious recording of Schubert's Arpeggione Sonata. The execution of this chamber music jewel by Britten & Rostropovitch is simply moving. Throughout their hard work the two masters must have in facts deeply perceived Schubert's unique and sincere ability to explore the human heart, so that they became able to narrowly and magnificently reproduce it in one of its most beautiful expressions.
But after a new listening and a more aware reading from the attached booklet introduction by Graham Johnson, I've recently come to realize how rightful was Britten's opinion about Schumann's late works, just like the beautiful "Funf Stucke im Volkston" - I apologize, I do not have the right German types on my keyboard to write this down. 'Many commentators argue that Schumann's late works reflect a disastrous falling-off of imagination. Britten had no patience with this thesis'. That's exactly what a deep and careful analysis of the five pieces would conclude. Moreover '[...] in other hands the music can sound gauche and disjointed: with these performers it has a rustic simplicity and strenght, and the phrasing unveils delightful humor and playful repartee. These are revelatory performances of problematic pieces which refuse to yield their secrets to many enthusiasts'. I totally agree with Mr. Johnson.
Finally, I'm no actual Debussy connoisseur yet - I'm sorry, amico mio! - but his Cello Sonata sounds quite fine to me.
Such records deserve the honors of masterpieces.
Something to play on and on.
2 of 2 people found the following review helpful
This disc contains recordings made in 1961 (Schumann) and 1968. The actual remastered recorded quality still remains superlative and sounds as if made yesterday. It would be easy to imagine the players to be in the same room, so realistic is the recording. The program illustrates exactly the very special musical relationship that Britten and Rostropovich created between themselves and which, certainly in this instance, is an example of the sum exceeding the individual parts.
Both musicians were outstanding in their own ways of course, Britten as an accomplished pianist and accompanist, and Rostropovich as cellist (and also pianist). What we have here though, is a complete synthesis of musical minds and their instinctive interplay that is really quite special.
The instances where special and mutual insights into each others musical responses and where each is able to totally accommodate the other are simply too numerous to list. They occur almost by the second and result in a continuous stream of inspiration. All three pieces take on a range of expression that defies description and marks these performances as uniquely satisfying. The result is one of live music making at the highest possible level. My only regret is that space for the equally fine performance of Britten's own cello sonata has not been found.
As the heading says, this disc is not so much definitive as unique and marvellous. I would therefore suggest that, whatever other performances purchasers may have of this repertoire on disc, this disc by Britten and Rostropovich certainly deserves very serious consideration as a 'must buy.'
5 of 8 people found the following review helpful
the other review omits for me the most interesting + arresting works, namely the Debussy sonata : (along with Shostakovichs sonata) is a classic 20th C work for cello + piano. recordings of the two men performing together are poorly represented on cd and this cd contains recordings made in the 1960s is for me,pretty much definitive. as expected from Rostropovich the cello playing displays the dark toned,powerful fiery playing you would expect from "Slava", but also moments of real finesse and emotional engagment with the music - played by the composer + it dedicatee. the Debussy also is a marvel - one of the first works i truly loved when i first started listening to classical music twenty years ago. its a much underheard work that is deeply expressive, dark + unusual in its form yet still melodic + very moving.
Benjamin Britten + Rostrpovich are marvellous on this cd, but an alternative also try also to dig out Steve Isserlis "French Cello Sonatas" on the virgin label for an equally rewarding reading of the Debussy (along with Poulenc + Franck - yes i know he was Belgian but hey..). Bruno Weinmeister on the budget Arte Nova label is also worth a try for the Debussy, as well as other 20th C works by Webern + Lutoslawski. The Schumann + Schubert also on this cd will appeal to fans of the expressive, deeply melodic late romantic school + are equally rewarding, but the Debussy sonata is the one for me. Sound on this decca cd is a little dry + rough around the edges when compared to modern days releases, but here the sense of history being recorded is tangible. strongly recommended for those wishing to go deeper..
NB - this cd does NOT include the fairly rare + powerful Britten cello sonata - that is included on the Decca "Classic Sound" cd release (amazon ISIN:B0000042G2) of the same recordings made by Rostropovich + Britten,at slightly higher price + well worth the extra outlay.