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8 of 8 people found the following review helpful
4.0 out of 5 stars There's a thin line between art and chaos...
I completely concur with Jason's review of Soft Cell's difficult second album. If those seduced by Tainted Love were repulsed by some of the darkness on this album, they passed on an album which, even though it's slightly more uneven than Non-Stop Erotic Cabaret, is still pretty good anyway.

Stand-out tracks? Where The Heart Is, Almond's autobiographical tale...
Published on 30 April 2008 by sonik57

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1 of 5 people found the following review helpful
3.0 out of 5 stars pop
To be honest I only bought this album for one song which is a bonus track called "Martin".

It's a creepy anthem that Janice Long played on her Halloween special on radio 1 about 25 years ago so i guess this was a nostalgia purchase for me.

As for the rest of the album I was impressed because at the time of making it Almond and Ball weren't even in...
Published on 5 Dec. 2010 by Peter T. Dalziel


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8 of 8 people found the following review helpful
4.0 out of 5 stars There's a thin line between art and chaos..., 30 April 2008
I completely concur with Jason's review of Soft Cell's difficult second album. If those seduced by Tainted Love were repulsed by some of the darkness on this album, they passed on an album which, even though it's slightly more uneven than Non-Stop Erotic Cabaret, is still pretty good anyway.

Stand-out tracks? Where The Heart Is, Almond's autobiographical tale of a dysfunctional childhood, the opener Forever The Same and Loving You, Hating Me. The album shows Soft Cell broadening their sonic and creative palette a good deal and nothing really prepares you for Martin which is a pretty harrowing track. As for the Hendrix medley...well, I like to think they were taking the mick a bit but then they had a large appetite for that and
not showing 'respect'!
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22 of 23 people found the following review helpful
5.0 out of 5 stars soft cell become uncommercial(shock)., 21 Jan. 2001
By A Customer
origionaly released in 82,this stands testemant to the tensions of a succesful(pop) group.wanting to move away from mainstream popularity, soft cell continue their journy into the further reaches of the human condition.subsequently alienating many fans and creating many more,i would imagine "disco dollys" played it once, got scared,never to return.a brilliant album covering real issues from love,sex,prostitution,and the most exhausting,frightening and powerful track "martin",which i dare you to play loud with the lights off.this album shows marc and dave at a creative pitch before it all collapses,and as with other soft cell/solo work becomes and continues to be a soundtrack for life.(apart from track 9-program out!!)
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16 of 18 people found the following review helpful
5.0 out of 5 stars Soft Cell's difficult second album..., 15 Nov. 2005
By 
Jason Parkes (Worcester, UK) - See all my reviews
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Soft Cell, as Marc Almond's classic memoir 'Tainted Life' demonstrates, really went through the rock'n'roll cliches - following their classic debut 'Non Stop Erotic Cabaret' they voyaged to New York and recorded the ecstasy influenced 'Non Stop Ecstatic Dancing' (preceding New Order's work in that territory)and the classic single 'Torch.' Almond appeared to be having problems with being a pop-star, something underlined by the patchy cover of 'What?' and his darker work with Marc and the Mambas (1982's 'Untitled'). 'The Art of Falling Apart' (whose title has been borrowed for a novel...) is probably the definitive Cell album - I think it's a better record than 'Cabaret' and it's less brutal than the anti-Cell LP 'This Last Night...in Sodom.' The classic Almond/Ball sounds and themes are here - 'Forever the Same' advancing on 'Frustration' and 'Chips on My Shoulder' and predicting the territory explored by Flowered Up ('Weekender'), The Streets and much Britpop. Why wasn't it a single? The two singles were fantastic - 'Where the Heart Is' like a Balearic-Smiths, while 'Numbers' (whose title stems from John Rechy's novel of the same name) is like a squelchy synth take on Lou Reed, the "body one, body two..." theme taking on a different hue in the post HIV-world (kind of reminds me of elements of 'The Line of Beauty' too).

'Heat' shows the darker side of the Cell, the lyrics seem very Tennesse Williams (I picked that up from that nice Soft Cell book I've mislaid!) while the music is not far from the second Suicide album. 'Kitchen Sink Drama' is kind of ironic and taps into the themes of suburbia Almond and Ball had explored previously. The decadent world they were descending into is beginning to over-take (this would dominate '...Sodom' and both Mambas' records), 'Baby Doll' is an epic gothic-dirge that set the tone Depeche Mode would imitate and conquer the world with. It focuses on an ageing stripper at the kind of clubs Almond was apparently attending - it strikes me that the Cell were matching their influence Suicide here (...it's also not far from another primary influence of the Cell, Throbbing Gristle).

The title track is suitably manic, but still a gorgeous pop song while 'Loving You, Hating Me' feels lyrically similar to Morrissey, again predicts Depeche Mode and was a song to match such classics as 'Say Hello, Wave Goodbye' and 'Torch.' The bonus tracks are generally worthy additions - 'It's a Mug's Game' is hilarious (the anti-'Deep Purple in Rock' bit particularly) while 'Barriers' (the flip-side of 'Numbers') deserved to be on the album proper (nice to see the reformed Cell play it a few years ago). The real highlight here is 'Martin', a dark epic whose lyrics and title come from George Romero's cult vampire movie - Marilyn Manson certainly heard this one! The only dud is the Hendrix Medley, which goes on far too long - though I can see they were trying to do what Daniel Miller had done on Silicon Teens' classic album 'Music for Parties' (electronic versions of rock'n'roll standards). 'The Art of Falling Apart' is a great Soft Cell record and an album that feels a bit overlooked and underappreciated. I think it's up there with such early 80s classics as 'Penthouse & Pavement', 'Dare!', 'Dreams Less Sweet', 'The Affectionate Punch', 'The Lexicon of Love', 'Soul Mining', 'North of a Miracle', 'Dazzleships' & 'Power, Corruption & Lies'.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Classic Soft Cell, 21 May 2013
By 
Jamie Harris (South Wales UK) - See all my reviews
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As usual excellent non stop 80s classic. Loves this album in its day, but had on cassette only. Cd was on my to buy list. This album plus non-stop erotic cabaret are classics.
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1 of 1 people found the following review helpful
5.0 out of 5 stars The best soft cell., 3 Dec. 2012
This is the best soft cell album by a mile, it dark, moody, but the lyrics are deep and meaningful as you would expect from marc almond. A classic album still today!
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5.0 out of 5 stars Five Stars, 16 Jan. 2015
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Quick delivery, item as described. No complaints all.
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5.0 out of 5 stars Five Stars, 29 Nov. 2014
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Good alround service. Recommend seller 10/10
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1 of 5 people found the following review helpful
3.0 out of 5 stars pop, 5 Dec. 2010
By 
Peter T. Dalziel (SCOTLAND) - See all my reviews
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To be honest I only bought this album for one song which is a bonus track called "Martin".

It's a creepy anthem that Janice Long played on her Halloween special on radio 1 about 25 years ago so i guess this was a nostalgia purchase for me.

As for the rest of the album I was impressed because at the time of making it Almond and Ball weren't even in the same country and were both very disenchanted with the music business, so to get a whole album of interesting songs like these out was quite an achievement.
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