Shop now Shop now Shop now Shop All Amazon Fashion Summer Savings Up to 25% Off Cloud Drive Photos Shop now Learn More Shop now Shop now Shop Fire Shop Kindle Oasis Learn more Shop now Learn more

Customer Reviews

4.4 out of 5 stars87
4.4 out of 5 stars
Format: MP3 Download|Change
Your rating(Clear)Rate this item

There was a problem filtering reviews right now. Please try again later.

on 3 April 2006
this is brilliant, worth it for the audio side of the second disc alone. plus you get the DVD and all the old favourites on top. only one problem , disc two is not recognised in a PC (well not in the 3 ive tried) so you cant put on your mp3 player (easily), plus dont do as i did and play it in your car as the dual disc is slightly thicker and wouldnt come back out until i had the dashboard apart!! anyway enough of my Frank Spencer-isms.
0Comment|5 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 13 May 2006
Now normally i'm not really one to buy greatest hits albums but with this one i just couldn't resist.Massive Attack that helped (along with Portishead and Tricky)define the poignant trip-hop genre that was popular throughout the 90's this is a great run down of what Massive Attack are about and if your new to them this album is essential.

1.Safe From Harm - Taken from their debut 'Blue Lines' and features some great vocal stylings of Shara Nelson this is one of the highlights and one of my favourite songs overall 10/10

2.Karmacoma - This is one of the only songs im not crazy about the vocalist just seems to babble about..well nothing really it's one of the on duds on her 4/10

3.Angel - This is an interesting song it features the legendary roots reggae singer Horace Andy and the song is a rehash of his own song "You Are My Angel" its one of the most sexiest...yes this song is very sexy to me anyway and Horace Andy's vocals are fantastic this sounds great through headphones 10/10

4.Teardrop - My absolute favourite and i'm not alone here this song was not only Massive Attack's biggest hit but its the song that made them a mainstream success with the so-beautiful-it-hurts vocals by the former Cocteau Twins singer Elizabeth Fraser this is also a very sexy song it was accompanied by a very artist and ahead of its time video which till this day still leaves me gobsmacked everytime i see it this also stands as one of my favourite songs of all time 10/10

5.Inernia Creeps - A cool song with a eastern influence one of the most original songs on the CD i would say. Again the same vocalist from track 2 but this time it works and turns out to be a satisfactory song it has a very good build up 10/10

6.Protection - Taken from the album of the same name this song as guest vocals from Tracy Thorn who sang in the group Everything But The Girl this song is the longest clocking over 7 minutes its a great song and Tracy's voice is just mesmerising i played this song alot and for some reason it reminded me of Beth Orton a definate highlight 10/10

7.Butterfly Caught - The song is taken from the low-key album "100th Window" (which is great by the way) a very electronic song that honestly doesnt really do anything for me it's ok to listen to once in a while but i wouldn't say it was great the minimalistic vocals are quite good and is a song that stands out but it's a bit too dancey for me 7/10

8.Unfinished Sympathy - What can i say about this song that hasn't been said already its a musical masterpiece after being said in various music polls as the best song of all time i think there is some truth there it features vocals by Shara Nelson who sang on "Safe From Harm".This is one of those ultimate "ive been done wrong" songs this is also one of my favourite songs of all time and one of the best on the album 10/10

9.Risingson - I remember catching the video to this song a long time ago and thinking "what the hell" i used to think this song was terrible but it's actually not that bad it's got a catchy vibe but again not exactly the best song but a joy to listen to once in a while 8/10

10.What Your Soul Sings - One of the best songs from "100th Window" Sinéad O'Connor lends her ethereal vocals to this great song which stands as another favourite of mine though usually quite eccentric Sinéad gives a very Beth Gibbons performance here and it shines a wonderfully beautiful song 10/10

11.Future Proof - A spacey electronica song which some cool guitars the song itself is a bit of a miss to be honest but it's not really bad at all the vocalist deep brooding voice gives it a good atmospheric feel and perceives itself quite dark 7/10

12.Five Man Army - Again with some great vocal stylings from Horace Andy although the rap by Tricky is a bit rubbish the song is cool just coz Horace Andy is on it and the song has a strong reggae influence enjoyed this one alot 9/10

13.Sly - Is a great song that features a somewhat unknown singer Nicolette her voice sounds a bit like Billie Holliday with some Erykah Badu in there somewhere this is a great song i like the panpipes in the background and the bouncy bassline good song 10/10

14.Live With Me - Is the only new song which i wasnt really impressed with when i heard it on the radio even though it performed quite well on the charts (charting at #17) the greatest thing about this song is Terry Callier's voice after hearing his music as a child it was good to hear something fresh from him 10/10

Top 5


2.Unfinished Sympathy

3.Safe From Harm

4.Live With Me

5.What My Soul Sings

You know how great Massive Attack are even though some of the tracks are not as good as others it's a good idea to check this one out.
11 comment|73 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 18 June 2012
After 4 full length albums spanning back to the late eighties, Trip-Hop Bristol duo Massive Attack have gathered 13 songs from across all their albums (at least 3 from each) along with one unreleased song to finish the MA Collection. The music is largely a mix of electronica, rap and experimental tunes and (at least with me) needs to be listened to at the appropriate time such as late at night when its dark or played in the background as it makes for a good ambience setting. With numerous vocal guest performances (and their own lyrical workings) 'Collected' is like a mix-tape of songs that span over 15 years.

The sound of a ghostly air swirling around initiates the beginning of 'Safe From Harm'. The first song on 'Collected' as well as on debut album 'Blue Lines' from 1991, its a bass driven, shifting downbeat funk track. "But if you hurt whats mine I'll sure as hell retaliate" is part of the overprotective vibe to the bridge, sang by a resurgent Shara Nelson. Swift rhymes cut in now and then by '3D' or Robert Del Naja, along with distorted, twanging jazz guitar pull-offs. "You can free the world, you can free my mind, just as long as my baby's safe from harm tonight" proves to be a less ambitious chorus but a more memorable sing along with backing vocals and an easier tempo and pitch to follow. The track oozes soul and is laid back personified. 'Karmacoma' however is not the best follow up. From the difficult 1994 second album 'Protection', 3D is delegated to singing duties and hardly breaks out of a whispering mumble whilst twitching tribal noises contort and shape around a jungle like rhythm. "I must be crazy, see I'm Swayze" just acts as a rhyming point for other words trundling along to the now deteriorating drum pattern. After a good 5 minutes of marijuana smoke clearing tunes the track comes to a hazed end, fading out into the background. No.3 though is a welcome change of pace. In-keeping with the continuous track numbering (from debut album to the next), 'Angel' from the sinister 99' third album 'Mezzanine' is the epiphany the band needed, departing with the R&B undertones and introducing a dark, grunge sound that has been labelled 'Trip-Hop'. Like the first song, its focal point is a super low bass line, until sharp clicks and clacks interrupt and industrial screeches build up a menacing atmosphere. "You are my angel.. Come from way above, to bring me love" is the simplistically vivid, mantra that is sang by a possessed Horace Andy. "Her eyes, she's on the dark side.. neutralise every man in sight.." an echoing single note from a guitar repeats and feedback rises - "to love you, love you, love you" - bam the drums smash into life and a guitar in overdrive crunches out some haggard out of tune chords for one intense interlude. For me, this song was the turning point for MA as the urban slang rap took a backseat as the brooding, metal inspiration took the wheel - the song bares its teeth like a cornered wild animal.

More people are aware of the song 'Teardrop' than they are of its creators thanks to several televised appearances on various channel dramas and even a video game advert for 'Assassins Creed'. People are often mistaken as to whom it originally belongs to with so many other artists choosing to cover it with their own styles (none of which come close in my opinion). The reason why is because it has to be the most catchiest song thanks to such a simple 4-note backbone-beat which is played throughout. The intro is a class act with the sound of a vinyl record spinning and its distinct cracking sound, then the strings of what sounds like a sitar picking out a handful of notes. But it is Elizabeth Fraser who makes it go one further with a heavenly, breathy vocal performance. "Teardrop on the fire, fearless on my breath" has to be one of the most memorable chorus' ever recorded. The melody in which Fraser sings just glides sporadicly and as such, there is no sense of a structure, just free-flowing along without interruption. The instrumentation behind her is a quality match too with rising choirs and heavy, drawn out piano chords. "You're tumbling down" is a haunting echo and abrupt last line to a beautiful song as the music slowly backs away and returns to how it all started. For the 3rd track in a row, plays another from 'Mezzanine' - 'Inertia Creeps' - as black as night and full of abstract instrument combinations. An almost Turkish string instrument occasionally cries out and synthetic sounds mimicking a didgeridoo. Its tracks like this that 3D's vocal style matches perfectly.

Back on album and title track 'Protection' and a return to much calmer, melodic pop sound thanks to some more stunning singing, this time from Tracey Thorn (from Everything but the Girl). This lady has one of those voices that sounds unlike any other - its silky and clear but somehow raw and realistic with an original style unlike all these Christina Aguilera or Beyonce wannabes that sound exactly the same - like shouting wenches. "I'll stand in front of you and take the force of the blow, protection. You're a girl and I'm a boy" is a surprisingly fresh approach to a chorus with a role reversal whilst telling a romantic story. Because of the spotlight vocals, the music is a quaint little number of shaking drums, low bass, wandering piano keys and the ever appropriate twang of a jazzy guitar with whammy bar. At 7 and a half minutes long its the lengthiest of the bunch and somehow, never a bother. Eventually it just fades out with a calming beat and the soothing sound of heavy rainfall - one of the best tracks on 'Collected' and easily the no.1 song on its respective album. Not even halfway through and 35 minutes have breezed by when an equally long 'Butterfly Caught' takes its time to find its way. The humming of 3D chills you to the bone for a good minute until the techno drum and bass kick in the first single from '100th Window' and sounds just as murky as those found on 'Mezzanine'. "Nearly worn.. Kneeling like a supplicant.. Darkened skin.. Afraid to see. Radiate, Open lips.. Keep smiling for me" sounds more like abstract poetry than lyrical content but it matches the glitchy sound of drug addled song. There are more foreign instruments chirping in and out like an asian alternative to the cello, sounding rather Egyptian with creepy violins and all. Again over 7 minutes and still keeping pace.

Back to the first album again for 'Unfinished Sympathy' - the second single from 'Blue Lines' sang by a soulful Nelson again. This one is a mixture of expense and tradition with the rich string section hovering over the lyrics and grand piano appearing, whilst there is the nonstop clicks and clacks of cutlery and bewildering moans and a countdown to the song. Some really fantastically heartfelt lyrics going on here too with "Really hurt me baby, really cut me baby.. How can you have a day without a night? You're the book that I have opened.. And now I've got to know much more" and "The curiousness of your potential kiss - Has got my mind and body aching". The most soulful bit of music on the album that deserves its place. The closing lines of "Like a soul without a mind, in a body without a heart, I'm missing every part" is an apt end to one classy song. The return of 'Mezzanine' comes in the shape of 'RisingSon' (a personal favourite of mine back in the college days) Again its a bass fueled romp that strolls through for 5 minutes. Its essentially a rap with two members of the band spitting out rhymes back and fourth (3D & Grant Marshall) until a breakdown and delightful electronic grinding of an unknown synth effect. I won't even try to decipher lyrics like "Automatic crystal remote control, they come to move your soul" and "Like a man slide inside you my dear, your cheap beer's filled with crocodile tears" because frankly it sounds like the Bristol trio have been smoking some seriously strong ganja.

'What Your Soul Sings' is an odd addition to a compilation album as its one of the average numbers on '100th Window'. Although when recalling that album you realise it isn't the most stable record anyway. Sinéad O'Connor does a grand job with dreamy vocals against the grain of the harsh spinning digital dodginess circling around her. The best lyric being "The things that bring you down, only do harm to you.. and so make your choice joy for joy belongs to you.. And when you do- You'll find the one you love is you.. You'll find you, Love you- " - executed perfectly. Another '100th Window' track in 'Future Proof' this time more predictable is the first one on the list. Sang by 3D with spacey blips and halting guitar licks its an etherial bit of madness. After a couple of dogged verses, an interlude pops up with an abundance of sounds and instruments merging into an explosive noise thats almost like a dimensional breach in the fabric of deep space. To the past again in 'Five Man Army', where a trio of artists including 2 band members and Tricky spin out some jiving tunes bruv. Some strange flutes with a Jamaican reggae twist. Some of the lyrics make a few references like 'Wilkinson Sword' spout phrases like "money money money, route of all evil". A tad out of place here but considering the previous songs I suppose this CD was in need of a number from the back catalogue and the same goes for the last of the album songs 'Sly'. Nicolette Suwoton sings a weird melody to an unsettling tune and to me, seems like an excuse to get another guest vocalist on the album. Sure there are some inspirational moments in the orchestral section that keeps to the theme of the song but other than that its not the best or most memorable song from 'Protection' ('Better Things' or 'Heat Miser' would have been ideal for this point in the album).

To conclude the compilation, a surprise is in store for the finale - 'Live With Me' is the cherry on a smooth, dark and tempting ice-cream sunday. As saddening as the introduction may be, its a delight to hear just one new offering, this one featuring the vocals of Terry Callier, who's clearing a smooth operator. "Either way, win or lose, when you're born into trouble, you live the blues.. I've been thinking about you, baby." is sang in an entrancing way that just screams emotion. After the first verse, the second picks up more intensity and feeling - "Nothing's right, if you ain't here.. I'd give all that I have, just to keep you near. I wrote you a letter, darling, tried to make it clear, but you just don't believe that I'm sincere. I've been thinking about you, baby.. I want you to live with me". It has the class of an entire string section and the traditional MA percussion combining for a superb conclusion. The great thing about this album is that it doesn't have strong language or troubling imagery so it can be played anywhere anytime and the sound can be appreciated by the young and elderly as its like a modern take on old school classics.
0Comment|One person found this helpful. Was this review helpful to you?YesNoReport abuse
on 30 March 2006
Well what can be said about Massive Attack that hasn't already been written before? Well they were originally born as The Wild Bunch crew in the 1980's and put out some classic tracks such as "The Look of Love", "Friends & Countrymen" & "Tearing Down The Avenue". Nellie Hooper left the crew to join Soul II Soul in London, while the remains of The Wild Bunch were reborn as Massive Attack at the turn of the decade.
Their debut and sophomore singles ("Any Love" feat Carlton Mccarthy and "Daydreaming" feat Shara Nelson), broke new ground in terms of a 'hip hop/dub/soul' sound. The concept was hugely influential on other acts such as Bomb The Bass, Nenah Cherry, Tricky and Portishead as they stomped into the 90's.
This collection omits their first two, less familiar singles (although the Daydreaming video is included on the DVD), which has caused me to not score it 5/5. However, what you have here is a definative soundtrack to the 1990's, along with a new single featuring the seminal Terry Callier.
The bonus disc is essential as it features some rare tracks on one side along with all the videos from their singles in DVD format on the flip.
Overall an almost complete package for the died hard Massive Attack supporter, it also caters well for the casual fan who perhaps doesn't want to own all the albums, but would like all the hits on one disc.
0Comment|One person found this helpful. Was this review helpful to you?YesNoReport abuse
VINE VOICEon 11 April 2006
The track listing speaks for itself really, heading back in trip-hop nostalgia to Blue Lines' beautiful opener 'Safe From Harm'. There is absolutelu no lack of classic tunes here, every track is welcome. At the top of their game, Massive Attack were untouchable. This collection succeeds in showing why. A good place for Massive Attack newbies to start. If you're a veteran, chances are you've got the albums and most of these tunes already. If you're curious then this is a perfect place to begin; a fantastic 'best of' collection. Check it out!
0Comment|26 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 9 April 2006
Groundbreaking 90's Trip Hop act Massive Attack have finally put together a 'best of' spanning 1990 - 2006. The remaining two members of the band, Robert "3D" Del Naja and Grant "Daddy G" Marshall helped compile this themselves. This collection captures the highlights of the band's career and includes: 'Safe From Harm', 'Unfinished Sympathy', 'Protection', 'Angel', 'Teardrop' and new single 'Live With Me' featuring, yet again guest vocalist Terry Callier, bringing Massive Attack back to a more soulful sound like in their early days. In fact, 'Live With Me' has the same kind of chilled out, soulful groove as Gnarls Barkley's 'Crazy'. So to sum up, a fine body of work with great artwork on the front cover, and definitely an essential purchase.
0Comment|7 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 19 January 2007
I was given this CD as a birthday present. I had never heard any Massive Attack before and I loved it as soon as I played it. As a result, I've bought nearly all their other albums. Each track is a winner. I challenge anyone to not find something on this CD which they like!
0Comment|8 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 9 November 2006
This is an excellent 'Best of' album. I must admit that Massive Attack largely passed me by when this stuff was first out. Probably my age!! I got into listening to them when I heard 'Mezzanine'. However listening to this compilation demonstrates how inventive they were. The idea of bringing guest singers in for so many of the tracks was a definite plus as it adds variety. The music is smooth all the way through. Some of it is beautiful but always dark-tinged.

Stand out tracks are 'Angel', 'Teardrop', 'Safe from Harm' and 'Unfinished Sympathy'. I would say that the better tracks are those that have female vocals but the music all round is very good. A great introduction to Massive Attack, but you should also buy 'Mezzanine' if you haven't got it.

Good buy.
0Comment|16 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 20 April 2006
I had heard of Massive Attack, but to be honest I knew nothing about the band or their music prior to this release of their greatest hits. Among first listen, I was blown away.

This is definately not a dance collection - this is pure chill out. The songs are all beautifuly crafted and seem to send you off to another world, leaving you in a dreamlike state of mind.

I was also suprised to reconise some of the songs, such as Unfinished Sympathy, Tear Drop and Angel.

All in all, a great collection of hits. If your a big fan if the band its definately worth the purchase. If your unfamilar with the works of Massive Attack like I was, then please listen and see for yourself. If not, your definately missing out!
0Comment|16 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 12 December 2015
A MASSIVE INTRODUCTION. If you have never listened to Massive Attack then this is a great place to begin. Personally I have all of their music 1) because I love their dark and trippy style which is original 2) I am from Bristol and support Bristol music 3) My girlfriend knows them. Im not bragging but its true. Anyway enough of that, the point here is that there musical style blends perfectly in the Bristol soundscape where Tricky also hails from and Portishead are also from, not to mention Kosheen are set up. This collection spans across their first 3 albums before their release of Paradise Circus which is another wonderful piece of music. Although they have transformed and changed throughout their career and used various artists and singers to layer their backdrops they have still remained true innovators. My personal favourite has to be 5 man army as I am a big dub fan and the re-used beat from an old funk classic works so well with the dark and moody lyrics of 3D, Tricky and Daddy G and the DJ skills of Mushroom. What always moves me is their ability to blend grunge, hiphop, and lounge chillout to make a sound that is unmistakably Bristolian and makes me proud to be here. This is a must have cd again if you havent got any of their other stuff. If you have then its not worth buying like myself I have it JUST BECAUSE, but I have everything and you may enjoy their dub version of the album Protection which is a great experimental version of the album. Also works by 3D like his Danny The Dog movie soundtrack which is beautifully crafted as only 3D would create is worht a purchase not to mention Trickys own amazing dark albums like my favourite Maxinquaye . Don't forget also that Nelly Hooper was once involved when they were 'The Wild Bunch'. He went on to work with the likes of Soul II Soul, Bjork and remixed for Lamb and many others. He is a legend in his own right just Google him if you want to know more.
0Comment|Was this review helpful to you?YesNoReport abuse

Customers also viewed these items


Send us feedback

How can we make Amazon Customer Reviews better for you?
Let us know here.

Sponsored Links

  (What is this?)