Shop now Shop now Shop now  Up to 50% Off Fashion  Shop all Amazon Fashion Cloud Drive Photos Shop now Learn More Shop now Shop now Shop Fire Shop Kindle  Learn more Countdown to Prime Day Shop now Shop now

Customer Reviews

4.0 out of 5 stars1
4.0 out of 5 stars
5 star
0
4 star
1
3 star
0
2 star
0
1 star
0
Format: Audio CD|Change
Price:£6.50+ Free shipping with Amazon Prime

Your rating(Clear)Rate this item
Share your thoughts with other customers

There was a problem filtering reviews right now. Please try again later.

HALL OF FAMEon 16 January 2009
The Viola Concerto (1979) was the last orchestral piece Miklós Rózsa wrote. His friend cellist Gregor Piatigorsky had enthusiastically mentioned the playing of the young Pinchas Zuckerman, best known as a violinist but becoming increasingly recognized as a superb violist. Piatigorsky died shortly afterward and Rózsa wrote this work for Zuckerman as a memorial to his long-time friend Piatigorsky. Zuckerman played the première of the concerto with the Pittsburgh Symphony under André Previn in May 1984. It has been recorded to acclaim by British violist Paul Silverthorne, but I have not heard that performance. Rózsa: Sinfonia Concertante/Viola Concerto Indeed, the present recording is my first encounter with the work. It is a long piece -- thirty-six minutes -- in, unusually for a concerto, four movements. The first movement begins in the lowest register of the solo viola and sets the tone for the concerto as a whole: dark, probing, anguished, nostalgic, both dramatic and lyrical. This movement is nearly twice as long as any of the other movements and has a cadenza that seems a cry in the dark. The second movement, although marked Allegro giocoso, seems more sardonic than jocose. There is a prominent part for wood block that somehow gives the whole a brittle nervous quality. The third movement, marked Adagio, starts out as if hidden in thick fog but somehow emerges into the sunlight and soars into the ether. The finale is a wild gallop with impressive (and impressively played) viola fireworks that are interrupted by pastoral, wind-dominated islands of repose before the movement gathers up momentum again and erupts into a wildly frenzied peroration. Violist Gilad Karni is an impressive soloist with a rich chocolaty sound, sound musical instincts and impressive virtuosity.

The 'Hungarian Serenade' (1932, rev.1945-1952) is 24-minute folk-tinged suite with five movements: Marcia, Serenata, Scherzo, Notturno, Danza. It was originally premièred in 1932 to lukewarm applause. But this became 'a thunderous ovation' when the audience noted that Richard Strauss, who was in the hall, was applauding vigorously. In its revised form it is almost a concerto for orchestra, with prominent solo parts for practically all the principal players of the orchestra, most notably the bassoon in I, violin, viola and cello in II, flute, oboe and bassoon in III. The Budapest Concert Orchestra under Mariusz Smolij are not entirely world-class, but they make a good case for the works. Recorded sound, although acceptable, is slightly glassy.

Scott Morrison
0Comment|5 people found this helpful. Was this review helpful to you?YesNoReport abuse