Toumani Diabate is a Malian master of the kora(a 21-stringed West African harp). 'The Mande Variations' is only his second solo album although Toumani has been a guest of various artists such as Ali Farka Toure('In The Heart of the Moon'), Bjork('Volta'), Taj Mahal('Kulanjan') and Roswell Rudd('Malicool'-see my review).
This beautifully recorded acoustic album is a masterpiece of traditional African music which should appeal to a wide audience and deserves to be a strong contender for World Music record of 2008.
on 14 June 2008
Toumani Diabaté, the kora guru of Africa, has outdone himself with this collection of solo instrumental pieces. The virtuosity in fingering the kora, the richness of the rhythms and range of melodies is unmatched by anything this Malian musician has done previously. I enjoyed his earlier solo collection, "Kaira", produced twenty years ago and his "New Ancient Strings" (1999), with which he and the younger Ballake Sissoko paid homage to their fathers' musical genius. Yet now, with this CD he has reached a level of maturity, depth and musicality not previously achieved. For fans of the West African kora, this is a must in their collection; for the "newbies", this is a great introduction into a mesmerizing aspect of Malian music and treat to enjoy over and over again. It will very likely become addictive. This is music to lose yourself in, over and over again.
Toumani Diabaté comes from a long line of Malian musicians. His father was the most famous kora player of his time and Toumani often pays credit to him through his music. Nonetheless, the younger Diabaté has refined the abilities of the instrument and enriched the playing techniques over the years. Elements of these could already be detected in the award winning In The Heart of the Moon, a collaboration with the legendary guitarist, the late Ali Farka Touré. Toumani, being largely self-taught, has been open to experimenting with this traditional instrument, without abandoning its unique sound and complex harmonies. As he traveled the world, he absorbed and learned from other musical cultures, such as Indian classical music, flamenco and blues. The compositions on this CD harmoniously integrate such influences with melodies and rhythms of the past. All are his, or presented in his adaptation. Soft melodies that seem to tell gentle stories alternate with more vivacious and energetic pieces. Not surprisingly, a special homage is included for Ali Farka that he would have treasured. Toumani's extraordinary technical skill lets him expand the fingering to incorporate the bass line as an accompaniment creating the impression that two koras are playing. Furthermore, recently Toumani has been experimenting, successfully as the pieces here exemplify, with two differently strung koras, one for the traditional melodies and harmonies, the other for his more "modern" compositions. The photos in the included booklet show the details of the finger settings. The explanations of the background to the two kora stringings and insights into the stories behind each piece are written by the musician himself. A beautiful gift to yourself or for people you care deeply about. [Friederike Knabe]
on 29 July 2008
Unlike New Ancient Strings and Kaira, on which every track is superb, this latest album has a couple of less strong, meandering improvisations that really demonstrate nimbleness of fingers rather than great musicianship. If you are already a fan, definitely buy it, but if this is your first, I'd recommend New Ancient Strings or Kaira.
on 8 November 2013
I came across this album after St Vincent's Annie Clark recommended it in an Amoeba video. In said video, she specifically pointed out the album and explained it's beauty and how Toumani was a Kora player from Mali. Naturally, intrigue takes you to Amazon to listen to the previews and you can easily understand why Clark is such a fan.
The talent of Toumani is loud and clear and as professional reviews have remarked, you have to allow yourself to believe that such talent is real. Each track has its own character, despite simply consisting of one instrument being played by one man throughout.
Enrichen your musical tastes with this album.
on 4 April 2013
This is one of three kora albums I ordered after attending a kora/harp performance by Catrin Finch and Seckou Keita, where I fell in love with the kora. It is a stand-out album out of the three, with a more classical feel. I can see why it is named Mande Variations, with a nod to the Goldberg Variations - the intricate melodies and the purity of the notes make me think of Bach or Scarlatti (that sounds worthy of Pseuds Corner, but it is what I feel). The kora here is close in sound to the Indian Santoor, as other reviewers have pointed out, which is another instrument I love. Toumani Diabate is conceding nothing to popular expectations with this album, he is playing as inspiration comes through, and it does come through, flowing like a river. This is not a CD to do the washing-up to,or cuddle up with, it is music to lift you to another level of awareness.
on 10 October 2008
If you do not want the hair on your neck to stand up and goosebumps to appear on your arm then don't buy it, because this CD is truly brilliant. It's different to his others but that is the greatness of this guy. Some of the tunes relate to his experiences in the UK and he even plays with us in Cantelowes when you hear the start of the sound track for The Good, The Bad and The Ugly. Hey this guy has humour as well as brilliance.
With the world falling about our ears and all the talk of greed and corruption just buy this and take your mind to some calm and peaceful place. This can really contribute to your sanity. I'm off to chill out with this CD. I have all his CDs but this is really set apart, perhaps it stands out becasue it is less traditional, please buy it and you will not be disappointed, trust me