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4.8 out of 5 stars62
4.8 out of 5 stars
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When this was due for release earlier in 2008 it was going to cost a stonking 75 quid and contain something like 8 discs. This has now dropped in price and slimmed to 3 disks. We are presented with a selection from the 50 programmes Mr Meades made between 1989-2007 (that's 4 prime ministers worth!) A well mannered surrealist, who gets more confident and inventive as time goes on. He "peels off the drab grey overcoat of preconception, to reveal the lime green posing pouch of reality beneath," as, in his words, his waistline expands and shrinks.

Extras (apart from subtitles) include a helpful introduction by Mr Meades and a rather scary interview with Dominic Lawson where he goes completely to pieces and ums and ahs all the way through.

Abroad In Britain : Severn Heaven
The Black Country playground of the Severn Estuary contains 700 "structures" of bodged together housing, (a more ambitious version of the allotment shed) delightful in their eccentric construction and now sadly viewed as eyesores.

Abroad In Britain : In Search of Bohemia
There are four places in Britain called "Bohemia"- why did people view this area of Czechoslovakia as a way to typecast an alternative racy sub culture.

Further Abroad : Get High
Jonathan unwisely tries to get over his fear of heights by making a documentary. It doesn't quite work out for him. His blow up body double has to perform some of the stunts.

Further Abroad : Belgium
My favourite. Was Magritte not a surrealist, but an accurate portrayer of Belgium life- only you and the man in the penguin costume can decide. The fantastically diverse Brussels suburbs are featured where every terrace house is different (due to lawyer-happy architects).

Even Further Abroad : Remember The Future
So much for the white heat of the technological revolution! Jonathan looks at the unashamed "futuristic" radio masts, power stations and cold war listening devices of the 50s and 60s.

Even Further Abroad : Absentee Landlord
Church architecture from Gothic to present day. Featuring a choir boy singing "Bat out of Hell".

Even Further Abroad : Double Dutch
The influence of Dutch culture on Norfolk- vast expanses of drained agribusiness fields and gables. Although there are also similarities with Alabama.

Meades Eats... Fast Food
We owe our national obsession with fried food to Sephardic Jews (Fish and chips first appeared in the mid 19th century). Fast food is all about appearance and deception. The vegetarian in me laughed as he constructed a sausage- first take your condom.....

Abroad Again: Father To The Man
Jonathan explains how the influence of his father formed his obsession with architecture.

Magnetic North - 1+2
Bored with banal phrases such as "the Venice of the North", Jonathan seeks to reaffirm the rights of the North of Europe to be considered as an architectural and cultural gem. We explore the still telling influence of the mediaeval Hanseatic League cities. A very impressive essay with lots of shots of spirit and herring.

I was very impressed by the whole collection and frankly I'm baying at the moon for some more!
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VINE VOICEon 6 June 2008
Whether you agree or not with Jonathan Meades his ideas are nearly always perceptive, stimulating and sometimes downright mischievously provocative. He relishes the use of language and uses it as a scalpel to dissect and expose. His approach - thank gods - is diametrically opposite to the majority of presenters and makers of Polyfilla television, and I apologise to the makers of Polyfilla, a fine product I might add, for the simile used here. We have brains but it would seem that the nation generally has tired of using them. Please make this and other Jonathan Meades DVDs available. We desperately need this sort of quality if our evolution from human to gibbon is to be avoided.
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on 8 November 2009
Eclectic and eccentric. Indescribable. Jonathan Meades does not patronise; he assumes intelligence, wit and perception from his audience. Even if you do not share his views on every subject he beguiles and persuades. You don't have to be serious to make a serious point and in a 30 minute film like "the future", included in this collection, Meades entertains, challenges and educates. If you have come across his work before you will either love it or just not get it. If you have not seen anything by him before, take a chance. The worst that can happen is that you'll learn something: which does not happen very often watching TV in the 21st century. Finally, it is worth stating that it is the kind of work produced by Meades that makes the BBC great. No other broadcaster would commission this stuff. Get it while you still can.
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on 21 April 2009
Meades often comes under criticism for being too high-brow or perhaps snobby. His programmes are born out of a great love for our cultural heritage and that definitely comes across in one of the DVD features, "Severn Heaven", a defense of self-built working class homes near Birmingham. He finds the beauty in the uncoventional and the ugliness in the established "high culture".

I can't help but feel that most televison is the cullinary equivalant of fast-food, and there is nothing wrong with that, in moderation. But the programmes made by Meades are simply some of the best ever made for the BBC. In culinary terms he is 3-star michellin restaurant and that has got to be a wonderful change to our usual TV dinner.

Please BBC, release onto DVD more of Meades's films and commission some new series??!!!
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on 22 July 2010
It's been so gratifying to read the overwhelmingly positive responses here, but as someone who bows to no one in his admiration of Jonathan's work, I can't help feeling short-changed. Surely a preferable stratagem, would have been to release the various individual series? That said, there is more invention, wit, irreverence, provocation, erudition and unapologetic intelligence on display in a single programme here, than many will manage in a career of broadcasting! With regard to what's missing, I was particularly saddened by the absence of Jonathan's hilarious, perceptive and celebratory analysis of Birmingham (Heart ByPass - 1998); not to mention his magisterially bawdy treatment of Brighton (2005). What is here, however, constitutes serious pabulum for the culturally undernourished. For instance, Jonathan's treatment of the topography and culture of Belgium, is a must; so too are his paean to the Fens, two hour-long essays on northern Europe (including an impassioned meditation on totalitarianism's glib misanthropy), and a highly polemical look at the fast food industry that uses the talents of Christopher Biggins to full effect! Above all, though, there is the extraordinary televisual autobiography, Father to the Man, which, unexpectedly, turns out to be wrenchingly poignant. The latter is worth the price of entry alone.

Just buy it. Now!
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on 31 January 2011
Jonathan Meade is capable of keeping you spellbound during the whole show. No time to go get coffee, if you miss a sentence, you have to start all over again. He delivers his point with a florish, looks at all the angles and leaves you dazzled.
A pity that the box is a collection, I want to see all the episodes
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... be released in full. This tantalising subset of his output that the BBC has deigned to release is scarcely adequate as an aperitif. For those yet to encounter him Meades is an architectural populariser, morbid wit, trenchant humanist, but above all the most penetratingly insightful of social commentators in present day broadcasting. Meades and his team are the most innovative, which is to say downright eccentric, purveyors of that rarest of cultural commodities, intelligent telly. Yes, there are some fine episodes in this package, the roots-affirming Bohemia, the sublime Belgium, the somewhat provocative Get High, and two completely revelatory pieces of Magnetic North. But where is Jerry Building? And Joe Building? Not to mention the supremely surreal Surrealism? We live today in a culture whose defining characteristic is its capacity for the billion-fold replication of the banal. Yet, when something is finally made worth seeing or hearing more than once, why should that thing get its single, erratically scheduled, squirt into the Aether, only then to be buried in the deepest archives where no light shall ever penetrate? Is it because the commissars of culture are wary of fomenting the expectations of the brain-owning public to such dangerous levels that it should come to presume this kind of quality for the norm? Come on Beeb, this just isn't good enough. For those who enjoy Meades at all, there can be no such thing as a `best of' for something there can never be enough of. You cannot release a portion of the whole without incurring real disappointment for what has been omitted.
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Jonathan Meades is provocative, absurd, opinionated, surrealist and a sheer unadulterated pleasure to watch. His wit is razor fine and the sooner we get all of the films on DVD the better.

I'd seen the original Severn Valley programme ("set in a distant present") but was glad to be reminded of it, but for some reason I missed quite a lot of the ensuing ones, including Get High which did my stomach no good whatsoever. I identified entirely with him as he crawled on his knees across Clifton Suspension Bridge and I agree, bridges should be banned - all of them. His remark that "fairgrounds are legalised brothels that satisfy non-sexual appetites" doesn't really make sense if you think about it, but never mind, I like any space I'm in to be above me, not below me, so the cathedral shots were good.

Belgium has a lot more going for it than I thought, putting to shame the insular regimented suburbs of Britain, though other scenes exemplify his point that its rural areas "have a bleakness we've almost lost the knack of in England." Full marks too for the cruel remark about Belgium's public buildings reminding him of "a dwarf with a penis enlargement."

DVD 2 onwards, apart from "the lime green posing-pouch of reality" was more of a mixed bag. Some of the descriptions of church architecture (Coventry cathedral "in the shape of a radiogramme" and "a descending flock of bobbins") were delightful and I feel I learnt more about church architecture in England than I expected (modernist parasitism, exercises in pure form, the apparent rule that architects should forget what a church was supposed to look like and the way this worked towards inducing a general indifference to religion, leading to the cosy non-church, one step on from your granny's front room).

The Hanseatic history in the Magnetic North episode was revelatory for me. But I felt equivocal about Meades' preference for buildings erected in praise of Mammon rather than those erected as colonial bastions. His antennae shivered in the wind over gothic Victorian too. Shouldn't one judge buildings on purely aesthetic grounds? Not everyone prefers Georgian simplicity - gargoyles were often the creation of rough workmen leaving their mark where tradition dictated they might. I was pleased too to hear about the Paganist movement in Finnish architecture. All in all, a distinct pleasure throughout. More please.
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on 28 August 2010
Meades does topography like no other. Well not like Betjeman nor Auden and so, so much good transpires that is new, even though now 20 years ago, later, we discover what we have lost in this short time under Major/New Labour. There is no downside, despite the loss of breadth as others have said. Meades is pithy and angular and buffonishly clever where others are dried-up sticks with umbrellas sticking out of their anoraky rucksacs - uck.

My favourite scene - Get High - the divers, where the camera stops panning as they enter the water: a second later the droplets from the splash slo-mo'd, backgrounded with Out of Africa soundtrack.

You're not likely to see this kind of quality anytime soon on Sky (let alone the blinded BBC) so as an old self-proclaimed sage on these matters take it from me - this is apogee.
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on 19 April 2009
Jonathon Meades has produced, what to my mind is, some of the best British television of the last 20 years on Art, Culture and Architecture, in a style that is both serious and humourous at the same time.In an age of dumbed down television dominated by reality TV shows and wanna-be pop star talent competitions,surely there is place for television as Art, for that is what it surely is.Excellent.
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