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4.5 out of 5 stars71
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on 31 January 2012
i have just recieved my blu ray of john carpenter's classic assault on precinct 13 and despite the fact that image entetainment has printed that this title is region free on the back of the blu ray cover,it is region a locked and so it will not play in this country unless you have a multi region dvd player.which i do not.
it has really angered me that this company are cheating people by stating on there covers,that some of there titles are region free,when they are not,it's a blatant lie,to con blu ray fans from other parts of the world into buying something that they believe they can watch,just to be kicked in the teeth when the blu ray arrives and they put it in there player and find out that they cannot actually watch it because the disc is region a locked.
so, beware to people that want to purchase this disc and you do not live in a part of the world where blu ray disc are region a,because you might as well just throw your movey into a fire,than buy this.however if you have a region free blu ray player,then you will be fine and will be able to watch this classic film in glorious high definition.
shame on you image entertainment for being blatant con men and falsely advertising discs as region free,when they are not.i do not see in this day and age,why any company would region lock there discs,as if all company's made there discs region free,then they would sell more of them!!!!
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on 19 February 2005
Assault on Precinct 13 is probably one of John Carpenter's best films (along with The Thing). That said, you certainly don't have to be a fan of John Carpenter's other films to enjoy this.
Although the film does look rather dated now (hardly surprising considering it was made in 1976), it still manages to entertain the viewer with its thrilling action sequences and by constantly maintaining the tension until the very end. The electro music also adds to the overall feel of the film.
Overall, a film worth adding to your collection.
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VINE VOICEon 25 July 2006
Carpenter's revamp and resurrection of Rio Bravo and Night of the Living Dead is undoubtedly one of the best films of the last 30 years, and unfortunately one of the most overlooked. With the recent remake, (still haven't seen) hopefully more people will see this and recognise it as a modern classic. Low budget, unknown actors, tense, shocking and exciting, witty dialogue, shady characters, Assault is everything you would expect from a classic Carpenter film.

A group of criminals are being transported to another prison by armoured truck when one of them becomes seriously ill. They decide to stop at the local Police Station to lock up the prisoners and see if they can help the man. However, the Station they stop at is closing down and there is only one cop and a couple of secretaries inside. The prisoners are locked up, including Napolean Wilson- a notorious murderer, while the cops decide what to do. The power has been cut off, but people will be coming in the morning to finally close the place. Night has just fallen. Meanwhile a man in a frantic state runs into the station but won't say what has happened, falling into a comatose state. The Station suddenly comes under attack, and looking outside it seems that hundreds of gang members with guns have started a war with the those inside. With no help and only a few weapons, the survivors- cop, criminals, secretaries must work together to stay alive, and perhaps try to find a way out.

The two male leads of Stoker as the cop, and Joston as Napolean are both brilliant in the roles, unknown faces adding the the sense of uncertainty. Joston delivers his few lines with cool and even though he is a bad guy, he naturally becomes our favourite character. Stoker tries to hold everything together as the law, but realises this will not work. Zimmer is also strong as Leigh, delivering her lines almost passively or vacantly, almost as if she isn't there, but we sense the chemistry between her and Napolean. Burton, West, Cyphers and Loomis also do well in smaller parts, and all the cast deserved to go on to bigger parts. Carpenter creates massive tension again, the faceless enemy always outside, innumerable and even though there are cars going past and houses nearby, the gang is silent and deadly in their pursuit, ensuring that help will come. The guns with silencers are used to good effect, with papers spurting up into the air quietly meaning the cops sometimes do not even know they are being shot at.

The dialogue is minimal, every character has little to say as they all seem annoyed with each other, having to work together, dealing with the situation with no time for pointless chatter which fills other movies. The lighting adds to the tone, everything is shaded, we can only catch glimpses of the gang outside and in, and the score by Carpenter is another modern classic along with his Halloween theme. The deaths are both quiet and shocking- we don't see what happens to Loomis, while the ice cream van part would have taken great bravery to even dream of filming- there hasn't really been anything like it since. Once again Carpenter makes a brilliant film, and while he would soon go on to make bigger box-office smashes, this one stands on its own as the benchmark of low-budget film-making. Many directors try to create tension and fear throughout their careers, Carpenter could do it seemingly without effort.

Unfortunately for such an important film, the extras are awful. This deserves a commentary and interviews with cast and crew. It's unlikely we'll get a better version though, and as it is such a good film you just get it regardless.
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on 26 August 2004
I remember this film from long long ago. The actual music from the film was used by a group called "Bomb the Bass" in the 80's on a song called "MegaBlast".
But back to the film, its a tense fight for survival as a man sees his daughter shot dead by a gang faction. He follows the gang and shoots dead the gang leader. The film hots up as he runs into a shutting down police station an the gang lay seige to it all night.
Its a film of survival and does have a couple of bits of humor as well. John Carpenter is one of my favorite directors of all time and this well thought out and created film is one of his best.
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on 24 July 2010
Assault on Precinct 13 Blu-ray Review

Distributor : Image Entertainment (US)

The original John Carpenter classic find it's way to Blu-ray disc courtesy of US distributor Image Entertainment who have unfortunately put this out on a region A locked disc.

The film has always been a must own title for classic movie collectors, so this review aims to see if the same would also apply to this Blu-ray release.

Assault on Precinct 13 has previously been widely available on a number of poor quality DVD releases which have mostly had varying degrees of problems including poor transfer, print damage and even wrong aspect ratio among them. This Blu-ray release presents a new1080p correctly framed 2.35:1 transfer which is a revelation to fans of the film. The detail which is present in the print is actually quite stunning considering the films low budget roots, colours are especially well defined and even black levels look impressive here. This film never has and probably never will again, look this good. There really is no comparison between this new Blu-ray transfer and some of those earlier DVD releases, finally this is how the film needs to be seen.

The DTS HD 5.1 audio is clear, although can seem a little flat during some of the quieter scenes, however it is at all times, free from distortion and I'm sure that any very slight muffling effect, is actually due more to the low budget roots of the film itself, rather than the presentation here. One really noticeable point on the audio, is the now classic score which sounds fantastic clearly pounding through your speakers like never before.

As far as extra features are concerned, firstly, there is an interview with director John Carpenter and actor Austin Stoker which takes place in some form of convention recorded in 2002. Following this, there is the original theatrical trailer, radio spots, still gallery, isolated score soundtrack and full director's commentary, which although perhaps not as fast paced as his usual commentary tracks, actually covers a wealth of information regarding the making of the movie, actors, filming locations and so on and it is highly recommended.

All things considered, this Blu-ray release has to be a must have package for fans of the film, or even for collectors of classic 70's action thrillers. It is unlikely that the movie will ever be bettered in it's presentation and to see the film in this new fabulous looking transfer, alone makes the Blu-ray purchase worth while.

For some unknown reason, Image Entertainments Blu-ray release seems to be a little harder to find than most regular Blu-ray titles. Whether through lack of advertising or lack of retailer promotions, this one seemed to slip through the net and it is surprising just how many people do not yet realise that the movie has even been made available on Blu-ray disc. This may also be the reason that even in the second hand markets the disc appears to be keeping it's retail price, so it may be a while before you find this one in the bargain section. Do not let that put you off though, if you can play region A locked titles, then this release is worth every penny.

An all time classic with a worthy Blu-ray release, comes highly recommended.

"L.A.'s deadliest street gang, just declared war on the cops"

BLU REVIEW OBSCURA - reviewing those less mainstream release, find us on Facebook
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on 10 December 2000
what a film!!! the music is fantastic!!! John Carpenter was approaching his peak, with this masterpiece. watch it. it has a simple story that works thanks to the suspense, and great characters.
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"Driven by random violence, chance and fate" as Carpenter put it on the commentary track that ISN'Ton this new 'special edition' but can be found on the US and German releases, it's easy to see his breakthrough feature (in the UK at least: it tanked Stateside) as a reaction against the cynicism of both the times ("There are no heroes anymore, only men who follow orders," says a voice over Austin Stoker's police radio) and its style of film-making. Carpenter's films often take place in a wasteland or an abandoned environment - Escape From New York, The Thing, They Live - but that is more of a narrative device to highlight his characters' self-reliance and increase the odds against them than a springboard for social criticism.

Always at his best with a low budget that forced him to rely on his intuitive sense of the cinematic to overcome, Carpenter in his prime was a visceral director with a knack for updating classic genres with wit, imagination and style (not to be confused with the modern equivalent, which had more to do with slick cinematography and snappy editing). Here he gives all the trimmings of urban paranoia, particularly potent in a decade (the seventies) increasingly aware of growing alienation from and loss of community, with an old-fashioned tale of reluctant heroes doing what they've got to do complete with macho Hawksian dialogue and a classical film-making style.

Sure, it's Rio Bravo set in seventies LA (the working title was The Anderson Alamo) boasting possibly the first politically correct urban villains in the shape of its inter-racial gang who take on a half-shutdown police station, but that's no bad thing when half of Hollywood was imitating Serpico or The Exorcist (remember when William Friedkin was the most influential and emulated director in the business?).

Austin Stoker gives the film a sense of gravity with his soft-spoken authority as the cop on his first night out, Laurie Zimmer does a good Lauren Bacall that could have been even better if Carpenter had been able to shoot a few more set-ups and have a bit more latitude in the editing, but the undisputed star of the show is Darwin Joston's Napoleon Wilson. A Hawksian hero in the Mitchum mold, he doesn't have as much dialogue as the other players, but what he has is choice ("He fell over," says a prison warder after kicking him out of his stool. "Yeah, I don't sit down as well as I used to."). His personality dominates the movie so much that you wonder why, a brief cameo as 'Dr Phibes' in The Fog aside, he never went on to better things.

Pitched as a blaxploitation flick in the US to miserable box-office but a surprise smash hit in the UK (enough so to drum up the budget for Halloween), a few former aficionados of the film have expressed disillusionment with it after seeing the widescreen DVD, and it's possible to see why. Oddly enough, the Scope frame probably slows it down on the small screen since the panning and scanning cuts from one side to the other on TV broadcasts break up the long takes and create a different rhythm and pace. Of course, it doesn't help that of the plentiful extras on the US release (an occassionally illuminating audio commentary, isolated score, Q&A session), only the trailer and a photo gallery are included on Contender's disc. Still, at least it's a 2.35:1 widescreen transfer this time. The feature itself probably looks better than it did on its first release - after a decade-and-a-half of dupey prints, it's quite a shock to see a sharp print.

If you can remember that brief moment when Carpenter was the most interesting new director on the block - it was no coincidence that he shared magazine covers with Steven Spielberg back in 1978 - chances are you'll still find much to enjoy in this archetypal late-night movie. Maybe fond memory patches up some of the film's rough spots, but hey, isn't that what nostalgia's for?
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on 30 May 2014

1976's ASSAULT ON PRECINCT 13 (the working title was "THE SIEGE) is the template for quite a few movies (the abysmal THE PURGE being the latest) that never even come close, not even the less than mediocre remake.
ASSAULT ON PRECINCT 13 itself copies the John Wayne classic RIO BRAVO, placing it in 70s urban America.
AOP 13 is gritty, savage and bold. It broke a Hollywood taboo by unflinchingly showing a child being shot an killed without the camera panning away. It remains suspenseful till the very end, without the gang's real motive for besieging the police station ever being revealed.
Carpenter again wrote the soundtrack himself, which suits the movie's dark atmosphere.
4.0 STARS OUT OF 5.0


Reviewed version: 2005 Contender Special Edition UK DVD
Feature running time: 91 mins. (uncut)
Rating: R (MPAA) / 18 (BBFC)
Aspect Ratio: 2.35:1/16:9 (anamorphic)
Audio: English 2.0 dual mono
Subtitles: None
Chapters: 16
Extras: Theatrical Trailer, Gallery (there is also supposed to be a booklet but it wasn't included in the DVD I got)
Region: 2

Picture and sound are good. Remastered version. Extras lack.
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VINE VOICEon 8 September 2011
I'll never forget watching AOP13 for the first time about 20 years ago on British telly.

The opening sequences that I could hardly make out due to the grime and the amazing soundtrack which I heard on a video game called Xenon 2. As a fan of the Warriors the idea of another gang film caught my attention and it's been in my top 10 ever since.

The Blu ray picture itself is pretty good and so much better than what i watched 20 years ago, however my main gripe is the fact that the extras are nothing that we haven't seen before. People sure are getting lazy with extras on a lot of the back catalogue that they are releasing.

While it has also been updated when I purchased this blu ray it was advertised as region ABC, it's just A.

5 star film, good upgrade in picture, let down by lazy extras.

4 stars.
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on 27 June 2001
Dated only by the fashions and the fact that the trapped heroes don't have mobile telephones, this is a fantastic action film that has been as influential to action genre as 'Halloween' was to horror. Borrowing elements from old westerns and 'Night of the Living Dead', it's bloodier and more shocking than modern action films, and makes the modern 'Air Force One', for example, seem much worse than it is. And it has a memorable electronic soundtrack that anticipates hip-hop in places. As for the DVD, it's a shame that there aren't any extras - the American version has a director's commentary from John Carpenter, but this doesn't have a thing.
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