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2 of 2 people found the following review helpful
5.0 out of 5 stars Intense symbiosis
You know you're in the hands of Harnoncourt when you hear the end of the first movement of the piano concerto No.1. The intensity and weight of the orchestra is tremendous, as if they are in the midst of one of Beethoven's symphonies, but then suddenly the weight is shifted away. I don't think I've heard these piano concertos with such a clear feeling that the minds of...
Published on 19 Jan. 2013 by Viva Verdi

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3 of 7 people found the following review helpful
3.0 out of 5 stars Fresh and new. Old hand and new hands make provocative listeing
My taste for these pieces has always been somewhat conservative - an attitude that was challenged by these discs. I am still aware of differences between pianist an conductor (accouting for my rating, yet I know that these are performances to live with and learn from.Recommended, particularly at Amazon's's price.
Published on 15 July 2012 by Stephen Evans


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2 of 2 people found the following review helpful
5.0 out of 5 stars Intense symbiosis, 19 Jan. 2013
This review is from: Beethoven: Piano Concertos Nos. 1-5 (Audio CD)
You know you're in the hands of Harnoncourt when you hear the end of the first movement of the piano concerto No.1. The intensity and weight of the orchestra is tremendous, as if they are in the midst of one of Beethoven's symphonies, but then suddenly the weight is shifted away. I don't think I've heard these piano concertos with such a clear feeling that the minds of the conductor and the pianist are so involved - together, apart, fighting, and caressing the music in turns. It means that the exchanges are very tense, as if the orchestra objects to having to allow the piano back in, and yet other moments when it is gently carrying the soloist with it.

You could say that at times Harnoncourt is too symphonic or pushing the orchestra's presence too much, but not for me. I just have the feeling he has the Beethoven "stubbornness" in mind; as if Beethoven himself cannot decide whether a phrase or melody should be in a symphony or here with the piano.

Aimard is distinctive in his power and never hesitant in his touch. He is clear, sure and sensitive throughout; determined not to be overshadowed or lost. The tension never leaves off, and, as with Harnoncourt's symphony cycle, the break between movements is uncut, but you'd never know these were live recordings. The sound is first class and I vigorously recommend you buy the set.
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3 of 7 people found the following review helpful
3.0 out of 5 stars Fresh and new. Old hand and new hands make provocative listeing, 15 July 2012
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Stephen Evans (Shropshire, UK) - See all my reviews
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This review is from: Beethoven: Piano Concertos Nos. 1-5 (Audio CD)
My taste for these pieces has always been somewhat conservative - an attitude that was challenged by these discs. I am still aware of differences between pianist an conductor (accouting for my rating, yet I know that these are performances to live with and learn from.Recommended, particularly at Amazon's's price.
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Beethoven: Piano Concertos Nos. 1-5
Beethoven: Piano Concertos Nos. 1-5 by Pierre-Laurent Aimard (Audio CD - 2003)
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