Top critical review
14 people found this helpful
on 12 August 2006
Let me start by saying that Secret Wish is one of my favourite albums of all time. The production work of SJ Lipson and the mixing of Trevor Horn were just genious. Musically the album extends so far beyond other electronic albums...there's elements of classical, jazz, progressive, hard rock, industrial, etc...that it's like a whole new genre of music that other albums have never matched.
Now onto this latest re-release newly mixed into 5.1 by Trevor Horn. There's certainly new suprises. There are portions of the mix that are now audible that we previously buried. There's now an interesting new intro to P Machinery (that is sort of a hybrid of the different 12" mixes that have been released). In addition, the mix is opened up and fills the room nicely. On the down-side, Trevor appears to have made little effort to emulate the original sound of the original mix. There are different drum sounds on some tracks. There is no reverb on some keyboard parts that were previously coverred in shimmering reverb. There's now an edit to Murder of Love (where a few bars of the song have been cut out from what was the US version). There are entire keyboard parts in the bridge of 'Duel' that are now almost inaudible. The really great accoustic drum section of 'Dream Within a Dream' has now been mixed way down. Why all the changes???? One would have hoped that the great original mix that we have all cherished over the years would have been faithfully reproduced and expanded into high resolution surround. Instead what we get is, in many cases, a completely new sounding mix.
It's still great, and I suppose that if anyone has a right to change it, it's Trevor Horn. But it still feels a bit like tampering with a masterpiece.