Shop now Shop now Shop now  Up to 50% Off Fashion  Shop all Amazon Fashion Cloud Drive Photos Shop now Learn More Shop now Shop now Shop Fire Shop Kindle Shop now Shop now

Customer Reviews

4.5 out of 5 stars2
4.5 out of 5 stars
5 star
4 star
3 star
2 star
1 star

Your rating(Clear)Rate this item
Share your thoughts with other customers

There was a problem filtering reviews right now. Please try again later.

on 22 January 2014
In his photographic project Pastoral, Alexander Gronsky portrays the outskirts of Moscow. Here, he finds places where humanity tries to find a refuge far from the city, only to collide with the endless nature of urban expansion.

As Mikhail Iampolski writes in the introduction, "The title of the cycle is ironic. A pastoral always depicts a rural idyll, in contrast to the life of city dwellers, to whom it is addressed. In Gronsky's cycle, the cardinal difference between the rural, the natural and the urban is lifted. This particular pastoral is not about a contrast, but about an indefinite transition. "

The space explored lives "in between", suspended between the known city and the other side, a quickly receding, fragmented idea of nature. Gronsky is a landscape photographer at heart. His skillful use of perspective and talent for composition lead the observer's eye deeply into the landscape, generating a sense of astonishment for every place portrayed in photo. But simple astonishment deepens into something more complex as we take in the layered images: glimpses of skyscrapers and industrial parks can be seen in the distance between the trees, open beaches lie surprisingly close to the confines of the city.

And of course, these pictures are not only natural landscapes, as human presence is a constant. But what kind of human presence is it? Seemingly insignificant. At times, the human being become almost indistinguishable from the waste in which they frolic. As Iampolski writes, "If life spreads here, outwardly from the city, why are the new constructions so empty, as if the population had already abandoned them? Is this an end time or a beginning time?"

Yet these are not lifeless, unemotional photographs. Although the perspective can appear objectifying, faceless, and absolutely, coldly precise, there is an even deeper feeling below. The photographs relate with their environment in such a direct and immediate way that Gronsky's revelation of the world resonates deeply within us, the viewers. While we don't feel the presence of Alexander Gronsky himself, his images convey his vision as purely as anything could.

--Alexander Strecker, LensCulture assistant editor
0Comment|3 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 19 July 2014
A sound and revealing project. I really like the images collected. I do kinda wish that the photographer had given us a different perspective to give us even more insight into the world explored herein. But a really excellent collection.
0Comment|Was this review helpful to you?YesNoReport abuse

Send us feedback

How can we make Amazon Customer Reviews better for you?
Let us know here.

Sponsored Links

  (What is this?)