Top positive review
32 people found this helpful
Yes, It's good !!
on 1 October 2011
I'm not a big Beatles fan but I do own `Revolution in the head' Ian Macdonald's track by track analysis of their 60s work. This book is Doggett's effort to emulate the structure used by Macdonald in his own scrutiny of Bowie's 70s output.
It's a structure that can clearly work well with artists of depth and merit worthy of such examination (Goddard used the same method for his exemplary and exhaustive exploration of the Smiths musical history in `Songs that saved your life') so Bowie clearly meets the criteria.
Anyway, I am a big Bowie fan and I have read much on the man, certainly the significant texts. To be honest I wasn't really expecting too much from this book. Nicolas Pegg's Bowie bible `complete' having set an impossibly high bench mark for minutia information and detail. There is, however, much to recommend this book.
Firstly, it's well written (always a plus!), secondly there is good focus on 70s cultural influence and impact on Bowie's work, thirdly, and most importantly for me, there are some new, interesting and plausible perspectives on the songs. Doggett proposing that `Queen Bitch' may have been about Marc Bolan for example (one of many such jewels!).
So yes, a book I can highly recommend to the Bowie reader which is sadly let down by the poor quality paper on which it is printed (you know the sort that turns yellow after 6 months). These things matter to me. If you are less pedantic about page quality then add the additional star!