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19 of 19 people found the following review helpful
5.0 out of 5 stars Typography in different media and for different audiences, 16 Sept. 2009
By 
J. Pedro Ribeiro (Dublin, Ireland) - See all my reviews
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This review is from: Thinking with Type: A Critical Guide for Designers, Writers, Editors, and Students (Design Briefs) (Paperback)
I must admit that typography wasn't always my favourite field in design. Until a couple years ago fonts and texts were mere supporting actors of the design movie. My mind changed when I finally realized that typography is as important as the shapes, the colours and the styles used. One of the books that helped me get there was Thinking with Type, by Ellen Lupton.

Overall idea of the book

Always using history as a guide, the author shows how the letters and texts can influence the way we see a piece of design and how we can improve readability by following some rules. Personally, one of these tips that really caught my attention was: When using stacked letters - like the ones on spines of books - we should always use small caps with centred column. Maybe this is common sense to some people, but for me it was something that I had never realized.

The book is also very rich on examples. Fonts familiar to most designers - or anyone in the field - are presented and described throughout the pages. Futura, for example, was designed in the late 20's by Paul Renner who sought on "honest expression of technical processes". But be warned, as the author constantly says, this is not a book about fonts.

"The relationships among letters in a font are more important than the identity of individual characters."

History or Design Book?

If you are not into history and want to get straight to the technical part you might want to skip a few pages, but by doing this you'll miss the best part of the book, like when the author explains the reason of the terms uppercase and lowercase: in the old printshops, they used to store the case of the capital letter in the upper drawer). Historical fact or plain curiosity, at least it helps to make the reader more comfortable with the subject.

Conclusion

From letters to text, grid layout to html, Thinking with Type is a book that explains the use of typography in different media and for different audiences. This may not be your ultimate guide about it, but will surely be on your mind in your next designs.
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5 of 5 people found the following review helpful
4.0 out of 5 stars A lovely book about a fascinating subject, 4 April 2010
By 
M. Rance (London) - See all my reviews
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This review is from: Thinking with Type: A Critical Guide for Designers, Writers, Editors, and Students (Design Briefs) (Paperback)
This was recommended by a designer friend of mine as a resource for studying design principles and it has turned out to be a delightful book in and of itself. It's well-written and beautifully, thoughtfully designed. The author outlines and then explores the significant role type plays in design. There's a fascinating lexicon of select type faces and fonts. Lot's of ideas, tips and reasons why things work the way they do in design. I bought this as a way to learn about the practical deployment of type in design. I like it because it is so much more.
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4.0 out of 5 stars For the text geek., 4 Jan. 2013
By 
R J Fieldsend (Cambridge, Cambs United Kingdom) - See all my reviews
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This review is from: Thinking with Type: A Critical Guide for Designers, Writers, Editors, and Students (Design Briefs) (Paperback)
I have long been fascinated by printing, font design and the like. This is a great book for indulging that interest.
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