169 of 187 people found the following review helpful
on 14 November 2013
The majority of the negative reviews on here - in particular the WONDERFUL review by A Nailor - kudos to you, that is the best review I've read on Amazon - aren't entirely wrong. I can completely understand why people are saying that the language, the characterisation, the plotting are all slightly... well, off. This has been true to a greater or lesser extent of all his novels since Monstrous Regiment, and may be (I'm really not sure) a result of Terry having to accommodate the use of speech recognition software in dictation of the novels. Certainly, they are very different animals from the earlier novels, which are much easier to read and full of snappy dialogue and splendid jokes.
So why am I giving this 5 stars? I certainly struggled through the first hundred pages, and felt my heart sinking more and more at the long and convoluted sentences, and the rather jarring scenes which seemed to have little to do with the plot.
But then, something just clicked. I slowed down my reading (and in fact went back to the beginning and reread it with a different mindset). Yes, it's not the same old Discworld, but underneath that it is still the product of the superb mind of Terry Pratchett. It took a lot of effort, but I could see what he was doing, and began to appreciate it. The humour is still there, if not so obvious and instantly accessible.
There's less overt magic, which as a fantasy addict I regret, but this is a grown-up Discworld, where magic is gradually giving way to the increasing industrialisation of Ankh-Morpork.
Do I miss the old Pratchett? Yes, of course. But this is a new phase in the developing world, and I'm glad that Terry Pratchett is still giving us valuable new insights into human (and other species) behaviour. Long may he continue to do so!
24 of 27 people found the following review helpful
on 9 June 2014
This one is a good 3 1/2 stars but not quite a 4.
Raising Steam is the Fortieth, four-zero, Discworld novel. A hugely impressive fact especially when you consider that Terry Pratchett only published the first in 1983 and didn't decide to take a full-time swing at it and follow that up until 1986 AND found time to complete a further dozen plus non-Discworld books (not to mention the numerous Science of Discworld and other such accompanying works).
As with any series of work, fans are prone to point to different entries as "the best" or "not as good as..." while reminiscing about the days when the Witches weren't resigned to the 'for young readers' books and Rincewind would make an appearance in anything other than footnotes (that being said, any fan will tell you that Pratchett's footnotes are the stuff of legend). There is a distinctive difference between the style of recent Discworld novels and those of, say, pre- Fifth Elephant. With a few notable exceptions (Last Hero, Nightwatch, Monstrous Regiment - the 'Vimes' books it seems are the last bastion of 'grit'), the books have certainly referenced previous novels and hinted at the past yet seemed less involved, lighter.
Raising Steam is just such a book. It nods toward Discworld novels past and depth (the darkness of the Grags and the friction among generations of dwarfs and Dirk Simnel is the son of Reaper Man's Ned Simnel) yet uses brush strokes far too wide to fill in too much detail and just as it appears that we may be reaching a thrilling, involving plot, it's all over but for a medal ceremony.
It's impossible to read a Terry Pratchett book these days (especially the 40th Discworld novel) without two factors clouding judgement - the legacy of brilliance of earlier Discworld novels and the impact (or looking for clues of it) of his Alzheimer's disease. This is a shame but those elements which prevent Raising Steam scoring higher reviews are likely drawn from the consequences of just such factors.
I'd love to see Pratchett approach a story across more than the one book again, to not feel the need to wrap everything up into a neat little, Patrician-knew-everything-all-along entry, really let something occur that took more than one novel to resolve. But then, it's not my Discworld it's his.
For all it's could-ofs and should-haves, any Discworld novel is full of humour and wordplay and Raising Steam is no exception. While not quite the romp of previous entries into the Discworld series, the fortieth (I do hope we get to fiftieth) is an enjoyable read that at the very least opens avenues for further novels to explore with a few chuckles along the way.
22 of 25 people found the following review helpful
on 15 August 2014
Nothing stays the same.
Some of the reviews almost stopped me from reading the book. Definitely stopped me from buying it. I borrowed it from a friend and read it in 2 evenings. No, it's not bad. Yes, it's still Discworld. It's just changing in the direction that I personally don't like. But isn't our world, too? It's unfair to suggest it wasn't written by the author, that it's so bad it's a waste of money. If you're a true fan, buy it by all means, it's part of the history. Yes, it's quite serious, rather surprisingly bloody for Pratchett, innocent people actually die here and bad guys are too bad for the otherwise subtle Discworld. But hey, it is after all a mirror of worlds, isn't it? Witty repartee and fantastic jokes are all well, but sometimes - especially with 39 books so far - it has to be a bit more somber and a bit closer to home.
If you're ne to Pratchett, you could probably start with something else, but don't be put off. I was introduced to Discworld with Going postal. The book didn't have the best reviews either, and know what? Personally I loved it so much, I haven't stopped reading Pratchett since.
So take a risk, buy it or borrow it from a friend and see for yourself. Hopefully you'll be reaching for more.
8 of 9 people found the following review helpful
on 5 May 2015
Raising Steam, Terry Pratchett – This is a difficult book to review fairly. I want to be kind, given the traumas the author was enduring when he wrote it. On the other hand, I don’t want to pander. I’ll start then by pointing out that Pratchett is, in my view, one of the greatest populist storytellers of the last six decades. I’ve been an avid reader of his Discworld series since I was a teen, and his death affected me as though I knew him. No other author has woven themselves so intrinsically and joyfully through my life to date. With that acknowledged, Raising Steam is not a book I would give to somebody to demonstrate why. It’s themes have been more deftly explored in previous volumes, the writing is clunky where it would usually glide, and the pace is glacial. There’s little sense of threat throughout the book, and almost no reason to care what happens to the protagonists. It presents a two-dimensional Discworld, that only loosely relates to the place in which I’ve spent so much time. That there are good real-world reasons for why does not alter the fact that, in my opinion, nothing in the vast canon of Discworld stuff is as weak as this. I can’t recommend Raising Steam to anybody other than the most loyal completists. There are dozens of Pratchett novels to exhaust before you come to this one. Read those instead.
1 of 1 people found the following review helpful
on 26 April 2015
Raising Steam is the 40th Discworld novel and the 3rd to feature Moist Von Lipwig. If you haven’t read earlier novels, especially those featuring Moist or the Watch, you may find small spoilers in this review, for which I apologise, but when reviewing such a late-series title, it’s not really possible to avoid.
I found Raising Steam to be a brilliant example of many of the things I come to Discworld for. Unlike many fantasy series, the Discworld stories do not take place in a fixed, vaguely medieval setting; the Disc progresses, and Raising Steam is a perfect example of this. The core of the story is about the taming of steam and the introduction of locomotion – the brainchild of new character, Dick Simnel (although you may have noticed that his father, Ned Simnel, appears in Reaper Man – I didn’t at first, not having read that title for about 20 years). Naturally, the Patrician needs some element of control over such a technological advance, and so Moist becomes involved.
I loved Dick’s character and his relationship with his work – one that will be familiar to anyone who knows an engineer or spare-time tinkerer. The engine he creates and brings to Ankh Morpork to show what he can do is a superb example of Disc technology, with a kind of magic of its own.
As always, progress on the Disc is challenged – in this case by grags, traditionalist, fundamentalist dwarfs who oppose Ankh Morpork’s melting pot of races and are suspicious of technology. Adora Belle is featured both in her role as Moist’s wife, but also as manager of the Clacks, since the grags are committing terrorism by burning down Clacks towers.
One of my favourite things about the Discworld is its very clear messages about diversity (again, relatively unusual in the fantasy genre where women often function as eye candy and ‘exotic foreigners’ are the limit of racial diversity) and this is very firmly reasserted here with the increasing integration of goblins into Ankh Morpork’s modernist society. At the same time, the grags and the ideas of radicalisation and tradition are a means of raising disquieting questions about the demands of diversity and the extent to which identities are lost/replaced/evolving in mixed society.
Anyway, I could blather on all day about things I loved about this book (and I haven’t even mentioned the brilliant humour!). Suffice it to say that this is a very fine latest episode for the Moist and Guards strands of the series in particular. If you’re already a Discworld reader, definitely read it. If you’re new to the series, there’s a great guide to the various strands here (there’s a chart to follow if you scroll down). Personally, the Witches are my very favourite, but I’ve enjoyed each and every one of the Discworld novels. I genuinely think Discworld has something for everyone.
1 of 1 people found the following review helpful
The introduction of the Steam Age to the Discworld has been long overdue, and was held back by vested interests there quenching the sparks of invention. At long last the pressure became too great and the railway was begun, but only as it could have been in this strangely different and yet familiar universe offering its warped reflection of the goings-on in our own.
The writing has become more thoughtful, the satire sharper, and the jokes are still there but somewhat deeper, and the more rapid readers might well miss them. But then even in the earliest books it often took a page or several for the humour to fully ripen into the full flower of our laughter. Some readers might think the plot lacks substance, maybe it does, but no less than many of his other enjoyable books, and I think this one offers us a more mature way of considering the impact of technology and its powerful effect on our lives, and how it might be used for good – maybe a message for those of us (like me) living under the dark threats of the years of disruption and loss of quality of life that will fall out from HS2.
This book was a most welcome Christmas present for me, and after a five hour sitting reading it yesterday, I am back at the beginning so as to be able to savour it better at a less breakneck pace. Some of his recent novels have disappointed me - a long time fan from the very beginning - but this one is a good 'un.
7 of 8 people found the following review helpful
Raising Steam is the 40th Discworld book in Terry Pratchett’s hugely successful fantasy/satire series. I’ve read all of them bar two. All of the books are consistently inventive, warmly humorous and satirical, and full of interesting characters and plots. Raising Steam focuses attention on two main themes and their juxtaposition -- the creation of new technologies and how they can transform societies and produce new issues, and the rise of extremist religious groups that hold highly traditional and conservative views and want to mold society in their vision. It’s an interesting tension, but in this case the story nonetheless feels like two quite different narratives being jammed together without ever fully blending. Moreover, while the book is in the fantasy genre, there were inconsistencies or convenient plot devices that felt clunky, some characters felt surplus to requirements, and there are sub-plots that go nowhere. For example, despite growing up relatively poor, Simnel’s mother just happens to have a fortune in the attic to fund the initial development of an engine. And when Simnel travels to Ankh-Morpork to demonstrate the engine he has to set up a track to do so; somehow the big, heavy engine made the journey without rails, but now needs them to run. We’re told of a wedding massacre and a young dwarf visiting his family being attacked, but these then sink without trace. The result, for me, was one of the weakest books in the series. Full of nicely penned characters (and there are an awful lot them, many from previous books snuck in for small cameo appearances), and packed with snippets of railway lore, but the plot not quite running on track.
414 of 481 people found the following review helpful
on 8 November 2013
... And not really in the good way. On the quite unlikely chance that Terry ever reads this, I don't blame him and I'm not even mad. I am very happy for him to have my £10; he deserves it and more. I wish him only the best, and would have happily given him the £10 if he asked for it, without particularly wanting or needing to finish the book.
I finished the book and felt like I'd just been to a funeral.
Terry Pratchett's Discworld series is a globally beloved institution, for good reason. He is to fantasy what Douglas Adams is to science fiction. Sadly, the 40th book of the Discworld is pretty much like Eoin Colfer's ghastly resurrection of the Hitchhiker's Guide series, only slightly worse. Colfer just didn't GET Adams and his humor, on a molecular level, so you weren't too bothered by it conflicting with your own nostalgia - you just accepted that you had paid your money for a bit of fanfiction. This is rather like buying the Officially Licensed Eighth Harry Potter Book to find that it's an alternate-universe tale of Harry laboriously taking public transport for two hundred pages while monologuing about the Industrial Revolution, and Frodo Baggins shows up near the end and breaks the fourth wall to explain to you that this is all very funny and satirical. And it's written by Dan Brown. For the young-adult market. You don't mind what's happening; you're just slightly puzzled, wondering why everyone is out of character and when the story is going to start. It's not actually BAD, it's just maybe not what you wanted.
This book echoes Discworld in its pedigree, but the prose has no engine behind it, no driving energy, no romp down a passing train of thought that suddenly sidetracks and opens up into a startling view, no diamonds in the coal seam, no clever twists of sentences that suddenly rear up and look you in the eye, no tunneling journeys into human nature, no clever bridges from one scene to the next, no non-sequiturs that turn out to be actually very meaningful, no sly tearing down of the status quo, no light at the end of the tunnel, no magic, no wonder, no satire, no sapphires. It has very little steam to lose, and it loses it. It makes me extremely sad to write this, but there it is.*
If you're an overly-dedicated and optimistic Pratchett fan like me, and you had this book on Kindle pre-order since it became available, then enjoy it as best you can. There is some charm here; in tone and twists it's, surprisingly, rather like a Trisha Ashley novel about middle-aged women finding love in a Lancashire village; you'll read it. It will also complete your collection nicely, and you will probably want to do that anyway. I understand that you'll want the closure and the completion of the series. Come over here and sit with me later; we'll commiserate. It was a wonderful run and we have so many good memories to love and share.
If you're a Pratchett fan who decided to wait and haven't purchased it yet, then I would recommend holding off for a while and trying for a good discount price - it's not something you need to rush out and buy in hardcover. In fact, get it from the library and read it on holiday, with your mind half-on-something-else, and with something pleasant to look forward to at the end, like a fancy dinner or a swim; this book will make you sad and put you in that frame of mind where you start contemplating mortality and the passing of flesh and heroes. Have some drinks available. Have my blessing. This is a sad book, not because of the content, but because of our own expectations. And, honestly, our own sense of entitlement. Who are we to demand that the poor man dazzle and delight us for decades upon decades?
If you're not so much of a Pratchett fan, you might conversely have much to enjoy about this book. Without the high expectations and starry eyes of a Discworld aficionado, you won't be disappointed. You'll recognize some of the characters, and the prose definitely brings you from one scene to another, which it is supposed to do. There is a train, and the Patrician, and an ending. It is *definitely* a book. There are many books! This is one! It has a cover and everything.
If you haven't read a Pratchett book before, then don't start with this one - it would be rather like visiting a museum after it's scheduled for demolition - nothing makes sense, the exhibits are being dismantled, you have no idea what's going on or why, inexplicable things are being thrown into dumpsters, and you get the feeling that you're not supposed to be there at all.
Oh, hell, buy it for yourself, do what you've got to do - I understand. I'll wait for you.
*I don't apologize for the train metaphors.
** Demographic information: well-educated 25-year-old female Pratchett fan.
18 of 21 people found the following review helpful
Raising Steam, Terry Pratchett, Doubleday, 2013, 375pp.
This is the fortieth Discworld novel, and we seem to have arrived at the Modern World, with the advent of the steam railway and equal rights for all sentient beings (and most humans). What apparently started as a satire on heroic fantasy has evolved into a study of human life and thought – and those of you who are familiar with ‘Cerebus the Aardvark’ will recognise the similar path that really creative writers seem to follow: growth - “The rising and advancing of the spirit”. Though here, unlike Dave Sim (author of the Cerebus series) this author has chosen the humanist path rather than the metaphysical. Can this be the ‘end’ of the main sequence of the Discworld series? As we know, Mr Pratchett has health problems, and this would make a fitting end-point, with peace on Discworld and goodwill to all sentients being the dominant principle. I’d like to see a ‘farewell’ to the Witches, of course; and inspiration might strike again, for where there’s life, etc., etc. But, if this is the end, then it has ended on a high.
The story itself is a ‘standard’ Lipwig plot – someone has an Idea, and it is up to Moist to implement it somehow, or else be thrown to the kittens. There is a wide cast of characters – everyone except the Witches gets a look in or at least a namecheck. There is no magic or supernatural force deployed – if we set aside the actual existence of Golems, Vampires Werewolves and Wizards – this story is about human (and Goblin) ingenuity; and though the supernatural does come to say hello – or farewell - at the end, it plays no significant part in the story. The Discworld has grown up, and Magic has become Romance; as is fitting when steam engines are involved.
2 of 2 people found the following review helpful
on 7 June 2015
All 40 books read part of my bucket list some are better than others but non are ever bad. The last is better than some but not one of the best. It is all subjective to the reader. Overall the books are well worth the time and effort to read and I will miss having one to come home to. RIP Terry you left a lasting legacy for all readers Thank you for your efforts.