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26 of 28 people found the following review helpful:
4.0 out of 5 stars Violent, imaginative thriller. A scary view of tomorrow
If you've read Richard Morgan's other sci-fi novels, especially those featuring Takeshi Kovacs, then you might think twice about picking up Black Man. It's set in a different scenario and Kovacs (a compelling and complicated character) is no where to be found. So the unfamiliar setting and the weird cover design (it almost seems deliberately constructed to distance this...
Published 24 months ago by Hooligween

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11 of 14 people found the following review helpful:
2.0 out of 5 stars Not quite the book I waited for
Being an avid Morgan fan since Altered Carbon I was dissapointed. This book tried and failed to shake off Takeshi and chums from his previous excellent books to introduce a new antihero in the shape of a genetically altered '13'or super enhanced alpha male. While the book had some interesting things to say about the direction the USA was headed in and some excellent...
Published on 28 Jul 2007 by J. Hope-Ryan

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26 of 28 people found the following review helpful:
4.0 out of 5 stars Violent, imaginative thriller. A scary view of tomorrow, 29 Nov 2007
By Hooligween "Rowena the Red" (Kernow, Great Britain) - See all my reviews
(TOP 500 REVIEWER)   
If you've read Richard Morgan's other sci-fi novels, especially those featuring Takeshi Kovacs, then you might think twice about picking up Black Man. It's set in a different scenario and Kovacs (a compelling and complicated character) is no where to be found. So the unfamiliar setting and the weird cover design (it almost seems deliberately constructed to distance this book from Morgan's established series) might sway you to put down Black Man and buy something else instead.
Mistake!
The world of Black Man is another brilliantly constructed, plausible near future. It's scarily close to ours, so many of the superstates are recognisable evolutions of the current political structure. America has fractured into a bible-belt 'JesusLand' and the Union. The major global superpower is the Rim (the Pacific Rim). The technology is based on extrapolations of what we have now -- evercrete replaces concrete, and coffee comes in instant-heat containers -- but the majority of the players are still humans. Just.
There's a colony growing on Mars, corporate influence corrupting the push into space, space-elevators lifting raw materials to and from the surface of earth into low orbit, and shuttle running on the long, long journey to and from Mars.

Into this situation come a set of believable characters; the augmented, hyped-up 'good' guy; the demobbed uber-soldier spawned by genetic experiment who shouldn't be on earth but is; the weary, chemical-assisted police woman. Their paths knit together as the plot progresses -- and Morgan nevers shies away from hot-blooded action and eye-raising plot twists. The only downside is the sheer volume of new stuff which is slung at the reader in the first couple of chapters; you have to get up to speed with a whole new universe pretty quickly. The political situation is slippery and take some getting used to, as do the fragmenting and re-forming factions of current societies. There's a lot of info to absorb so you feel like you're playing catch up until the plot really hots up.

Then the action is brutal and harsh, and the social comment is cutting. Black Man is set around 100 years ahead of us, and most of Morgan's insights apply to here and now. He sees a future when the 'feminisation' of society has led us to breed throwback warriors -- it's a bleak idea, that all our progress is what undoes us in the end.

So initially Black Man wasn't what I really wanted to read, because what I really wanted to read was another Kovaks novel. But Black Man grabbed and held my attention, and I rattled through it in three days (not bad, given its substantial length). More than that, I'd buy another book set in this scenario, so Morgan has plainly got it right...
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27 of 30 people found the following review helpful:
5.0 out of 5 stars Might be the scifi book of the year!, 10 Jun 2007
By Patrick St-Denis (Laval, Quebec Canada) - See all my reviews
(REAL NAME)   
Carl Marsalis is a variant Thirteen -- one of the genetically engineered subjects of a failed government/military program to create the deadliest of soldiers. He is now a hit man with a UN mandate to find and dispatch rogue Thirteens. The problem is that Carl has lost the will to kill. When a job takes a turn for the worse and he's arrested in Miami, Carl believes that he can now leave his troubled past behind him. Unbeknownst to him, what appears to be a mentally unstable Thirteen returns from Mars and crashes the ship he's on in the Pacific, only to reappear later and leave a trail of corpses in his wake for no apparent reason. Soon afterward, government officials show up to bail Carl out of jail. In exchange, they want his expertise to help them deal what those seemingly random murders. Unfortunately, it won't take long for him to realize that there is much more to this than meets the eye.

Morgan's writing style and his fine eye for details make the narrative leap off the pages. The author truly knows how to make the story come alive, and I found the imagery quite compelling.

The worldbuilding is interesting, though Morgan doesn't delve too much on how it all came to pass. The USA have imploded and the country has split into three separate States: the Pacific Rim, the North Atlantic Union, and the Republic, also known as Jesusland. China is now a superpower and the rest of the world appears hard-pressed to keep up with them. It is a fascinating backdrop, to be sure, and it's too bad Richard Morgan didn't spend a bit more time explaining how it all unfolded.

The characterizations are well-done, the dialogues gritty. The author knows how to keep the readers interested by allowing us to learn more about the characters by increments. The Carl Marsalis/Sevgi Ertekin tandem provides a nice balance between the Thirteen and the COLIN agent. The supporting cast is comprised of a good bunch of characters, including the Norton brothers and Carmen Ren.

The pace is great -- Black Man/Thirteen is a veritable page-turner! However, the storytelling is at times a bit uneven. Nothing that really takes anything away from the novel, mind you. But Morgan sometimes takes the "easy" route, and Marsalis' hunches prove to be on target, though they're coming from way out of left field. With such a absorbing and convoluted plot, I felt decidedly short-changed when that happened.

My only true complaint in what is an otherwise nearly flawless work of science fiction lies in Morgan's depiction of Jesusland. I am well aware that the southern States of the USA are a land of contradictions, not easily understood by outsiders. But to portray the majority of their inhabitants as God-fearing, Bible-waving, racist dumbasses is quite a stretch, in my humble opinion. As I mentioned, Richard Morgan's backdrop is an interesting extrapolation of a possible future for the United States of America. Yet his depiction of the Republic goes a bit too far -- as if there's not a single soul in those States with a single shred of common sense and judgement. I mean, when it comes to human rights, they have as much moral celirity as countries like Libya. Again, that's pushing the envelope a bit too far. Honestly, there is a lot more to those States and their citizens, and the differences between the north and the south are a bit more complex than that. Hence, although most people likely will not even notice this (it doesn't particularly have much of an impact on the tale), it made me grit my teeth on more than one occasion. I guess I'm just tired of what has become a somewhat Western European misconception about the southern States, namely that religious fundamentalism is the norm everywhere. Heck, not everyone born there is a traditionalist right-wing inbred hillbilly idiot! I figure it irked me to such an extent because everything else is so well-crafted that it appears that Morgan let his Leftist side take over for just that facet of his creation. As I said, this doesn't affect the overall quality of this novel, but it left something to be desired.

Black Man/Thirteen is a high-octane, action-packed and violent book. It is also an intelligent and thought-provoking thriller, one that will even satisfy readers from outside the genre.

Like Ian McDonald's Brasyl, Morgan's latest is a sure nomination for a Hugo Award. Moreover, despite its flaws, Black Man/Thirteen might well be the book of the year!:-) I commend this one to your attention, as it is one of the books to read in 2007.

Check out my blog: www.fantasyhotlist.blogspot.com
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11 of 13 people found the following review helpful:
5.0 out of 5 stars A Stranger in a Strange Land for the 21st Century, 8 Jun 2007
By A. Whitehead "Werthead" (Colchester, Essex United Kingdom) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)      
The year is 2107. A century from now, the United States no longer exists. Religious and political strife has torn the country into three nations: the high-tech, rich Pacific Rim; the God-fearing, ultra-right-wing Republic (aka 'Jesusland'); and the liberal, UN-aligned North Atlantic Union. China is now the world's dominant economic superpower, whilst Europe and India's political and economic might continues to expand. After (another) lengthy period of war and turmoil, the Middle-East is relatively quiet. On Mars mankind's efforts to tame the Red Planet continue unabated. Forty years earlier, genetically-engineered supermen known as 'thirteens' were created to serve as unstoppable soldiers. But, in the wake of America's collapse, they are now feared and hunted. A few thirteens serve the UN, hunting down their fellows, but most have fled to Mars, or turned to crime.

Carl Marsalis is a black man in every sense of the word: a thirteen, a 'twist' who genetic pattern is based on that of the ultimate human alpha-males who became extinct twenty thousand years ago. Whilst most of the world doesn't pay a second glance at his skin colour, in the increasingly regressive Republic it is a target for prejudice and hatred. Luckily, Marsalis is more than capable of looking after himself. When his usual employers hang him out to dry after he is thrown in a Florida prison, he takes up an offer from the Martian colonial office: to hunt down another thirteen who has come back from Mars and embarked on a bloody and apparently senseless killing spree.

Black Man is the fifth novel by British SF author Richard Morgan. It initially appears to be set in the same universe as his Takeshi Kovacs series (Altered Carbon, Broken Angels and Woken Furies), roughly 400 years earlier, although the author has since said he didn't intend this. A certain level of compatibility between the two series developed in the writing. It is a totally stand-alone work: you may glean a few insights from having read the Kovacs books first (particularly the source of the increasingly advanced technology that is being shipped back from Mars), but the book stands up by itself. Which is just as well, as it is by far his finest book to date and sets the bar improbably high for all other science fiction released in 2007.

The book has been retitled Thirteen (or Th1rte3n according to the cover) for the American market and it's easy to see why. This is an incendiary novel that absolutely pulls no punches and takes no prisoners. Morgan analyses the problems he sees in the USA's political and sociological make-up and uses them skillfully to tear the country apart. Not since Kim Stanley Robinson's Mars Trilogy have I seen an author so convincingly show what can happen to a nation, to a mass of people, and how they develop. As an SF book relegated to the darker corners of bookshops, it's likely that the book will escape widespread scrutiny, but I can imagine this book being banned and then burned in certain parts of the American South, which it is not particularly flattering to (although the rest of the human race doesn't exactly come off lightly either). Morgan has said previously that he doesn't pay as much attention to his backdrops as he does to his characters and plots, but in Black Man the worldbuilding is exemplery. The San Francisco of Altered Carbon could feel somewhat cold and sterile at times, but the same city in Black Man is a vivid, three-dimensional place which fairly leaps of the page, as does 22nd Century New York, Miami and the other key locations in the novel.

The thriller element of the story is compelling. Morgan knows how to set up an intricate web of intrigue and mystery and when to make new revelations and bring in new characters. The world that Marsalis inhabits is a murky one of dubious loyalties and betrayals, through which a classic noir story unfolds (albeit a noir story with moments of extreme ultraviolence, a pretty explicit sex scene and a lot of swearing). Unlike the Kovacs novels, Black Man is told in the third person and there are several key POV characters as well as Marsalis, particularly the Martian colonial office agent Svegi Ertekin and her partner, Tom Norton. All are expertly drawn and deconstructed by the author. Marsalis himself is a fascinating character and hopefully Morgan will one day write books further exploring him further.
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11 of 14 people found the following review helpful:
2.0 out of 5 stars Not quite the book I waited for, 28 Jul 2007
Being an avid Morgan fan since Altered Carbon I was dissapointed. This book tried and failed to shake off Takeshi and chums from his previous excellent books to introduce a new antihero in the shape of a genetically altered '13'or super enhanced alpha male. While the book had some interesting things to say about the direction the USA was headed in and some excellent forward thinking in how initial space exploration may turn out to be. This, however, does not detract from the pedestrian plot, the inability to follow through on the personality traits of his characters(a common Morgan failing), a weak love interest and comical mafia thugs.

If this is your first foray into Richard Morgan buy Altered Carbon or any other of the Takeshi Kovacs books before reading this and get some idea what this author is capable of when he puts his mind to it.
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13 of 17 people found the following review helpful:
2.0 out of 5 stars Disappointing, 5 Jul 2007
This novel is not action packed nor high octane. I can only assume some of the other reviewers were reading a different book?

I had high hopes for this latest creation of Mr Morgan, as I really enjoyed his other books, apart perhaps from Market Forces (which I found to be a little silly, I don't see myself reading it again).

Unfortunately, Black Man is a little dull and not hugely believable. It is well written and does have some action (in the good old Kovacs style of extreme violence), but the spaces between the action are slow. A romance develops in the book, but I just found it pointless and predictable...it didn't bring anything to the book apart from an excuse for some violence at the end.

Unlike the Kovacs books where there was explanation for the way people behaved and there was plenty of action and a cool sci-fi universe, this book tries to explain the way people behave towards the hero, but it just is not believable. And since the story is only set a little in the future, not much sci-fi tech, which is unfortunate because Mr Morgan does such a great job of making it seem real in his other books.

All this book had was 'racism' against genetically modified ex-soldiers, who because of their gene modifications somehow are just 'terrifying'. The title of the book gives a pretty unsubtle pointer to this, and rather than being a subtle portrayal of how society in the future will keep itself from becoming a utopia because of mankind's stupidity (which is done well in the Kovacs books), this book uses a sledgehammer again and again and again. It gets old quick.

I read it through, but I struggled. It is not a bad book, just a real disappointment from Mr Morgan. 3 Stars would be nearer the mark but I can't change the review score now. Borrow rather than buy.

Edit: I am now going to comment on Mr Morgan's response to criticism of his book, which you can find on his website.

To summarize his response: Mr Morgan mocks readers hoping for a book like Altered Carbon because...this book is not called Altered Carbon. Mr Morgan will never write an Altered Carbon book again. Black man will have at least one sequel, set in the same universe/context.

My response: I did not like Black Man because it was dull, I was hoping for a book as exciting as Altered Carbon, not Altered Carbon, but you failed to deliver. It is a shame you are not going to continue with Kovacs because, frankly, your books about him are your only books worth buying. I will not be buying any of your future books without reading plenty of reader reviews first, your output is variable in quality and imagination to say the least. p.s. I recently saw 2 copies of Black Man in Hardback at my local charity shop...and my copy will be joining them shortly.
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14 of 19 people found the following review helpful:
3.0 out of 5 stars Underwhelming Bloated Thriller, 17 Sep 2007
By A. Ross (Washington, DC) - See all my reviews
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Like many many others, I loved Morgan's amazing debut, Altered Carbon, and have been waiting for something similarly exhilarating from him ever since. I liked the second and third Takeshi Kovacs books (Broken Angels and Woken Furies) well enough, but Market Forces was terrible (to be fair, it was written before all his other books and only published after the success of Altered Carbon). This fifth book (published in the US under the title "Thirteen") is neither particularly good, nor particularly bad, it's a bloated thriller filled with mostly familiar futuristic concepts, underwhelming social commentary, all undermined by a woefully undeveloped protagonist.

The story revolves around Carl Marsalis, a genetically engineered soldier (aka a "variant thirteen") who works for the UN as a freelance hit man/bounty hunter, seeking out "thirteens" who have gone rogue. (Shades of Blade Runner, Terminator 2, and Universal Soldier.) Alas, when a job in Peru goes wrong, he finds himself stuck in a Miami prison with no reprieve in sight. That is, until a seriously psycho thirteen somehow hijacks a transport from Mars, eats the crew, crashes into the Pacific and starts running amok on the west coast. The escalating body count leads the UN to spring Carl and team him up with a female Turkish-American investigator to track down the killer.

The book is essentially more of a crime novel or thriller with science fiction trappings, as the hunt for the killer leads across the former U.S. (now splintered into a Northeastern Union, the south-central "Jesusland", and the western Rim States), to South America, Europe, Turkey, and Mars. It's an incredibly convoluted chase, which is often driven forward by little more than Carl's inexplicable "hunches," which have a remarkable tendency for being correct (something a true crime novel would never rely upon). The story takes far too long to unfold, but with Carl never really getting developed as a character, it's hard to stay connected with what's going on. Morgan's prose is tough and tight, but there's about 200 pages too much of it.
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7 of 9 people found the following review helpful:
2.0 out of 5 stars Mediocre, 13 Aug 2007
By Marts (London, England) - See all my reviews
Like other reviewers Altered carbon and the other Kovacs novels blew me away. I haven't stopped talking about them or recommending them to others for years. I couldn't wait for Black Man and dropped all other books to read it as soon as it arrived. Slowly it dawned on me that this was nothing like the mind blowing stuff Morgan has written before. I had to force myself to struggle through to a predictable and medicore ending that I really didn't give a stuff about. This was basically a second-rate detective story rather than ground breaking sci-fi thriller.
Sad really. I hope he gets his mojo back for the future.
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11 of 15 people found the following review helpful:
2.0 out of 5 stars Dull and boring, 27 Aug 2007
When writing reviews on amazon, the sure way to get on the "most helpful" list is to say the book is a fantastic read. I guess im not going to be on that list this time.

This latest book by R.M. is a dull rambling on imaginary racism and religion (who cares, its not even real!?!) mixed with a lot of "going from one place to another". When you get about 250 pages into the book you start to wonder when you will get past the usual boring intro period books have. Then you start to fear it will never happen. By all means, buy the book, lets see if you are faster then me at realising the book will never be what you expected from R.M.

I honestly will advice you to read Altered Carbon again instead. Even knowing what will happen on every page you turn over, will be more fun than Black Man.

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4 of 5 people found the following review helpful:
3.0 out of 5 stars Not up to the standard of his early books, 4 Sep 2007
By Steve P (South Wales, UK) - See all my reviews
I really enjoyed the Kovacs books, but Morgan's appeal for me was seriously dented by the disappointment of Market Forces.
I decided to try Black Man anyway, as it sounded like he may be heading back in a similar direction.

Unfortunately Black Man, whilst slightly better than the silly Market Forces, is also a mediocre book. The book is very much on the 'Fi' side of 'Sci-Fi'. Very little science - which is not automatically a bad thing as long as there is a good dose of plot and character to counteract the lack of hard science. The plot is a low-grade detective novel, with some fairly one-dimensional characters.

It seems that Morgan fills his books with whatever is happening in his life at the time, which is understandable, but does not necessarily make for a good read. Also, where was the editor, Morgan seemed to be on a mission to include the acronym 'LCLS' at least once on each page, maybe he has been sponsored by a lighting manufacturer ?
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7 of 10 people found the following review helpful:
5.0 out of 5 stars Subtle, superb., 21 Jun 2007
While the action is not quite as fast and furious as in Morgan's other books, the characters - Sevgi, Tom and Jeff Norton, and above all Carl Marsalis and his fellow gene-twists, are deeply and pervasively human, intensely characterized, tragicly conflicted. You care about them, and rail against the impossible situation they've been put in, feel their losses with them as they lose, again and again. Morgan is writing about what humanity is, down deep, where it matters most, and how the future world in which the story is set impacts that humanity. I ordered this book when it first became available on Amazon.co.uk, back in 2005. I waited nearly two years to read this book, and when it was finally released, I paid a lot to have it sent across the Atlantic. I was not disappointed.

Well done.
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