1 of 1 people found the following review helpful
4.0 out of 5 stars Benson's Playstation Bond.
I read Benson's latest Bond novel in a few days and was very happy with it. This is the first of the Benson novels I've looked at, and I think I will read more.
There is one frustrating element of the novel for those who have read Fleming's originals, and that is the timeframe. Benson has copied the movies habit of re-casting Bond in the modern era, whereas Fleming gave...
Published on 21 Sep 2003 by Warren Smith
9 of 9 people found the following review helpful
2.0 out of 5 stars A promising start, but dissappointing result....
I have read every one of the Bond novels from Fleming to Benson from cover to cover. As much as I want to like Benson's, it's just an impossible task. While he has brought back the superficial connections to the Fleming character, each of his novels just reads like a mini-script, waiting for a movie to be filmed. They are the novels of Pierce Brosnan's movie-Bond, not...
Published on 8 Sep 2002 by Michael L. Goldman
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9 of 9 people found the following review helpful
2.0 out of 5 stars A promising start, but dissappointing result....,
Firstly, the plots. I agree with an earlier review about Ray's inability to blend fact with the story line. It does read like a "wait, let me unfold the tourist brochure and tell you this...", then a refolding of the brochure to commence with the tale. The plot in general, as with the previous novels, are written as if they're movie scenes lashed together. Each one has a slap-stick chase scene which I find abhorent to the Bond character. In another novel, Bond's inexplicably shooting a villain in the face in an elevator and then running from the police through TV sets is painful. This one has a chase through a Kubuki playhouse simply to add some description of Kubuki. Bond finally finds a key character (the prosititute) in the latter third of the story, in Sapporo, and takes her with him on a dangerous investigation of the villain's HQ. Why didn't Tanaka pick her up and allow Bond to operate on his own? If she was so important to the case, she should have been in Tanaka's custody within an hour. When Bond's female partner and love interest doesn't make it past the latter third of the story, Bond forgets his anguish later on and beds the prostitute (as the earlier reviewer mentioned, he had already seen her as a chld-figure--so how did this change take place?) The dwarf is captured so easily after previous vicious battles, it seemed as if Benson just wanted to get rid of him quickly. Most obviously, is that with all this knowledge uncovered about mosquito-carrying virus being targeted for the G8 conference...do you really think the security services of those countries would have permitted the President, the Prime Minister, and other leaders to even step foot in Japan? The plot's major weakness was in having the conference continue to take place in a location identified as having an obvious breech in security. He should have figured out how to be more realistic, yet still involving the story line.
The characterization of Bond is again dissapointing. Bond is consistantly portrayed as a bit of a shallow, comic character--he seems to have learned nothing from his past exploits, he's easily deceived, his physical prowess is usually less than it should be. Benson had a terrific idea with this novel--bring him back to a significant time in his past and retrace some steps. This would have been great had he also extended the revisit from "You Only Live Twice" to "Moonraker" as well. What I mean by that is I found Fleming's Bond in Moonraker to be an extremely lonely, melancholic figure. The solitary "knight" who has no friends and sacrifices all for the good of his country. The last scene in Fleming's Moonraker was perhaps the most powerful in all the Bond novels. Benson had a wonderful opportunity to end this novel in the same way. He lost his love interest to violence, it dredged up all the old ghosts (I must point out here, though, that Bond reacts to the death of his love interest by selfishly lamenting about how it could be happening to HIM again, when the woman was the one who died--no thought to the poor victim, just to himself, not a very noble reaction for Benson's Bond). Ray had the great opportunity to end the story not with another cinematic bedding of a prostitute (that he had earlier seen as a child figure), but as the figure of solitude stepping out on the teeming streets of Tokyo, sad, alone, walking back into the faceless crowds of people, continuing his lonely, faceless existance. While not the bang-up action ending that accompanies the Brosnan movies, it would have been a true nod toward the Fleming Bond.
You see, bringing back characters and names is not the way to honor Fleming's Bond. That is much too superficial. Bringing back the characterization of the true James Bond would have been the ultimate salute. It's time for someone to put Bond back where he belongs in a novelization (I've given up hope for it in the movies)--in his correct time period, with the REAL Bond character, not Pierce Brosnan. As a hint, I'd advise Ray to view the old "Danger Man" episodes with Patrick McGoohan. That was the closest to the Fleming atmosphere and characterization. Just place Sean Connery or McGoohan's face where Ray has Brosnan's. I continue to lament for Fleming's lost James Bond. I hope some day he will return.
1 of 1 people found the following review helpful
4.0 out of 5 stars Benson's Playstation Bond.,
This review is from: The Man with the Red Tattoo (Paperback)I read Benson's latest Bond novel in a few days and was very happy with it. This is the first of the Benson novels I've looked at, and I think I will read more.
There is one frustrating element of the novel for those who have read Fleming's originals, and that is the timeframe. Benson has copied the movies habit of re-casting Bond in the modern era, whereas Fleming gave dates and contemporary events that put his stories firmly in the fifties and sixties. There's nothing wrong with Benson updating the character, but when he frequently refers to incidents from the Fleming novels- battles with Ernest Blofeld, for instance- he's referring to events from another, much earlier, 1960's timeline, which I find distracting. Perhaps Benson should have been allowed to set the literary character in the same era as Flemings.
That being so, this is a good read. All the familiar elements are there. Bond is cool, and the villains diabolical. There is a lot of action compared with Fleming, which is why I characterise it as being a 'Playstation' Bond. Which is probably what todays readers want.
Benson has also copied some of the techno-thriller habits of Tom Clancy and Dale Brown. The villains plot gets a thorough explanation, as does his political motivation. Benson handles this sort of thing well- which leads me to think he could, funnily enough, write an even better thriller if he wasn't writing a Bond story!
5 of 6 people found the following review helpful
3.0 out of 5 stars A slight improvement..,
This review is from: The Man with the Red Tattoo (Paperback)I do struggle with Benson's version of Bond and after the previous book I was starting to lose hope. This is an improvement but still contains the flaws in Bensons writing, too much information added in for no reason and some very unsatisfying leaps into comic book action.
Bond goes back to Japan to follow up on a virus attack and to prepare for a G8 Summit. Can there possibly be a connection, well I hate to give away a very obvious plot connection, but yes of course they are. So Bond fights and shags his way accross Japan until he saves the day again.
I have the concern that we are seeing the end of the Bond novels, they are expensive, issued with no publicity and to be honest, lacking in their content. I'd love to know what the sales figures are like because I do sometimes wonder why I am buying these books and not re-reading the classic Flemming stories.
In summary, worth a read, but only just.
4 of 5 people found the following review helpful
5.0 out of 5 stars Benson delivers another excellent Bond novel.,
But this doesn't mean RED TATTOO is lacking in character depth. Just the opposite is true. Japan holds dark memories for Bond, and that aspect is not ignored. Whereas John Gardner might have given a passing reference to Bond's legendary ordeal in YOU ONLY LIVE TWICE, Benson uses the "ghosts" of Bond's past as a full-fledged complication. Fans will not be disappointed in how Benson weaves elements of the Fleming masterpiece into this current book. He makes Japan a character in this novel-in many ways, the main character-both ally and nemesis to 007. And, past associations aside, it's refreshing to have a Bond story set in one locale instead of globetrotting from one scenic set piece to the next. This gives Benson a chance to really flesh out the culture in detail. It's Benson's attention to these details and his ability to weave them into the plot in highly entertaining ways that make his books the best of all the post-Fleming adventures. It's where RED TATTOO excels.
Fans of action will not be disappointed as gunfights and fistfights abound in RED TATTOO. It's probably Benson's most violent book to date-the body count is quite high-but this seems to be in keeping with the Asian action movie milieu the book frequently evokes. Surprisingly, Benson has retreated to an almost Gardneresque modesty in his sex scenes, possibly due to the unfair drubbing he's taken for trying to return a measure of kinky sexuality to the books. The methodology of the villain's master plan is ingenious and is the best conceived caper we've had, book or film, in quite some time. And speaking of films, have I mentioned that RED TATTOO would make an amazing Bond movie? Well, it would.
For the seasoned Bond fan, THE MAN WITH THE RED TATTOO is the perfect book at the perfect time. For those who have yet to read a Bond book and are looking for a classic cocktail of Bondian action, suspense, and exotic locales, you would be well advised to start right here.
3 of 4 people found the following review helpful
4.0 out of 5 stars Welcome back to Japan, Mr. Bond,
By A Customer
Although earlier I stated that sometimes I felt that the scenery was getting in the way, I have to commend Raymond for his writing of these scenes. It made me want to visit these sites. The beer garden at Sapporo and the visit to the great buddha comes immediately to mind.
"The Man with the Red Tattoo" is a good read. Raymond keeps the "Fleming Sweep" alive and Bond strongly in character. The villian (introduced in "Never Dream of Dying") is a good foe for Bond.
I recommend the book and look forward to the next one!
1.0 out of 5 stars Disappointed,
Not what you expect
4.0 out of 5 stars 007 heaven.,
5.0 out of 5 stars A good read but is it Bond?,
8 of 13 people found the following review helpful
4.0 out of 5 stars A Cleverly Crafted Plot That May Disturb You,
Returning to Japan does present a problem on an emotional level for Bond. It was here that he finally killed Blofeld (at much peril to himself), spent several years in recuperation living like a Japanese fishing man as opposed to a debonair British Agent.
However, sadly, this emotional level doesn't fully hit home in The Man With The Red Tattoo. Yes Benson does present the emotional argument inside Bond, does make you understand just what the man went through but I kept finding myself forgetting these emotional perils for Bond. Why? The only thing I could really pin it down on is the fact that the novel is extremely fast paced. I have to admit, I tend to read novels and occasionally skip paragraphs thinking, "Could this scene be more droll?" I didn't do that in The Man With The Red Tattoo. It's too well structured. But as a I mentioned, it speed may be a little too fast to let the reader actually savor the emotional effects of the occurrences in Bond's world.
But don't let that statement fool you. Benson does manage to bring back Bond's emotional peril. I found that the notion appeared three times, conveniently at the beginning, in the middle and towards the end. It is in the middle that it is most effective. While I can't mention what happens here, it would after all spoil too much of the novel for you, I did find myself questioning Bond's reaction to the event. Why exactly did Bond handle it that way? In my mind Bond would have handled it quite differently. Perhaps Benson didn't flesh the scene out, or perhaps his definition of Bond in such an event is different from my own. Either way, it's a question that I'd like to pose to him sometime in the future just to hear his view on the matter.
I mentioned earlier in this review that Benson turns in his novel to Fleming's novel rather that the movie, and I feel I must comment on this. Don't let the fact stop you from reading Benson's work. While Benson does make such a decision, I'm sure it won't alienate friends. The appearance of Tiger Tanaka, and I guess the evolution of that character, did not alienate me in anyway from the movie which I'm sure more Bond fans are familiar with. In every way Tanaka played in my head and melded perfectly with the definition of the character given to us by Tetsuro Tamba who played him in the 1967 film.
Moving away from smaller details Benson has managed to craft a clever plot. While he is using an age-old stratagem, terrorism, he's managed to mold it in a clever way that keeps a reader entertained. On a personal level it also hit a deep nerve within me. It made me think of what is truly possible in a world of good and evil. While terrorism is not such a simple task, the way terrorism is conducted in The Man With The Red Tattoo is realistically scary. It's real life possibility made me think twice, and I found myself worried about small tingles on my skin. You'll understand what I mean once you've read the novel.
I feel I must congratulate both Benson and the publishers on not scrapping The Man With The Red Tattoo. Goro Yoshida, the books main villain, is a Japanese nationalist and hates the United States, which he makes his target for his act of terrorism. While this novel was written pre-September 11 it could have easily been scrapped with the events of that day in mind. Moreover, it is good to see that a the events of September 11 do have a mention in the novel, making the reader aware that Bond's world is not that different from our own. To paraphrase Producer Michael G Wilson, Bond's world is just a step away from our own and slightly more surreal.
One thing that I must say surprised me was Benson's choice of Bond girls. One of the Bond girls seems the most obvious choice and she's crafted well. However, it's the books other Bond Girl who made me think "What?" (I shant mention her name as she doesn't develop as a Bond Girl for sometime). While it's obvious that Bond will undoubtedly bed her it is the fact that she was working as a high-class prostitute, much as Zero Minus Ten's heroin was, that made me wonder why Benson returned to an older concept. It does add or subtract from the story, but its an interesting notion for fans to consider. Perhaps it's the though of Bond sexually conquering a woman who is primarily sexual that is most interesting to the reader? Much in the same way Fleming's Bond coverts Pussy Galore from lesbianism to heterosexuality.
Benson is by no means Fleming, only Fleming was Fleming and that's how it shall remain for all of time. He's crafted a good book with The Man With The Red Tattoo, with good references to the past. I just hope in time books such as The Man With The Red Tattoo will appeal to a wider audience rather than strictly Bond fans. However that said, The Man With The Red Tattoo would appeal to a wider audience of fans who do appreciate the Bond films. Benson gives the book an excellent sense of location (one can easily conjure the various Japanese locations in their mind), a good plot and a good tempo.
Mr Benson, a job well done.
2 of 4 people found the following review helpful
5.0 out of 5 stars Benson: Bringing back a slick edge to 007,
By A Customer
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The Man with the Red Tattoo by Raymond Benson (Mass Market Paperback - 31 May 2003)
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