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As it LA's
on 9 May 2012
I first read this novel on a trip to Los Angeles many years ago, and picked it up to read again when I revisited that city last month. The city is almost a character in the book: ever-present in the background as the heroine tries to escape from her demons by continually driving its endless freeways: "She drove the San Diego to the Harbor, the Harbor up to the Hollywood, the Hollywood to the Golden State, the Santa Monica, the Santa Ana, the Pasadena, the Ventura [...and she] lay at night in the still of Beverly hills and saw the great signs soar overhead at seventy miles an hour, Normandie 1/4 Vermont 3/4 Harbor Fwy 1." (p16).
Its presence is made stronger by the emptiness of the heroine's life: an unfulfilled actress in the middle of a divorce (and probably a nervous breakdown as well), drifting in the emotional space between sad memories of her parents, longings for her hospitalized daughter, and several men whose characters are so vaguely drawn that you find it hard to remember which is which. You can also tell that it's not a happy story, but the author tells it with such spare, tight and vivid prose (strongly reminiscent of Hemingway) that you find yourself being drawn along for the ride on those endless highways.