The art market is the result of complex interactions. The purpose of this research is to analyze the relations among actors of the contemporary art system, in particular considering the production of contemporary art exhibitions. In this sense the author thought to fill a gap of European researches, preferring to shift the attention on four precise cultural institutions, representative of different European art management styles: Ludwig Museum in Budapest, Fondazione Sandretto Re Rebaudengo in Turin, Magasin 3 in Stockholm, KW in Berlin. Only by taking into account the behavior of institutions, art dealers, curators and artists, the author will test the stability of markets, and admit a flourishing future for the art system, therefore a deep sense for people working in this field.
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About the Author
Ingrid Melano was born in Torno, Italy. She graduated from Luigi Bocconi University, in Milan, with the Master of Science Management of Art & Culture. After working for four different contemporary art galleries, she is now freelance art editor for Style.it and other italian magazines. She recently created the contemporary art blog Mustikka.
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