Falling Down [1992] [DVD] [1993]

Robert Duvall is indeed quite good as the good cop, Prendergast, pursuing this vigilante on his last day before retirement. His life is no dream either, but of course he handles his own problems in a way quite unlike our man Foster does. His wife is clearly disturbed, made frighteningly burdensome and vulnerable by the death of their own little girl and an earlier wounding of her husband on the job. For her benefit, he took a desk job and is forced to put up with a lot of jokes and insults from his fellow cops, including his own boss. Except for his partner, all of the cops in this film are as unfeeling and cruel as some of the shady characters Foster meets up with during his journey home, and that is to me one of the more disturbing aspects of this film.

One of the things I liked most about Falling Down was its attempt to portray Foster as one very disturbed man and not a stand-in for any type of stereotypical vigilante; one character in particular makes this point quite clearly when, discovering that Foster doesn't actually agree with him in his own twisted, stereotypically extremist mindset, he asks the man just what kind of vigilante he is supposed to be. My own thinking is that Falling Down is not meant to be a warning about a group of potential Bill Fosters festering in the midst of society; instead, by showing us what happens to one man, it is warning us to walk carefully on our own journeys and to be careful to keep our tempers in check even when the world seems to be out to get us. At the same time, it doesn't imply that we should roll over and play dead whenever a problem comes our way, using the character of Prendergast to show us that we can and should stand up for ourselves but only in constructive ways. I really have a lot of conflicting emotions about this film, but the one thing I am sure of is that Falling Down is an unforgettable motion picture well worth seeing.

Falling Down tells the tale of a middle class white-collar worker who is slowly cracking up over his divorce and separation from his child and begins to take out his mental anguish on the everyday world he can no longer relate to. What starts as a day a being left hot and bothered in a traffic jam develops into a shooting spree as Douglas's character snaps and goes off the rails. On the other side of the coin we have Robert Duvall playing a grizzled old cop on his last day at work before retirement. It is Duvall who starts to piece together what is going on this fateful day as opposed to his scornful younger colleagues.

This, I guess, is the most interesting factor of the film, is that basically Douglas and Duvall play the same character. They are the forgotten men of America, middle aged, passed over and ignored at work, both rejected to an extent by their wives and both seeing the world they used to understand crumble around them. The fact is Duvall has the mental capacity to deal with the situation whereas Douglas does not.

The opening scene in which we see Douglas trapped in the traffic jam is extremely well presented and really sets the heat and frustration levels of the movie from the beginning. Other scenes in the film are equally as stunning and have almost become legend in film history. The scene in the Burger Bar is simply stunning and it is scenes like this where the viewer actually cheers for Douglas as he performs all the stunts we would like to in our own real worlds!

Having read other reviews of the film I note that some have accused the Douglas character of being racist, and the film in general has a racist flavour. Is this the story of the middle class white man taking out his frustrations on an ethnic minority "taking over his country"? To be honest when watching the film this never occurred to me, and even now I see the film as a rebellion against the everyday environment, whether that be race related or not. I didn't see Douglas's character treat the white citizens any differently throughout.

All in all, an excellent film that works on many levels. It's a tense and atmospheric thriller, a great exponent of classic almost black comic scenes and a talking point of modern life and the way we live it.

The movie starts off with Douglas' William Foster, a man with a BIG temper, stook in a taffic jam on the hottest day of the year. Foster gets very fustraighted and abandons his car in the middle of the road. He goes to the nearest shop to get change for the phone and ends up trashing it over the price of a can of coke. After, he decides to walk home for his daught's birthday, even though he knows his ex-wife has filed a restaining order against him. On his way home he causes extreme mayham. Now, Detective Prendergast (Duvall), on his retirement day, is determined to find out who is doing all these terriable crimes.

Even though Dauglas is made out to be the bad guy, you can't help but feel sorry for him. Excellent, brilliant thiller that should be reguarded as a classic.